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目 录 <span class="q">十九调六十二体,起四十一字至四十三字</span>
玉蝴蝶七体<span class="q">又名玉蝴蝶慢
</span>女冠子七体<span class="q">又名女冠子慢
</span>中兴乐三体<span class="q">又名湿罗衣
</span>纱窗恨二体</span>
醉花间三体
点绛唇三体<span class="q">又名点樱桃、十八香、南浦月、沙头雨、寻瑶草</span>
平湖乐三体<span class="q">又名小桃红、采莲词
</span>归国遥三体<span class="q">又名归平遥
</span>恋情深二体</span>
赞浦子一体<span class="q">又名赞普子</span>
浣溪沙五体<span class="q">又名小庭花、减字浣溪沙、满院春、东风寒、醉木犀、霜菊花、广寒枝、试香罗、清和风、怨啼鹃
</span>醉垂鞭一体</span>
雪花飞一体
沙塞子四体<span class="q">又名沙碛子</span>
殿前欢二体<span class="q">又名凤将雅
</span>水仙子二体
霜天晓角九体<span class="q">又名月当窗、踏月、长桥月</span>
清商怨三体<span class="q">又名关河令、伤情怨</span>
伤春怨一体</span>
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玉蝴蝶 小令始于温庭筠,长调始于柳永。《乐章集》注:仙吕调。一名《玉蝴蝶慢》。</span>
玉蝴蝶 <span class="q">双调四十一字,前段四句四平韵,后段四句三平韵</span> 温庭筠</span>
秋风凄切伤离<span class="q">韵</span>行客未归时<span class="q">韵</span>塞外草先衰<span class="q">韵</span>江南雁到迟<span class="q">韵</span> 芙蓉凋嫩脸<span class="q">句</span>杨柳堕新眉<span class="q">韵</span>摇</span>
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落使人悲<span class="q">韵</span>断肠谁得知<span class="q">韵
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按,《词律》谓此调与《蝴蝶儿》相近。不知《蝴蝶儿》第三句俱七字,此则五字,即孙光宪词亦然,不可类列也。孙词,第三句即是此词第二句,平仄互异,宜参之。
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又一体 <span class="q">双调四十二字,前段五句四平韵,后段五句两仄韵、三平韵</span> 孙光宪</span>
春欲尽<span class="q">句</span>景仍长<span class="q">平韵</span>满园花正黄<span class="q">韵</span>粉翅两悠扬<span class="q">韵</span>翩翩过短墙<span class="q">韵</span> 鲜飚暖<span class="q">仄韵</span>牵游伴<span class="q">韵</span>飞去</span>
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立残阳<span class="q">平韵</span>无语对萧娘<span class="q">韵</span>舞衫沈麝香<span class="q">韵
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此词前后段起俱作三字两句,换头又间入两仄韵,与温词不同。
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又一体 <span class="q">双调九十九字,前段十句五平韵,后段十一句六平韵</span> 柳 永</span>
望处雨收云断<span class="q">句</span>凭阑悄悄<span class="q">句</span>目送秋光<span class="q">韵</span>晚景萧疏<span class="q">句</span>堪动宋玉悲凉<span class="q">韵</span>水风清<span class="q">读</span>苹花渐老<span class="q">句</span>月露</span>
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冷<span class="q">读</span>梧叶飘黄<span class="q">韵</span>遣情伤<span class="q">韵</span>故人何在<span class="q">句</span>烟水茫茫<span class="q">韵</span> 难忘<span class="q">韵</span>文期酒会<span class="q">句</span>几辜风月<span class="q">句</span>屡变星霜<span class="q">韵
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海阔山遥<span class="q">句</span>未知何处是潇湘<span class="q">韵</span>念双燕<span class="q">读</span>难凭远信<span class="q">句</span>指暮天<span class="q">读</span>空识归航<span class="q">韵</span>黯相望<span class="q">韵</span>断鸿声里<span class="q">句
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立尽斜阳<span class="q">韵</span>
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此词前段第四、五句,上四下六,后段第五、六句,上四下七。王安中、史达祖、高观国、陆游皆照此填。 沈伯时《乐府指迷》云:词中多有句中韵,人多不晓,不惟读之可听,而歌时最要叶韵应拍,不可以为闲字而不叶。如此词后段起句“难忘”二字是也,《满庭芳》、《木兰花慢》等词,皆同此例。 前段第一句,柳词别首“误入平康小巷”,小字仄声。第三句,辛弃疾词“香满红树”,满字仄声。第五句,辛弃疾词“高处都被云遮”,都字平声。第六句,柳别首“银蟾静、鱼鳞箪展”,银字平声,静字仄声;高观国词“古台荒、断霞残照”,残字平声。后段换头短韵,尹济翁词“怎知”,怎字仄声。谱内可平可仄据此,其余参校后列诸词。
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又一体 <span class="q">双调九十九字,前段十句五平韵,后段十一句六平韵</span> 柳 永</span>
是处小街斜巷<span class="q">句</span>烂游花馆<span class="q">句</span>连醉瑶卮<span class="q">韵</span>选得芳容端丽<span class="q">句</span>冠绝吴姬<span class="q">韵</span>绛唇轻<span class="q">读</span>笑歌尽雅<span class="q">句</span>莲步</span>
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稳<span class="q">读</span>举措皆奇<span class="q">韵</span>出屏帏<span class="q">韵</span>倚风情态<span class="q">句</span>约素腰肢<span class="q">韵</span> 当时<span class="q">韵</span>绮罗丛里<span class="q">句</span>知名虽久<span class="q">句</span>识面何迟<span class="q">韵
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见了千花万柳<span class="q">句</span>比并不如伊<span class="q">韵</span>未同欢<span class="q">读</span>寸心暗许<span class="q">句</span>欲话别<span class="q">读</span>纤手重携<span class="q">韵</span>结前期<span class="q">韵</span>美人才子<span class="q">句
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合是相知<span class="q">韵</span>
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此词前段第四、五句上六下四,后段第五、六句上六下五,与前词异。 按,晁补之、晁冲之二词,其前段第四、五句,用柳永“是处小街”词体,后段第五、六句,用柳永“望处雨收”词体,前段参用两词,与各家微异。因字数相同,故不另列一体。
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又一体 <span class="q">双调九十八字,前段十句五平韵,后段十一句六平韵</span> 李之仪</span>
坐久灯花开尽<span class="q">句</span>暗惊风叶<span class="q">句</span>初服霜寒<span class="q">韵</span>冉冉年华催暮<span class="q">句</span>颜色非丹<span class="q">韵</span>搅回肠<span class="q">读</span>蛩吟似织<span class="q">句</span>留恨</span>
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意<span class="q">读</span>月彩如摊<span class="q">韵</span>惨无欢<span class="q">韵</span>篆烟萦素<span class="q">句</span>空转雕盘<span class="q">韵</span> 何难<span class="q">韵</span>别来几日<span class="q">句</span>信沉鱼鸟<span class="q">句</span>情满关山<span class="q">韵
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依约耳边常记<span class="q">句</span>巧语绵蛮<span class="q">韵</span>聚愁窠<span class="q">读</span>蜂房未密<span class="q">句</span>倾泪眼<span class="q">读</span>海水犹悭<span class="q">韵</span>掩萸关<span class="q">韵</span>渐移银汉<span class="q">句</span>低</span>
