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目 录 <span class="q">二十一调六十九体,起四十六字至四十七字</span>
更漏子八体</span>
巫山一段云三体
望仙门一体
占春芳一体
朝天子一体<span class="q">又名思越人</span>
忆少年二体<span class="q">又名陇首山、十二时、桃花曲</span>
西地锦三体
相思引三体<span class="q">又名玉交枝、定风波令、琴调相思引、镜中人</span>
落梅风一体
江亭怨一体<span class="q">又名清平乐令、荆州亭</span>
喜迁莺十七体<span class="q">又名鹤冲天、万年枝、春光好、喜迁莺令、燕归来、早梅芳、烘春桃李</span>
乌夜啼三体<span class="q">又名圣无忧、锦堂春</span>
相思儿令一体<span class="q">又名相思令</span>
阮郎归二体<span class="q">又名碧桃春、醉桃源、宴桃源、濯缨曲</span>
贺圣朝十一体<span class="q">又名转调贺圣朝</span>
甘草子二体
珠帘卷一体
画堂春五体
喜长新一体
金盏子令一体
献天寿一体</span>
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更漏子 此调有两体,四十六字者始于温庭筠,唐宋词最多。《尊前集》注:大石调。又属商调。一百四字者,止杜安世词,无别首可录。</span>
更漏子 <span class="q">双调四十六字,前段六句两仄韵、两平韵,后段六句三仄韵、两平韵</span> 温庭筠</span>
玉炉香<span class="q">句</span>红烛泪<span class="q">仄韵</span>偏照画堂秋思<span class="q">韵</span>眉翠薄<span class="q">句</span>鬓云残<span class="q">平韵</span>夜长衾枕寒<span class="q">韵</span> 梧桐树<span class="q">换仄韵</span>三更</span>
◎⊙○ ⊙◎●<span class="q"> </span>⊙●◎○○● ⊙◎● ●○○<span class="q"> </span>◎○⊙●○ ○⊙●<span class="q"> </span>⊙⊙
雨<span class="q">韵</span>不道离情正苦<span class="q">韵</span>一叶叶<span class="q">句</span>一声声<span class="q">换平韵</span>空阶滴到明<span class="q">韵
</span>● ◎●⊙○◎● ◎◎● ●○○<span class="q"> </span>⊙○◎●○
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此调以温、韦二词为正体,唐人多宗温词,宋人多宗韦词。其余押韵异同,或有减字,皆变格也。 后段第二句,牛峤词“寸肠结”,寸字仄声;第四句冯延巳词“星移后”,移字平声。谱内可平可仄据此,余参下所采各词。
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又一体 <span class="q">双调四十六字,前后段各六句,两仄韵、两平韵</span> 韦 庄</span>
钟鼓寒<span class="q">句</span>楼阁暝<span class="q">仄韵</span>月照古桐金井<span class="q">韵</span>深院闭<span class="q">句</span>小庭空<span class="q">平韵</span>落花香露红<span class="q">韵</span> 烟柳重<span class="q">句</span>春雾</span>
○●○ ○●●<span class="q"> </span>●●●○○● ○●● ●○○<span class="q"> </span>●○○●○ ⊙◎◎ ○●
薄<span class="q">换仄韵</span>灯背水窗高阁<span class="q">韵</span>闲倚户<span class="q">句</span>暗沾衣<span class="q">换平韵</span>待郎郎不归<span class="q">韵
</span>●<span class="q"> </span>○●●○○● ○●● ●○○<span class="q"> </span>●○○●○
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此即温词体,惟换头句不用韵异。 按,宋词换头句多不用韵,但唐人此句,第三字用仄声,宋人此句,第三字则用平声。晏殊词,后段起句“探花开”,探字仄声,花、开二字俱平声,谱内参之,余详温词。
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又一体 <span class="q">双调四十六字,前后段各六句,两仄韵、两平韵</span> 贺 铸</span>
上东门<span class="q">句</span>门外柳<span class="q">仄韵</span>赠别每烦纤手<span class="q">韵</span>一叶落<span class="q">句</span>几番秋<span class="q">平韵</span>江南独倚楼<span class="q">韵</span> 曲阑干<span class="q">句</span>凝伫</span>
●○○ ○●●<span class="q"> </span>●●●○○● ●●● ●○○<span class="q"> </span>○○●●○ ●○○ ○●
久<span class="q">仄韵</span>薄暮更堪搔首<span class="q">韵</span>无际恨<span class="q">句</span>见闲愁<span class="q">平韵</span>侵寻天尽头<span class="q">韵
</span>●<span class="q"> </span>●●●○○● ○●● ●○○<span class="q"> </span>○○○●○
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此即韦词体,惟后段仄韵、平韵,即押前段原韵异。贺词凡四首,皆同。