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泛帘颜<span class="q">韵</span>
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此词与柳永“是处小街”词同,惟后段第六句,少一字异。
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又一体 <span class="q">双调九十九字,前后段各十句五平韵</span> 张 炎</span>
留得一团和气<span class="q">句</span>此花开尽<span class="q">句</span>春已归圆<span class="q">韵</span>虚白窗深<span class="q">句</span>恍讶碧落星悬<span class="q">韵</span>飏芳丛<span class="q">读</span>低翻雪羽<span class="q">句</span>凝素</span>
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艳<span class="q">读</span>争簇冰蝉<span class="q">韵</span>向西园<span class="q">韵</span>几回错认<span class="q">句</span>明月秋千<span class="q">韵</span> 欲觅生香何处<span class="q">句</span>盈盈一水<span class="q">句</span>空对娟娟<span class="q">韵
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待折归来<span class="q">句</span>倩谁偷解玉连环<span class="q">韵</span>试结取<span class="q">读</span>鸳鸯锦带<span class="q">句</span>好移傍<span class="q">读</span>鹦鹉珠帘<span class="q">韵</span>晚阶前<span class="q">韵</span>落梅无数<span class="q">句
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因甚啼鹃<span class="q">韵</span>
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此即柳永“望处雨收”词体,惟换头句不用短韵。
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又一体 <span class="q">双调九十九字,前段十句五平韵,后段十一句六平韵</span> 辛弃疾</span>
贵贱偶然<span class="q">句</span>浑似随风帘幕<span class="q">句</span>篱落飞花<span class="q">韵</span>空使儿曹马上<span class="q">句</span>羞面频遮<span class="q">韵</span>向空江<span class="q">读</span>谁捐玉佩<span class="q">句</span>寄离</span>
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恨<span class="q">读</span>应折疏麻<span class="q">韵</span>暮云多<span class="q">韵</span>佳人何处<span class="q">句</span>数尽归鸦<span class="q">韵</span> 侬家<span class="q">韵</span>生涯蜡屐<span class="q">句</span>功名破甑<span class="q">句</span>交友摶沙<span class="q">韵
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往日曾论<span class="q">句</span>渊明似胜卧龙些<span class="q">韵</span>算从来<span class="q">读</span>人生行乐<span class="q">句</span>休便说<span class="q">读</span>日饮亡何<span class="q">韵</span>快斟呵<span class="q">韵</span>裁诗未稳<span class="q">句
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得酒良佳<span class="q">韵</span>
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此词前段第一句四字,第二句六字,与各家异。 按,葛郯“忆昨苕溪”词,与此同,惟后段第六句“听隔墙、无事高歌”,作上三下四句法小异。
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女冠子 唐教坊曲名。小令始于温庭筠,长调始于柳永。《乐章集》“淡烟飘薄”词,注仙吕调;“断烟残雨”词,注大石调;元高拭词,注黄钟宫。柳永词,一名《女冠子慢》。</span>
女冠子 <span class="q">双调四十一字,前段五句两仄韵、两平韵,后段四句两平韵</span> 温庭筠</span>
含娇含笑<span class="q">仄韵</span>宿翠残红窈窕<span class="q">韵</span>鬓如蝉<span class="q">平韵</span>寒玉簪秋水<span class="q">句</span>轻纱卷碧烟<span class="q">韵</span> 雪肌鸾镜里<span class="q">句</span>琪树凤</span>
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楼前<span class="q">韵</span>寄语青娥伴<span class="q">句</span>早求仙<span class="q">韵
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此词前段起二句间入仄韵,唐词二十首皆然。《啸余谱》不注韵者误。 前段第一句,韦庄词“四月十七”,四字、月字、十字俱仄声。第二句,李珣词“愁闻洞天疏磬”,愁字、闻字、疏字俱平声,洞字仄声。第四句,韦词“忍泪佯低面”,忍字仄声。后段第一句,牛峤词“鸳鸯排宝帐”,鸳字平声。第二句,韦词“欲去又依依”,欲字仄声。第三句,牛词“青鸟传心事”,青字平声;韦词“觉来知是梦”,来字平声,是字仄声。谱内可平可仄据此。
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又一体 <span class="q">双调一百七字,前段十二句六仄韵,后段十一句六仄韵</span> 康与之</span>
火云初布<span class="q">韵</span>迟迟永日炎暑<span class="q">韵</span>浓阴高树<span class="q">韵</span>黄鹂叶底<span class="q">句</span>羽毛学整<span class="q">句</span>方调娇语<span class="q">韵</span>薰风时渐动<span class="q">句</span>峻阁</span>
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池塘<span class="q">句</span>芰荷争吐<span class="q">韵</span>画梁紫燕<span class="q">句</span>对对衔泥<span class="q">句</span>飞来又去<span class="q">韵</span> 想佳期<span class="q">读</span>容易成辜负<span class="q">韵</span>共人人<span class="q">读</span>同</span>
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上画楼斟香醑<span class="q">韵</span>恨花无主<span class="q">韵</span>卧象床犀枕<span class="q">句</span>成何情绪<span class="q">韵</span>有时魂梦断<span class="q">句</span>半窗残月<span class="q">句</span>透帘穿户<span class="q">韵</span>去</span>
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年今夜<span class="q">句</span>扇儿扇我<span class="q">句</span>情人何处<span class="q">韵
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此词平仄悉参后词。
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又一体 <span class="q">双调一百十字,前段十一句六仄韵,后段十二句六仄韵</span> 李 邴</span>
帝城三五<span class="q">韵</span>灯光花市盈路<span class="q">韵</span>天街游处<span class="q">韵</span>此时方信<span class="q">句</span>凤阙都民<span class="q">句</span>奢花豪富<span class="q">韵</span>纱笼才过处<span class="q">句</span>喝道</span>
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转身<span class="q">句</span>一壁小来且住<span class="q">韵</span>见许多才子艳质<span class="q">句</span>携手并肩低语<span class="q">韵</span> 东来西往谁家女<span class="q">韵</span>买玉梅争戴<span class="q">句
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缓步香风度<span class="q">韵</span>北观南顾<span class="q">韵</span>见画烛影里<span class="q">句</span>神仙无数<span class="q">韵</span>引人魂似醉<span class="q">句</span>不如趁早<span class="q">句</span>步月归去<span class="q">韵</span>这一</span>
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双情眼<span class="q">句</span>怎生禁得<span class="q">句</span>许多胡觑<span class="q">韵
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·
此词前段第九句六字,第十句七字,第十一句六字;后段第一句七字,第二、三句皆五字,第十句五字,俱与康词异。 按,此词元曲用为黄钟引子,但元曲前后段多用两韵耳。
</span>
又一体 <span class="q">双调一百十一字,前段十句六仄韵,后段十一句四仄韵</span> 柳 永</span>
淡烟飘薄<span class="q">韵</span>莺花谢<span class="q">读</span>清和院落<span class="q">韵</span>树阴密<span class="q">读</span>翠叶成幄<span class="q">韵</span>麦秋霁景<span class="q">句</span>夏云忽变奇峰<span class="q">读</span>倚寥廓<span class="q">韵</span>波</span>
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暖银塘<span class="q">句</span>涨新萍绿玉跃<span class="q">韵</span>想端忧多暇<span class="q">句</span>陈王是日<span class="q">句</span>嫩苔生阁<span class="q">韵</span> 正铄石天高<span class="q">句</span>流金昼永<span class="q">句
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楚谢光风转蕙<span class="q">句</span>披襟处<span class="q">读</span>波翻翠幕<span class="q">韵</span>以文会友<span class="q">句</span>沈李浮瓜忍轻诺<span class="q">韵</span>别馆清闲<span class="q">句</span>避炎蒸<span class="q">读</span>岂须</span>
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河朔<span class="q">韵</span>但尊前随分<span class="q">句</span>雅歌艳舞<span class="q">句</span>尽成欢乐<span class="q">韵
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此词“麦秋”以下二十三字,《词律》不分句读,今照《啸余谱》点定,只“夏云忽变奇峰”须作微读,“波暖银塘”十字,须上四下六分句,稍为妥适耳。至“端忧多暇”,本谢庄《月赋》中语,乃改“端忧”为“忧端”;后段“光风转蕙”,本宋玉《招魂》中语,乃改“转蕙”为“转恶”,而以“恶”字为叶韵,俱《啸余》之误。
</span>
又一体 <span class="q">双调一百十二字,前段十一句六仄韵,后段十二句七仄韵</span> 蒋 捷</span>
蕙风香也<span class="q">韵</span>雪晴池馆如画<span class="q">韵</span>春风飞到<span class="q">句</span>宝钗楼上<span class="q">句</span>一片笙箫<span class="q">句</span>琉璃光射<span class="q">韵</span>而今灯谩挂<span class="q">韵</span>不是</span>
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暗尘明月<span class="q">句</span>那时元夜<span class="q">韵</span>况年来<span class="q">读</span>心懒意怯<span class="q">句</span>羞与蛾儿争耍<span class="q">韵</span> 江城人悄初更打<span class="q">韵</span>问繁华谁</span>
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解<span class="q">句</span>再向天公借<span class="q">韵</span>别残红灺<span class="q">韵</span>但梦里隐隐<span class="q">句</span>钿车罗帕<span class="q">韵</span>吴牋银粉呀<span class="q">韵</span>待把旧家风景<span class="q">句</span>写成闲</span>
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话<span class="q">韵</span>笑绿鬟邻女<span class="q">句</span>倚窗犹唱<span class="q">句</span>夕阳西下<span class="q">韵
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·
此即李词体,惟前段第八句六字、第九句四字,后段“旧家风景”句,比李词多“待把”二字。 按,蒋永嘉别首,前段第二句“双龙还又争渡”,双字平声;第八、九句“不似素车白马,卷潮起怒”,白字、起字俱仄声;第十句、十一句“但悄然千载旧迹,时有人来吊古”,悄字、吊字俱仄声;后段第一句“生平惯受椒兰苦”,惯字仄声;第二句“甚魄沈寒浪”,魄字仄声;第六句“骑鲸烟雾”,骑字平声;第七句“楚妃花倚暮”,楚字仄声。谱内可平可仄据此。
</span>
又一体 <span class="q">双调一百十三字,前段十二句七仄韵,后段十一句五仄韵</span> 柳 永</span>
断烟残雨<span class="q">韵</span>洒微凉<span class="q">句</span>生轩户<span class="q">韵</span>动清籁<span class="q">读</span>萧萧庭树<span class="q">韵</span>银河浓淡<span class="q">句</span>华星明灭<span class="q">句</span>轻云时度<span class="q">韵</span>莎阶寂</span>
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静无睹<span class="q">韵</span>幽蛩切切秋吟苦<span class="q">韵</span>疏篁一径<span class="q">句</span>流萤几点<span class="q">句</span>飞来又去<span class="q">韵</span> 对月临风<span class="q">句</span>空恁无眠耿耿<span class="q">句
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暗想旧日牵情处<span class="q">韵</span>绮罗丛里<span class="q">句</span>有人人<span class="q">读</span>那回饮散<span class="q">句</span>略略曾谐鸳侣<span class="q">韵</span>因循忍便睽阻<span class="q">韵</span>相思不得</span>
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长相聚<span class="q">韵</span>好天良夜<span class="q">句</span>无端惹起<span class="q">句</span>千愁万绪<span class="q">韵
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·
此词《乐章集》注:大石调。与前首“淡烟飘薄”词注仙吕调者不同。宋词中亦无他首可校。
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又一体 <span class="q">双调一百十四字,前段十二句四仄韵、两叶韵,后段十句六仄韵 花草粹编</span>无名氏</span>
同云密布<span class="q">韵</span>撒梨花<span class="q">读</span>柳絮飞舞<span class="q">韵</span>楼台悄似玉<span class="q">叶</span>向红炉暖阁<span class="q">句</span>院宇深沉<span class="q">句</span>广排筵会<span class="q">叶</span>听笙歌犹未</span>
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彻<span class="q">句</span>渐觉轻寒<span class="q">句</span>透帘穿户<span class="q">韵</span>乱飘僧舍<span class="q">句</span>密洒歌楼<span class="q">句</span>酒帘如故<span class="q">韵</span> 想樵人<span class="q">读</span>山径迷踪路<span class="q">韵</span>料渔</span>
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人<span class="q">读</span>收纶罢钓归南浦<span class="q">韵</span>路无伴侣<span class="q">韵</span>见孤村寂寞<span class="q">句</span>招飐酒旗斜处<span class="q">韵</span>南轩孤雁过<span class="q">句</span>呖呖声声<span class="q">句</span>又无</span>
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书度<span class="q">韵</span>见腊梅<span class="q">读</span>枝上嫩蕊<span class="q">句</span>两两三三微吐<span class="q">韵
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·
此词或刻柳永,或刻周邦彦。自“楼台悄似玉”以下三十二字,至“户”字方押韵,必无此理。按《啸余谱》,以玉字、会字为叶韵,当从之。然音调未谐,字句亦恐有脱误,姑存以备参考。
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中兴乐 见《花间集》。牛希济词有“泪湿罗衣”句,句《湿罗衣》。</span>
中兴乐 <span class="q">双调四十一字,前段五句三平韵、两仄韵,后段五句四仄韵、一平韵</span> 毛文锡</span>
豆蔻花繁烟艳深<span class="q">平韵</span>丁香软结同心<span class="q">韵</span>翠鬟女<span class="q">仄韵</span>相与<span class="q">韵</span>共淘金<span class="q">平韵</span> 红蕉叶里猩猩语<span class="q">仄韵</span>鸳</span>
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鸯浦<span class="q">韵</span>镜中鸾舞<span class="q">韵</span>丝雨<span class="q">韵</span>隔荔枝阴<span class="q">平韵