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又一体 <span class="q">双调四十五字,前段六句两仄韵、两平韵,后段六句三仄韵、两平韵</span> 欧阳炯</span>
玉阑干<span class="q">句</span>金甃井<span class="q">仄韵</span>月照碧梧桐影<span class="q">韵</span>独自个<span class="q">句</span>立多时<span class="q">平韵</span>露华浓湿衣<span class="q">韵</span> 一晌<span class="q">换仄韵</span>凝情</span>
●○○ ○●●<span class="q"> </span>●●●○○● ●●● ●○○<span class="q"> </span>●○○●○ ●●<span class="q"> </span>○○
望<span class="q">韵</span>待得不成模样<span class="q">韵</span>虽叵耐<span class="q">句</span>又寻思<span class="q">平韵</span>怎生嗔得伊<span class="q">韵
</span>● ●●●○○● ○●● ●○○<span class="q"> </span>●○○●○
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此亦温词体,惟换头句减一字,其后结平韵,即押前韵异。
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又一体 <span class="q">双调四十六字,前段六句两仄韵、两平韵,后段六句四平韵</span> 孙光宪</span>
掌中珠<span class="q">句</span>心上气<span class="q">仄韵</span>爱惜岂将容易<span class="q">韵</span>花下月<span class="q">句</span>枕前人<span class="q">平韵</span>此生谁更亲<span class="q">韵</span> 交颈语<span class="q">句</span>合欢身<span class="q">韵
</span>●○○ ○●●<span class="q"> </span>●●●○○● ○●● ●○○<span class="q"> </span>●○○●○ ○●● ●○○
便同比目金鳞<span class="q">韵</span>连绣枕<span class="q">句</span>卧红茵<span class="q">韵</span>霜天似暖春<span class="q">韵
</span>●○●●○○ ○●● ●○○ ○○●●○
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此词句读,与温韦词同,惟后段第一、二、三句,不押仄韵异。
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又一体 <span class="q">双调四十五字,前后段各六句,两仄韵、两平韵</span> <span class="q">《天机余锦》</span>无名氏</span>
解语花<span class="q">句</span>断肠草<span class="q">仄韵</span>谙尽风流烦恼<span class="q">韵</span>合欢少<span class="q">句</span>别离多<span class="q">平韵</span>此情无奈何<span class="q">韵</span> 帐前灯<span class="q">句</span>窗间</span>
●●○ ●○●<span class="q"> </span>○●○○○● ●○● ●○○<span class="q"> </span>●○○●○ ●○○ ○○
月<span class="q">换仄韵</span>记得那时节<span class="q">韵</span>绣被剩<span class="q">句</span>画屏空<span class="q">换平韵</span>如今在梦中<span class="q">韵
</span>●<span class="q"> </span>●●●○● ●●● ●○○<span class="q"> </span>○○●●○
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此亦韦词体,惟后段第三句五字异。
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又一体 <span class="q">双调四十九字,前段四句三平韵,后段五句四平韵</span> 欧阳炯</span>
三十六宫秋夜永<span class="q">句</span>露华点滴高桐<span class="q">韵</span>丁丁玉漏咽铜壶<span class="q">韵</span>明月上金铺<span class="q">韵</span> 红线毯<span class="q">句</span>博山炉<span class="q">韵</span>香</span>
○●●○○●● ●○●●○○ ○○●●●○○ ○●●○○ ○●● ●○○ ○
风暗触流苏<span class="q">韵</span>羊车一去长青芜<span class="q">韵</span>镜尘鸾彩孤<span class="q">韵
</span>○●●○○ ○○●●●○○ ●○○●○
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此词前后段全押平韵,见《尊前集》,唐人亦无填此体者。
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又一体 <span class="q">双调一百四字,前后段各十句,五平韵</span> 杜安世</span>
遥远途程<span class="q">韵</span>算万水千山<span class="q">句</span>路入神京<span class="q">韵</span>暖日春郊<span class="q">读</span>绿柳红杏<span class="q">句</span>香迳舞燕流莺<span class="q">韵</span>客馆悄悄闲庭<span class="q">句