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此词六仄韵,即间入平韵之内。旧谱失注,今照《词□》本点定。
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又一体 <span class="q">双调四十二字,前段四句三平韵,后段五句三平韵</span> 牛希济</span>
池塘暖碧浸晴晖<span class="q">韵</span>濛濛柳絮轻飞<span class="q">韵</span>红蕊凋来<span class="q">句</span>醉梦还稀<span class="q">韵</span> 春云空有雁归<span class="q">韵</span>珠帘垂<span class="q">韵</span>东风</span>
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寂寞<span class="q">句</span>恨郎抛掷<span class="q">句</span>泪湿罗衣<span class="q">韵
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此词不间入仄韵,两结句读亦与毛词异。李珣两段者,即照此体填。
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又一体 <span class="q">双调八十四字,前后段各九句六平韵</span> 李 珣</span>
后庭寂寞日初长<span class="q">韵</span>翩翩蝶舞红芳<span class="q">韵</span>绣帘垂地<span class="q">句</span>金鸭无香<span class="q">韵</span>谁知春思如狂<span class="q">韵</span>忆萧郎<span class="q">韵</span>等闲一去<span class="q">句
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程遥信断<span class="q">句</span>五岭三湘<span class="q">韵</span> 休开鸾镜学宫妆<span class="q">韵</span>可能更理笙簧<span class="q">韵</span>倚屏凝睇<span class="q">句</span>泪落成行<span class="q">韵</span>手寻裙</span>
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带鸳鸯<span class="q">韵</span>暗思量<span class="q">韵</span>忍辜前约<span class="q">句</span>教人花貌<span class="q">句</span>虚老风光<span class="q">韵
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此词前后段,即牛词体加一叠,但“绣帘垂地”、“倚屏凝睇”,平仄与牛词小异。
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纱窗恨 唐教坊曲名。毛文锡词,有“月照纱窗,恨依依”句,取以为名。</span>
纱窗恨 <span class="q">双调四十一字,前段四句两仄韵、两平韵,后段四句两平韵</span> 毛文锡</span>
新春燕子还来至<span class="q">仄韵</span>一双飞<span class="q">平韵</span>垒巢泥湿时时坠<span class="q">仄韵</span>涴人衣<span class="q">平韵</span> 后园里<span class="q">读</span>看百花发<span class="q">句</span>香</span>
○○●●○○●<span class="q"> </span>●○○<span class="q"> </span>●○⊙●○○●<span class="q"> </span>●○○<span class="q"> </span> ●○● ●◎○● ⊙
风拂<span class="q">读</span>绣户金扉<span class="q">韵</span>月照纱窗<span class="q">句</span>恨依依<span class="q">韵
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此词前段起句,乃间入仄韵,非本韵也。《词律》于第二句注换平者误。谱内可平可仄参校下词。
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又一体 <span class="q">双调四十二字,前段四句两仄韵、两平韵,后段四句两平韵</span> 毛文锡</span>
双双蝶翅涂铅粉<span class="q">仄韵</span>咂花心<span class="q">平韵</span>绮窗绣户飞来稳<span class="q">仄韵</span>画堂阴<span class="q">平韵</span> 二三月<span class="q">读</span>爱随风絮<span class="q">句</span>伴</span>
○○●●○○●<span class="q"> </span>●○○<span class="q"> </span>●○●●○○●<span class="q"> </span>●○○<span class="q"> </span> ●○● ●○○● ●
落花<span class="q">读</span>来拂衣襟<span class="q">韵</span>更剪轻罗片<span class="q">句</span>傅黄金<span class="q">韵
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此词后段第三句较前词多一字,宋词谓之添字,元曲谓之衬字。
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醉花间 唐教坊曲名。《宋史·乐志》:双调。</span>
醉花间 <span class="q">双调四十一字,前段五句三仄韵、一叠韵,后段四句三仄韵</span> 毛文锡</span>
深相忆<span class="q">韵</span>莫相忆<span class="q">叠</span>相忆情难极<span class="q">韵</span>银汉是红墙<span class="q">句</span>一带遥相隔<span class="q">韵</span> 金盘珠露滴<span class="q">韵</span>两岸榆花白<span class="q">韵
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风摇玉佩轻<span class="q">句</span>今夕为何夕<span class="q">韵
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《啸余谱》注:《生查子》词,与《醉花间》调相近。不知《生查子》正体,前后段皆五字句起,间有用六字者,变格耳。《醉花间》正体,则前必六字、后必五字也。谱内可平可仄,悉参下毛词。
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又一体 <span class="q">双调四十一字,前段五句三仄韵、一叠韵,后段四句两仄韵</span> 毛文锡</span>
休相问<span class="q">韵</span>怕相问<span class="q">叠</span>相问还添恨<span class="q">韵</span>春水满塘生<span class="q">句</span>鸂鶒还相趁<span class="q">韵</span> 昨日雨霏霏<span class="q">句</span>临明寒一阵<span class="q">韵
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偏忆戍楼人<span class="q">句</span>久绝边庭信<span class="q">韵
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此词后段第一句少押一韵,与前词异。
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又一体 <span class="q">双调五十字,前段四句三仄韵,后段六句四仄韵</span> 冯延巳</span>
晴雪小园春未到<span class="q">韵</span>池边梅自早<span class="q">韵</span>高树鹊衔巢<span class="q">句</span>斜月明寒草<span class="q">韵</span> 山川风景好<span class="q">韵</span>自古金陵道<span class="q">韵
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少年看却老<span class="q">韵</span>相逢莫厌醉金杯<span class="q">句</span>别离多<span class="q">句</span>欢会少<span class="q">韵
</span>◎○○●● ⊙○◎●●○○ ●○○ ○●●
·
此词前段第二、三、四句,与毛词同,惟起句作七字异;后段第一、二句,与毛词同,以下句读全异。《阳春集》集中四首皆然。 前段第一旬,冯词别首“月落霜繁深院闭”,月字仄声,霜字平声;第二句“洞房人正睡”,洞字仄声;后段第一句“夜深寒不彻”,夜字仄声;第三句“双眉愁几许”,双字平声;第四句“两条玉箸为君垂”,两字仄声;又“人心情绪自无端”,情字平声。谱内可平可仄据此。
</span>
</span>
点绛唇 元《太平乐府》注:仙吕宫。高拭词注:黄钟宫。《正音谱》注:仙吕调。宋王禹偁词,名《点樱桃》;王十朋词,名《十八香》;张辑词有“邀月过南浦”句,名《南浦月》;又有“遥隔沙头雨”句,名《沙头雨》;韩淲词有“更约寻瑶草”句,名《寻瑶草》。</span>
点绛唇 <span class="q">双调四十一字,前段四句三仄韵,后段五句四仄韵</span> 冯延巳</span>
荫绿围红<span class="q">句</span>飞琼家在桃源住<span class="q">韵</span>画桥当路<span class="q">韵</span>临水开朱户<span class="q">韵</span> 柳径春深<span class="q">句</span>行到关情处<span class="q">韵</span>颦不语<span class="q">韵
</span>◎●○○ ⊙○⊙●○○● ◎○⊙● ⊙●○○● ◎●⊙○ ⊙●○○● ⊙◎●
意凭风絮<span class="q">韵</span>吹向郎边去<span class="q">韵
</span>◎○⊙● ⊙●○○●
·
此调以此词为正体,若苏词之藏韵、韩词之添字,皆变格也。 前段第一句,赵抃词“秋气微凉”,秋字平声;第二句,寇准词“社公雨足东风慢”,社字、雨字俱仄声;后段第一句,赵鼎词“美酒一杯”,一字仄声;第二句,寇词“拂晓停针线”,拂字仄声;第三句,张炎词“竹西好”,竹字仄声;第四句,毛滂词“蜂劳蝶攘”,蜂字平声,蝶字仄声;第六句,寇词“侧卧珠帘卷”,侧字仄声。谱内可平可仄据此,其余参校下词。
</span>
又一体 <span class="q">双调四十一字,前后段各五句四仄韵</span> 苏 轼</span>
不用悲秋<span class="q">句</span>今年身健<span class="q">韵</span>还高宴<span class="q">韵</span>江村海甸<span class="q">韵</span>总作空花观<span class="q">韵</span> 尚想横汾<span class="q">句</span>兰菊纷相半<span class="q">韵</span>楼船</span>
●●○○ ○○○● ○○● ○○●● ●●○○● ●●○○ ○●○○● ○○
远<span class="q">韵</span>白云飞乱<span class="q">韵</span>空有年年雁<span class="q">韵
</span>● ●○○● ○●○○●
·
此词前段第二句本七字句,但于第四字藏一韵,可作两句。宋吴琚词“憔悴天涯,故人相遇,情如故”,舒亶词“紫雾香浓,翠华风转,花随辇”,遇字、转字用韵,正与此同。元词如应次蘧、萧允之诸作皆然,实本苏词也。
</span>
又一体 <span class="q">双调四十三字,前段四句三仄韵,后段五句四仄韵</span> 韩 琦</span>
病起恹恹<span class="q">句</span>对堂阶花树添憔悴<span class="q">韵</span>乱红飘砌<span class="q">韵</span>滴尽真珠泪<span class="q">韵</span> 惆怅前春<span class="q">句</span>谁相向花前醉<span class="q">韵</span>愁</span>
●●○○ ●○○○●○○● ●○○● ●●○○● ○●○○ ○○●○○● ○
无际<span class="q">韵</span>武陵凝睇<span class="q">韵</span>人远波空翠<span class="q">韵
</span>○● ●○○● ○●○○●
·
此词见《花草粹编》,前后段第二句,俱多一字,《词律》疏于考据,反驳草堂之误,非也。
</span>
</span>
平湖乐 《太平乐府》注:越调。金词名《平湖乐》,取王恽词“人在平湖醉”句也。元词名《小桃红》,取无名氏词“宜插小桃红”句也;亦名《采莲词》,取《太平乐府》“采莲湖上采莲娇”句也。</span>
平湖乐 <span class="q">双调四十二字,前段四句两平韵、两叶韵,后段四句一叶韵、一平韵</span> 王 恽</span>
安仁双鬓已惊秋<span class="q">韵</span>更堪眉头皱<span class="q">叶</span>一笑相逢且开口<span class="q">叶</span>玉为舟<span class="q">韵</span> 新词淡似鹅黄酒<span class="q">叶</span>醉扶归路<span class="q">句
</span>⊙○○●●○○ ◎●○○● ◎●○○●○● ●○○ ⊙○◎●○○● ◎○⊙●
竹西歌吹<span class="q">句</span>人道是扬州<span class="q">韵
</span>◎○⊙● ⊙●●○○
·
此金人小令,犹遵古韵,以本部平、上、去三声叶者。若元词此调,则依《中原音韵》平、上、去、入四声,别部北音,无不叶矣。词与曲之分,正于此辨之。 后段第一句,王词别首“凌波幽梦谁惊破”,幽字平声。《太平乐府》词,后段第三、四句“诗筹酒令,不管翠眉颦”,酒字、不字俱仄声。其余平仄,见下所采二词。
</span>
又一体 <span class="q">双调四十二字,前段四句两平韵、两叶韵,后段四句三叶韵、一平韵</span> 张可久</span>
飞梅和雪洒林梢<span class="q">韵</span>花落春颠倒<span class="q">叶</span>驴背敲诗暮寒峭<span class="q">叶</span>路迢迢<span class="q">韵</span> 相逢不满疏翁笑<span class="q">叶</span>寒郊瘦岛<span class="q">叶
</span>○○○●●○○ ○●○○● ○●○○●○● ●○○ ○○●●○○● ○○●●
尘衣风帽<span class="q">叶</span>诗在灞陵桥<span class="q">韵
</span>○○○● ○●●○○
·
此与王词同,惟后段第二、三句,多叶两韵异。 按,张可久《小山乐府》十二首,后段第二、三句,莫不叶韵。如“红衫旧腔,花钿新样,封寄柳枝娘”,又“今番瘦了,多情知道,宽尽翠裙腰”是也。乔吉词“春风告示,梅花资次,攒到北边枝”,又“蒲葵策勋,桃花风韵,凉渗小鸟巾”亦然,但腔字、勋字用平韵,小异。
</span>
又一体 <span class="q">双调四十三字,前段四句两平韵、两叶韵,后段四句一叶韵、一平韵</span> 王 恽</span>
采莲人语隔秋烟<span class="q">韵</span>波静如横练<span class="q">叶</span>入手风光莫流转<span class="q">叶</span>共留连<span class="q">韵</span> 画船一笑春风面<span class="q">叶</span>江山信美<span class="q">句
</span>●○○●●○○ ○●○○● ●●○○●○● ●○○ ●○●●○○● ○○●●
终非吾土<span class="q">句</span>问何日<span class="q">读</span>是归年<span class="q">韵
</span>○○○● ●○● ●○○
·
此词后段结句六字,王词别首“道别后、意如何”,正与此同,皆衬字也。若《太平乐府》无名氏词,后段第二、三、四句“问谁家有酒,见青帘高挂,高挂在杨柳杏花村”,衬字太多,则曲而非词矣,故不采入。
</span>
</span>
归国遥 唐教坊曲名。元颜奎词名《归平谣》。</span>
归国谣 <span class="q">双调四十二字,前后段各四句,四仄韵</span> 温庭筠</span>
双脸<span class="q">韵</span>小凤战篦金飐艳<span class="q">韵</span>舞衣无力风软<span class="q">韵</span>藕丝秋色染<span class="q">韵</span> 锦帐绣帏斜掩<span class="q">韵</span>露珠清晓箪<span class="q">韵</span>粉</span>
○● ●●◎○○●● ◎⊙⊙◎○● ◎○○●● ◎●●○○● ●○○●● ●
心黄蕊花靥<span class="q">韵</span>黛眉山两点<span class="q">韵
</span>⊙⊙◎○● ●○○●●
·
此调以温、韦二词为正体,若颜词之摊破句法,乃变体也。 按,温词二首,起句皆二字,韦词起句增出一字,即是此体,故此词平仄,悉参韦词。又韦别首,前段第二句“为我南飞传我意”,南字平声,谱内据之。
</span>
又一体 <span class="q">双调四十三字,前后段各四句,四仄韵</span> 韦 庄</span>
春欲暮<span class="q">韵</span>满地落花红带雨<span class="q">韵</span>惆怅玉笼鹦鹉<span class="q">韵</span>单棲无伴侣<span class="q">韵</span> 南望去程何许<span class="q">韵</span>问花花不语<span class="q">韵
</span>○●● ●●●○○●● ○●●○○● ○○○●● ○●●○○● ●○○●●
早晚得同归去<span class="q">韵</span>恨无双翠羽<span class="q">韵
</span>●●●○○● ●○○●●
·
此与温词同,惟前段起句多一字异。韦词三首皆然。
</span>
又一体 <span class="q">双调四十二字,前后段各四句,四仄韵</span> 颜 奎</span>
春风拂拂<span class="q">韵</span>檐花双燕入<span class="q">韵</span>少年湖上风日<span class="q">韵</span>问天何处觅<span class="q">韵</span> 湖山画屏晴碧<span class="q">韵</span>梦华知夙昔<span class="q">韵</span>东</span>
○○●● ○○○●● ●○○●○● ●○○●● ○○●○○● ●○○●● ○
风忘了前迹<span class="q">韵</span>上青芜半壁<span class="q">韵
</span>○○●○● ●○○●●
·
前段起句四字,第二句五字,与温、韦词异。
</span>
</span>
<h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm"> </h5>
恋情深 唐教坊曲名。</span>
恋情深 <span class="q">双调四十二字,前段四句两仄韵、两平韵,后段四句三平韵</span> 毛文锡</span>
滴滴铜壶寒漏夜<span class="q">仄韵</span>醉红楼月<span class="q">韵</span>宴余香殿会鸳衾<span class="q">平韵</span>荡春心<span class="q">韵</span> 真珠帘下晓光侵<span class="q">韵</span>莺语隔</span>
●●○○○●●<span class="q"> </span>●○○● ◎○⊙●●○○<span class="q"> </span>●○○ ⊙○○●●○○ ⊙●●
琼林<span class="q">韵</span>宝帐欲开慵起<span class="q">句</span>恋情深<span class="q">韵
</span>○○ ●●●○○● ●○○
·
毛词二首,俱以“恋情深”三字结,如《诉衷情》例。其前后第二句“醉红楼月”、“簇神仙伴”,俱作上一下一、中二字相连句法,填此调者宜从之。此词可平可仄,参下“玉殿春浓”词。
</span>
又一体 <span class="q">双调四十二字,前段四句两仄韵、两平韵,后段四句三平韵</span> 毛文锡</span>
玉殿春浓花烂漫<span class="q">仄韵</span>簇神仙伴<span class="q">韵</span>罗裙窣地缕黄金<span class="q">平韵</span>奏清音<span class="q">韵</span> 酒阑歌罢两沈沈<span class="q">韵</span>一笑动</span>
●●○○○●●<span class="q"> </span>●○○● ○○●●●○○<span class="q"> </span>●○○ ●○○●●○○ ●●●
君心<span class="q">韵</span>永愿作<span class="q">读</span>鸳鸯伴<span class="q">句</span>恋情深<span class="q">韵
</span>○○ ●●● ○○● ●○○
·
后段第三句,六字折腰,句法与前词微异。
</span>
</span>
赞浦子 唐教坊曲名。一名《赞普子》。</span>
赞浦子 <span class="q">双调四十二字,前后段各四句,两平韵</span> 毛文锡</span>
锦帐添香睡<span class="q">句</span>金炉换夕熏<span class="q">韵</span>懒结芙蓉带<span class="q">句</span>慵拖翡翠裙<span class="q">韵</span> 正是桃夭柳媚<span class="q">句</span>那堪暮雨朝云<span class="q">韵
</span>●●○○● ○○●●○ ●●○○● ○○●●○ ●●○○●● ●○●●○○
宋玉高唐意<span class="q">句</span>裁琼欲赠君<span class="q">韵
</span>●●○○● ○○●●○
·
词见《花间集》,无别首可校,平仄当依之。
</span>
</span>
浣溪沙 唐教坊曲名。张泌词,有“露浓香泛小庭花”句,名《小庭花》;贺铸名《减字浣溪沙》;韩淲词,有“芍药酴縻满院春”句,名《满院春》;有“东风拂栏露犹寒”句,名《东风寒》;有“一曲西风醉木犀”句,名《醉木犀》;有“霜后黄花菊自开”句,名《霜菊黄》;有“广寒曾折最高枝”句,名《广寒枝》;有“春风初试薄罗衫”句,名《试香罗》;有“清和风里绿荫初”句,名《清和风》;有“一番春事怨啼鹃”句,名《怨啼鹃》。</span>
浣溪沙<span class="q"> 双调四十二字,前段三句三平韵,后段三句两平韵</span> 韩 偓</span>
宿醉离愁慢髻鬟<span class="q">韵</span>六铢衣薄惹轻寒<span class="q">韵</span>慵红闷翠掩青鸾<span class="q">韵</span> 罗袜况兼金菡萏<span class="q">句</span>雪肌仍是玉琅</span>
◎●⊙○◎●○ ◎○⊙●●○○ ⊙○◎●●○○ ⊙●◎○○●● ◎○⊙●●○
玕<span class="q">韵</span>骨香腰细更沈檀<span class="q">韵
</span>○ ◎○⊙●●○○
·
此调以此词为正体,若薛词之少押一韵,孙词、顾词之摊破句法,李词之换仄韵,皆变体也。 前段第二句,韦庄词“孤灯照壁背窗纱”,孤字平声,照字仄声;后段第二句,欧阳炯词“园中缓步折花枝”,缓字仄声;第三句,李煜词“登临不惜更沾衣”,登这平声,不字仄声。谱内可平可仄据此,其余悉参后词。至《花草粹编》所载李氏一词,前段第三句“流水飘香乳燕啼”,历查唐、宋、元诸家平韵词,此句从无第二、第六字用仄,第四字用平者,李词误填,不可从。
</span>
又一体 <span class="q">双调四十二字,前后段各三句,两平韵</span> 薛昭蕴</span>
红蓼渡头秋正雨<span class="q">句</span>印沙鸥迹自成行<span class="q">韵</span>整鬟飘袖野风香<span class="q">韵</span> 不语含颦深浦里<span class="q">句</span>几回愁煞棹船</span>
○●●○○●● ●○○●●○○ ●○○●●○○ ●●○○○●● ●○○●●○
郎<span class="q">韵</span>燕归帆尽水茫茫<span class="q">韵
</span>○ ●○○●●○○
·
此词首句不起韵。薛词别首“越女淘金春水上,步摇云鬓佩鸣珰”,正与此同。
</span>
又一体 <span class="q">双调四十四字,前段三句三平韵,后段五句两平韵</span> 孙光宪</span>
风撼芳菲满院香<span class="q">韵</span>四帘慵卷日初长<span class="q">韵</span>鬓云垂枕响微锽<span class="q">韵</span> 春梦未成愁寂寂<span class="q">句</span>佳期难会信茫</span>
○●○○●●○ ●○○●●○○ ●○○●●○○ ○●●○○●● ○○○●●○
茫<span class="q">韵</span>万般心<span class="q">句</span>千点泪<span class="q">句</span>泣兰堂<span class="q">韵
</span>○ ●○○ ○●● ●○○
·
此词后结作三字三句,唐、宋、元词,仅见此作。
</span>
又一体 <span class="q">双调四十六字,前段五句三平韵,后段五句两平韵</span> 顾 夐</span>
红藕香寒翠渚平<span class="q">韵</span>月笼虚阁夜蛩清<span class="q">韵</span>天际鸿<span class="q">句</span>枕上梦<span class="q">句</span>两牵情<span class="q">韵</span> 宝帐玉炉残麝冷<span class="q">句</span>罗衣</span>
○●○○●●○ ●○○●●○○ ○●○ ●●● ●○○ ●●●○○●● ○○
金缕暗尘生<span class="q">韵</span>小窗凉<span class="q">句</span>孤烛背<span class="q">句</span>泪纵横<span class="q">韵
</span>○●●○○ ●○○ ○●● ●○○
·
此词前后结皆三字三句。 按,《花间集》本,前后两结仍作七字一句,今从《花草粹编》,以备一体。
</span>
又一体 <span class="q">双调四十二字,前后段各三句,三仄韵</span> 李 煜</span>
红日已高三丈透<span class="q">韵</span>金炉次第添香兽<span class="q">韵</span>红锦地衣随步皱<span class="q">韵</span> 佳人舞点金钗溜<span class="q">韵</span>酒恶时拈花蕊</span>
○●●○○●● ○○●●○○● ○●●○○●● ○○●●○○● ●●○○○●
嗅<span class="q">韵</span>别殿遥闻箫鼓奏<span class="q">韵
</span>● ●●○○○●●
·
此调全押仄韵者,止此一词,无别首可校。
</span>
醉垂鞭 词见张先集。</span>
醉垂鞭 <span class="q">双调四十二字,前后段各五句,三平韵、两仄韵</span> 张 先</span>
醉面滟金鱼<span class="q">平韵</span>吴娃唱<span class="q">仄韵</span>吴潮上<span class="q">韵</span>玉殿白麻书<span class="q">平韵</span>待君归后除<span class="q">韵</span> 勾留风月好<span class="q">换仄韵</span>平</span>
◎●●○○<span class="q"> </span>○○●<span class="q"> </span>○○● ◎●●○○<span class="q"> </span>◎○⊙●○ ⊙○○●●<span class="q"> </span>○
湖晓<span class="q">韵</span>翠峰孤<span class="q">平韵</span>此景出关无<span class="q">韵</span>西州空画图<span class="q">韵
</span>○● ●○○<span class="q"> </span>●●●○○ ○○○●○
·
此词凡三用韵,两仄韵即间押于平韵之内,以平韵为主,亦花间体也。张词三首并同。 按,张词别首,前段第一句“双蝶绣罗裙”,双字平声;第四句“朱粉不深匀”,朱字平声;第五句“闲花淡淡春”,闲字平声,淡字仄声;后段第一句“细看诸处好”,细字仄声。谱内可平可仄据此。
</span>
</span>
雪花飞 《宋史·乐志》:高角调。按,高角乃大吕之角声也。</span>
雪花飞 <span class="q">双调四十二字,前后段各四句,两平韵</span> 黄庭坚</span>
携手青云路稳<span class="q">句</span>天声迤逦传呼<span class="q">韵</span>袍笏恩章乍赐<span class="q">句</span>春满皇都<span class="q">韵</span> 何处难忘酒<span class="q">句</span>琼花照玉壶<span class="q">韵
</span>○●○○●● ○○●●○○ ○●○○●● ○●○○ ○●○○● ○○●●○
归袅丝鞘竞醉<span class="q">句</span>雪舞街衢<span class="q">韵
</span>○●○○●● ●●○○
·
此调仅见山谷一词,无别首可校。
</span>
</span>
沙塞子 唐教坊曲名。一名《沙碛子》。</span>
沙碛子 <span class="q">双调四十二字,前后段各五句,两平韵</span> 朱敦儒</span>
万里飘零南越<span class="q">句</span>山引泪<span class="q">句</span>酒催愁<span class="q">韵</span>不见凤楼龙阙<span class="q">句</span>又经秋<span class="q">韵</span> 九日江亭闲望<span class="q">句</span>蛮树远<span class="q">句</span>瘴</span>
●●○○○● ○●● ●○○ ●●●○○● ●○○ ●●⊙○○● ○◎● ●
烟浮<span class="q">韵</span>肠断红蕉花晚<span class="q">句</span>水西流<span class="q">韵
</span>○○ ○●○○○● ●○○
·
此词前后段字句相同,朱词二首皆然。《花草粹编》刻此词,后段第二句落一“远”字,今从《词纬》增定。 朱词别首,后段第二句“莫作楚囚相泣”,楚字仄声;第二句“倾银汉”,银字平声。
</span>
又一体 <span class="q">双调四十九字,前后段各四句,三平韵</span> 葛立方</span>
天生玉骨冰肌<span class="q">韵</span>瘦损也<span class="q">读</span>知他为谁<span class="q">韵</span>寒涧底<span class="q">读</span>傲霜凌雪<span class="q">句</span>不教春知<span class="q">韵</span> 高楼横笛试轻吹<span class="q">韵
</span>○○●●○○ ●●● ○○●○ ○●● ●○○● ●●○○ ○○○●●○○
要一片<span class="q">读</span>花尽酒卮<span class="q">韵</span>拌沈醉<span class="q">读</span>帽檐斜插<span class="q">句</span>折取南枝<span class="q">韵
</span>●●● ○○●○ ○○● ●○○● ●●○○
·
《词律》于前段第三句,脱去“涧”字,今从《词纬》增定。 按,此词两起句用韵,第二句以下较朱词各添一字。
</span>
又一体 <span class="q">双调五十字,前后段各四句,三平韵</span> 周紫芝</span>
玉溪秋月浸寒波<span class="q">韵</span>忍持酒<span class="q">读</span>重听骊歌<span class="q">韵</span>不堪对<span class="q">读</span>绿阴飞阁<span class="q">句</span>月下羞蛾<span class="q">韵</span> 夜深惊鹊转南柯<span class="q">韵
</span>◎○○●●○○ ◎⊙● ⊙●○○ ●○● ◎○○● ●●○○ ●○○●●○○
惨别意<span class="q">读</span>无奈愁何<span class="q">韵</span>他年事<span class="q">读</span>不须重问<span class="q">句</span>转更愁多<span class="q">韵
</span>◎●● ○●○○ ⊙○● ●○○● ●●○○
·
此词前起作七字句,比葛词多一字,周紫芝二首皆然。 周词别首,前段第一句“秋云微淡月微羞”,秋字平声;第二句“云黯黯月彩难留”,云字平声,黯字、月字俱仄声;第三句“只应是嫦娥心里”,嫦字平声;后段第二句“人共月同上南楼”,人字平声;第三句:却重听画阑西角“,却字仄声。谱内可平可仄据此。
</span>
又一体 <span class="q">双调四十九字,前后段各四句,三仄韵</span> 赵彦端</span>
春水绿波南浦<span class="q">韵</span>渐理棹<span class="q">读</span>行人欲去<span class="q">韵</span>黯消魂<span class="q">读</span>柳际轻烟<span class="q">句</span>花梢微雨<span class="q">韵</span> 长亭放琖无计住<span class="q">韵
</span>○●●○○● ●●● ○○●● ●○○ ●●○○ ○○○● ○○●●○●●
但芳草<span class="q">读</span>迷人去路<span class="q">韵</span>忍回头<span class="q">读</span>断云残日<span class="q">句</span>长安何处<span class="q">韵
</span>●○● ○○●● ●○○ ●○○● ○○○●
·
此词用仄韵,其字句与葛立方平韵词同。
</span>
</span>
殿前欢 《太平乐府》注:双调。一名《凤将雏》。</span>
殿前欢 <span class="q">双调四十二字,前段四句三平韵、一叶韵,后段五句两平韵、两叶韵</span> 张可久</span>
水晶宫<span class="q">韵</span>四围添上玉屏风<span class="q">韵</span>姮娥碎剪银河冻<span class="q">叶</span>搀尽春红<span class="q">韵</span> 梅花纸帐中<span class="q">韵</span>香浮动<span class="q">叶</span>一片梨</span>
●○○ ◎○⊙●●○○ ⊙○◎●○⊙● ⊙●○○ ○○●●○ ○○● ◎●○
云梦<span class="q">叶</span>晓来诗句<span class="q">句</span>尽出渔翁<span class="q">韵
</span>○● ◎○⊙● ◎●○○
·
朱子有云:古乐府,只是诗中间添却许多泛声,后人怕失了那泛声,逐一声添个实字,遂成长短句,今曲子便是。按朱子所云,为诗之变而为词也。若词变而为曲,则又就长短句之泛声,添上实字。如元人之过曲,有与词同一调名而字句不同者,盖以虚声多,而音节异也,其流为衬字之杂,即一调中亦多寡不一。如《殿前欢》、《水仙子》,衬字不拘,知音者可以类推。 张词别首,前段第二句“莲花白酒绿荷杯”,莲字平声,白字仄声;第三句“起来搔首人独自”,起字、独自俱仄声,搔字平声;后段第三句“花底佳人醉”,花字平声;第五句“凉月纤纤”,凉字平声。谱内可平可仄据此,其余参校下词。
</span>
又一体 <span class="q">双调四十四字,前段四句三平韵、一叶韵,后段五句两平韵、两叶韵</span> 张可久</span>
叹诗癯<span class="q">韵</span>十年香梦老江湖<span class="q">韵</span>笙歌又是钱塘路<span class="q">叶</span>往事如何<span class="q">韵</span> 青鸾写恨书<span class="q">韵</span>红锦题青疏<span class="q">叶</span>翠</span>
●○○ ●○○●●○○ ○○●●○○● ●●○○ ○○●●○ ○●○○● ●
馆酬春句<span class="q">叶</span>桃花结子<span class="q">句</span>乳燕将雏<span class="q">韵
</span>●○○● ○○●● ●●○○
·
此与前词同,惟后段第二句多二字,作五字句异。《小山乐府》中,此调甚多,衬字各异,录一、二体,可概其余。
</span>
</span>
水仙子 唐教坊曲名。《太平乐府》注:双调。</span>
水仙子 <span class="q">双调四十二字,前后段各四句,三平韵、一叶韵</span> 张可久</span>
天边白雁写寒云<span class="q">韵</span>镜里青鸾瘦玉人<span class="q">韵</span>秋风昨夜愁成阵<span class="q">叶</span>思君不见君<span class="q">韵</span> 缓歌独自开尊<span class="q">韵</span>灯</span>
⊙○◎●●○○ ◎●○○●●○ ⊙○◎●○○● ⊙○◎●○ ◎○◎●○○ ○
挑尽<span class="q">叶</span>酒半醺<span class="q">韵</span>如此黄昏<span class="q">韵
</span>○● ●●○ ⊙●○○
·
张可久《小山乐府》中,此调凡十余首,自四十二字起,至五十一字,衬字递增,长短不一,盖元人小令之渐流于曲者,故不多录。 张词别首,前段第一句“席间谈笑欠佳宾”,席字仄声;第三句“玉波流暖迎兰棹”,玉字仄声,流字平声;第四句“可怜辜负春”,可字仄声,辜字平声;或作“香尘随去马”,换叶仄韵;后段第一句“孤山谁弟逋魂”,谁字平声。谱内可平可仄据此,余参下词。
</span>
又一体 <span class="q">双调四十四字,前段四句三平韵、一叶韵,后段四句三平韵</span> 倪 瓒</span>
东风花外小红楼<span class="q">韵</span>南浦山横翠黛愁<span class="q">韵</span>春寒不管花枝瘦<span class="q">叶</span>无情水自流<span class="q">韵</span> 檐前燕语娇柔<span class="q">韵</span>惊</span>
○○○●●○○ ○●○○●●○ ○○●●○○● ○○●●○ ○○●●○○ ○
回幽梦<span class="q">句</span>难寻旧游<span class="q">韵</span>落日帘钩<span class="q">韵
</span>○○● ○○●○ ●●○○
·
前段与张词同,后段第二、三句俱四字,与张词异。
</span>
</span>
霜天晓角 元高拭词注:越调。张辑词有“一片月当窗白”句,名《月当窗》;程垓词有“须共踏月深夜”,名《踏月》;吴体之词,有“长桥月”句,名《长桥月》。</span>
霜天晓角 <span class="q">双调四十三字,前段四句三仄韵,后段五句四仄韵</span> 林 逋</span>
冰清霜洁<span class="q">韵</span>昨夜梅花发<span class="q">韵</span>甚处玉龙三弄<span class="q">句</span>声摇动<span class="q">读</span>枝头月<span class="q">韵</span> 梦绝<span class="q">韵</span>金兽热<span class="q">韵</span>晓寒兰烬灭<span class="q">韵
</span>⊙○⊙● ◎◎○⊙● ◎●◎○⊙● ⊙⊙● ⊙⊙● ◎● ⊙●● ◎⊙⊙◎●
更卷珠帘清赏<span class="q">句</span>且莫扫<span class="q">读</span>阶前雪<span class="q">韵
</span>◎●⊙○⊙● ◎◎● ⊙⊙●
·
此词押仄韵者,以林词、辛词为正体,若赵词、葛词之多押两韵,程词、吴词之添字,皆变格也。 前段第三句,萧泰来词“赖是生来瘦硬”,瘦字仄声;第四句,张辑词“又争似不相识”,又字仄声;后段第一、二句,萧词“清绝,影也别”,清字平声,影字仄声;第三句,韩玉词“翠袖倚修竹”,倚字仄声;第五句,甄龙友词“前赤壁,后赤壁”,下赤字仄声。谱内可平可仄据此,其余悉参所列仄韵诸词。
</span>
又一体 <span class="q">双调四十三字,前后段各四句,三仄韵</span> 辛弃疾</span>
吴头楚尾<span class="q">韵</span>一棹人千里<span class="q">韵</span>休说旧愁新恨<span class="q">句</span>长亭树<span class="q">读</span>今如此<span class="q">韵</span> 宦途吾倦矣<span class="q">韵</span>玉人留我醉<span class="q">韵
</span>○○●● ●●○○● ○●●○○● ○○● ○○● ◎⊙○◎● ●○○●●
明日落花寒食<span class="q">句</span>得且住<span class="q">读</span>为佳耳<span class="q">韵
</span>○●●○○● ●●● ○○●
·
此词换头五字句,不押短韵异。《啸余谱》刻此词,于“亭”字下落一“树”字,图谱因之,遂误作五字,不可从。 按,吕胜己词,换头句“村酒频斟酌”正与此同,但村字、斟字俱平声,酒字仄声。
</span>
又一体 <span class="q">双调四十三字,前后段各四句,四仄韵</span> 赵师侠</span>
雨余风劲<span class="q">韵</span>雾重千里暝<span class="q">韵</span>茅屋寒林相映<span class="q">韵</span>分明是<span class="q">读</span>画图景<span class="q">韵</span> 去程何日定<span class="q">韵</span>天远长安近<span class="q">韵
</span>●○○● ●●○○● ○●○○○● ○○● ●○● ●○○●● ○●○○●
唤起新愁无尽<span class="q">韵</span>全没个<span class="q">读</span>故园信<span class="q">韵
</span>●●○○○● ○●● ●○●
·
此词前后段第三句俱用韵,与各家不同。
</span>
又一体 <span class="q">双调四十三字,前段五句、后段六句,各四仄韵、一叠韵</span> 葛长庚</span>
五羊安在<span class="q">韵</span>城市何曾改<span class="q">韵</span>十万人家阛阓<span class="q">韵</span>东亦海<span class="q">韵</span>西亦海<span class="q">叠</span> 岁岁<span class="q">韵</span>蒲涧会<span class="q">韵</span>地接蓬莱</span>
●○○● ○●○○● ●●○○○● ○●● ○●● ●● ○●● ●●○○
界<span class="q">韵</span>老树知他一劫<span class="q">句</span>千山外<span class="q">韵</span>万山外<span class="q">叠
</span>● ●●○○●● ○○● ●○●
·
此词前后结并作三字两句,且与上三字句亦用韵,与各家作六字折腰句法者不同。
</span>
又一体 <span class="q">双调四十四字,前后段各四句,三仄韵</span> 程 垓</span>
几夜琐窗揭<span class="q">韵</span>素蟾光似雪<span class="q">韵</span>恰恨照人欹枕<span class="q">句</span>纱橱爽<span class="q">读</span>箪纹滑<span class="q">韵</span> 迤逦篆香裛<span class="q">韵</span>好怀谁共</span>
◎◎◎⊙● ●⊙○◎● ●●●○○● ○○● ●○● ○◎◎⊙● ◎⊙○◎</span>
说<span class="q">韵</span>若是知人风味<span class="q">句</span>来分付<span class="q">读</span>半床月<span class="q">韵
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此词前段起句五字,与赵长卿“玉清冰样洁”词同,但平仄互异。赵词前段第一、二句“玉清冰样洁,几夜相思切”,后段第一、二句“匆匆休惜别,还有来时节”,谱内可平可仄参之。
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又一体 <span class="q">双调四十四字,前段四句三仄韵,后段五句四仄韵</span> 吴文英</span>
香莓幽径滑<span class="q">韵</span>萦绕秋曲折<span class="q">韵</span>帘额红摇波影<span class="q">句</span>鱼惊坠<span class="q">读</span>暗吹沫<span class="q">韵</span> 浪阔<span class="q">韵</span>轻棹拨<span class="q">韵</span>武陵曾</span>
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话别<span class="q">韵</span>一点烟红春小<span class="q">句</span>桃花梦<span class="q">读</span>半林月<span class="q">韵
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此词前段起句五字,与程词同,但换头仍用短韵。 按,吴词别首,前段第一、二句“烟林退叶红,偶藉游人屧”,若一句四字,一句六字,则无此体,若改五字两句,则无别本可校,应有衍字,故不类列。
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又一体 <span class="q">双调四十三字,前后段各四句,三平韵</span> 黄 机</span>
玉粲冰寒<span class="q">韵</span>月痕侵画阑<span class="q">韵</span>客里安愁无地<span class="q">句</span>为徙倚<span class="q">读</span>到更残<span class="q">韵</span> 问花花不言<span class="q">韵</span>嗅香香欲阑<span class="q">韵
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消得个温存处<span class="q">句</span>三六曲<span class="q">读</span>翠屏间<span class="q">韵
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此调押平韵者,以黄词、蒋词为正体,若赵词之添字,乃变体也, 按,楼槃词,前段第三句“吟到十分清处”,吟字平声;第四句“都不是我知音”,都字平声;后段第一句“谁是我知音”,谁字、知字俱平声,是字、我字俱仄声;第二句“孤山人姓林”,孤字平声;第三句“一自西湖别后”,西字平声;第四句“说得尽我平生”,说字仄声。谱内可平可仄据此,其余参下二词。
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又一体 <span class="q">双调四十三字,前段四句三平韵,后段五句四平韵</span> 蒋 捷</span>
人影窗纱<span class="q">韵</span>是谁来折花<span class="q">韵</span>折则从他折去<span class="q">句</span>知折去<span class="q">读</span>向谁家<span class="q">韵</span> 檐牙<span class="q">韵</span>枝最佳<span class="q">韵</span>折时高折</span>
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些<span class="q">韵</span>说与折花人道<span class="q">句</span>须插向<span class="q">读</span>鬓边斜<span class="q">韵
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此词用平韵,与黄词同,但换头句押短韵。
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又一体 <span class="q">双调四十四字,前后段各四句,两平韵</span> 赵长卿</span>
阁儿幽静处<span class="q">句</span>围炉面小窗<span class="q">韵</span>好似斗头儿坐<span class="q">句</span>梅烟炷<span class="q">读</span>返魂香<span class="q">韵</span> 对火怯夜冷<span class="q">句</span>猛饮消漏</span>
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长<span class="q">韵</span>饮罢且收拾睡<span class="q">句</span>斜月照<span class="q">读</span>满林霜<span class="q">韵
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此词亦押平韵者,但前后段起句皆五字,又各不用韵。
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清商怨 古乐府有《清商曲辞》,其音多哀怨,故取以为名。周邦颜以晏词有“关河愁思”句,更名《关河令》,又名《伤情怨》。</span>
清商怨 <span class="q">双调四十三字,前后段各四句,三仄韵</span> 晏 殊</span>
关河愁里望处满<span class="q">韵</span>渐素秋向晚<span class="q">韵</span>雁过南云<span class="q">句</span>行人回泪眼<span class="q">韵</span> 双鸾衾裯悔展<span class="q">韵</span>夜又永<span class="q">读</span>枕孤</span>
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人远<span class="q">韵</span>梦未成归<span class="q">句</span>梅花闻塞管<span class="q">韵
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此词前段起句七字,赵师侠词二首、周邦颜词一首皆同。 按,赵词,前段起句“亭皋霜重飞叶满”,飞字平声;又“江头伊轧动柔橹”,柔字平声;第二句“听西风断雁”,西字平声;第三句“闲凭危阑”,闲字平声;第四句“波间自容与”,自字仄声,容字平声;后段第一句“岸蓼汀苹无绪”,岸字、蓼字俱仄声,无字平声;第二句“误仿佛征帆几点”,几字仄声。晏几道词,后段起句“回文锦字暗剪”,锦字仄声。方千里词,第二句“度寒食禁烟须到”,寒字平声。谱内可平可仄据此,余参周、沈二词。
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又一体 <span class="q">双调四十二字,前后段各四句,三仄韵</span> 周邦彦</span>
枝头风信渐小<span class="q">韵</span>看暮鸦飞了<span class="q">韵</span>又是黄昏<span class="q">句</span>闭门收晚照<span class="q">韵</span> 江南人去路杳<span class="q">韵</span>信未通<span class="q">读</span>愁已先</span>
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到<span class="q">韵</span>怕见孤灯<span class="q">句</span>霜寒催睡早<span class="q">韵
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此词起作六字句,晏几道、方千里、杨泽民、陈允平词,皆与此同。但此调前段第五句五字,例须上一下四句法,晏、赵、方、杨,募不皆然,惟陈允平词“篱菊都 荒了”,小异,不可从。
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又一体 <span class="q">双调四十三字,前后段各四句,三仄韵</span> 沈会宗</span>
城上鸦啼斗转<span class="q">韵</span>渐玉壶冰满<span class="q">韵</span>月淡寒梅<span class="q">句</span>清香来小院<span class="q">韵</span> 谁遣鸾笺写怨<span class="q">韵</span>翻锦字<span class="q">读</span>叠叠和</span>
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愁卷<span class="q">韵</span>梦破秋笳<span class="q">句</span>江南烟树远<span class="q">韵
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此与周词同,惟后段第二句八字异。 “谁遣”,坊本作“谁遗”,今照《天机余锦》改正,或云“遣”字亦短韵。
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伤春怨 见《能改斋漫录》,王安石梦中作。</span>
伤春怨 <span class="q">双调四十三字,前后段各四句,三仄韵</span> 王安石</span>
雨打江南树<span class="q">韵</span>一夜花开无数<span class="q">韵</span>绿叶渐成阴<span class="q">句</span>下有游人归路<span class="q">韵</span> 与君相逢处<span class="q">韵</span>不道春将暮<span class="q">韵
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把酒祝东风<span class="q">句</span>且莫恁<span class="q">读</span>匆匆去<span class="q">韵
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此调惟此一词,无他首可校。
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