</span>○●○○ ●●●○○ ●●○○ ●●○○ ●●○● ○●●●○○ ●●●●○○
堪惹旧恨深<span class="q">韵</span>有多少驰驱<span class="q">句</span>蓦岭涉水<span class="q">句</span>枉废身心<span class="q">韵</span> 思想厚利高名<span class="q">韵</span>漫惹得忧烦<span class="q">句</span>枉度浮</span>
○●●●○ ●●●○○ ●●●● ●●○○ ○●●●○○ ●●●○○ ●●○
生<span class="q">韵</span>幸有青松<span class="q">读</span>白云深洞<span class="q">句</span>清闲且乐升平<span class="q">韵</span>长是宦游羁思<span class="q">句</span>别离泪满襟<span class="q">韵</span>望江乡踪迹<span class="q">句</span>旧游</span>
○ ●●○○ ●○○● ○○●●○○ ○●●○○● ●○●●○ ●○○○● ●○
题书<span class="q">句</span>尚自分明<span class="q">韵
</span>○○ ●●○○
·
此与唐词迥别,即宋词中亦无他首可校。因调句相同,故附列于此。
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巫山一段云 唐教坊曲名。《乐章集》注:双调。</span>
巫山一段云 <span class="q">双调四十六字,前段四句三平韵,后段四句两仄韵、两平韵</span> 唐昭宗</span>
蝶舞梨园雪<span class="q">句</span>莺啼柳带烟<span class="q">平韵</span>小池残日艳阳天<span class="q">韵</span>苎萝山又山<span class="q">韵</span> 青鸟不来愁绝<span class="q">仄韵</span>忍看鸳</span>
◎●○○● ○○◎●○<span class="q"> </span>◎○○●●○○ ◎⊙⊙◎○ ⊙●◎○⊙●<span class="q"> </span>◎●⊙
鸯双结<span class="q">韵</span>春风一等少年心<span class="q">换平韵</span>闲情恨不禁<span class="q">韵
</span>○⊙● ⊙○◎●●○○<span class="q"> </span>⊙⊙●◎○
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此词后段第一、二句,间入仄韵,结处又另换平韵,宋柳永词五首,与此同。 柳词,前段起句“琪树罗三殿”,琪字平声;第三句“人间三度见河清”,人字平声;后段起句“昨夜紫薇诏下”,诏字仄声,又“昨夜麻姑陪宴”,麻字平声;第二句“留宴鳌峰真客”,留字平声,又“不道九关齐闭”,九字仄声;第三句“几回山脚弄云涛”,几字仄声;后结“仿佛见金鳌”,仿字仄声。谱内可平可仄据此,余参下词。
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又一体 <span class="q">双调四十六字,前段四句三平韵,后段四句两仄韵、两平韵</span> 唐昭宗</span>
缥缈云间质<span class="q">句</span>盈盈波上身<span class="q">平韵</span>袖罗斜举动埃尘<span class="q">韵</span>明艳不胜春<span class="q">韵</span> 翠鬓晚妆烟重<span class="q">仄韵</span>寂寂阳</span>
●●○○● ○○○●○<span class="q"> </span>●○○●●○○ ○●●○○ ●●●○○●<span class="q"> </span>●●○
台一梦<span class="q">韵</span>冰眸莲脸见长新<span class="q">平韵</span>巫峡更何人<span class="q">韵
</span>○●● ○○○●●○○<span class="q"> </span>○●●○○
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此即前词体,惟后结平韵,仍押前韵异。
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又一体 <span class="q">双调四十四字,前后段各四句,三平韵</span> 毛文锡</span>
雨霁巫山上<span class="q">句</span>云轻映碧天<span class="q">韵</span>远风吹散又相连<span class="q">韵</span>十二晚峰前<span class="q">韵</span> 暗湿啼猿树<span class="q">句</span>高笼过客船<span class="q">韵
</span>◎●○○● ○○●●○ ◎○⊙●●○○ ◎●●○○ ◎●○○● ○○◎●○
朝朝暮暮楚江边<span class="q">韵</span>几度降神仙<span class="q">韵
</span>⊙○◎●●○○ ◎●●○○
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此词全押平韵,换头两句,又各减去一字,与昭宗词异。唐欧阳炯、李珣词,元赵孟頫词,俱与此同。 前段第一句,赵孟頫词“松雪堆岚霭”,松字平声;第三句“风清月冷好花时”,风字平声,月字仄声;第四句“新恨怯逢秋”,新字平声;后段第一句,李珣词“尘暗珠帘卷”,尘字平声;第二句“烟花春复秋”,春字平声;第三句,欧阳炯词“远游蓬岛降人间”,远字仄声,蓬字平声;第四句,毛文锡词“年代属元和”,年字平声,谱内可平可仄据此。
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望仙门 调见《珠玉词》,取词中结句为名。</span>
望仙门 <span class="q">双调四十六字,前段四句四平韵,后段五句三平韵、一叠韵</span> 晏 殊</span>
玉池波浪碧如鳞<span class="q">韵</span>露莲新<span class="q">韵</span>清歌一曲翠眉颦<span class="q">韵</span>舞华茵<span class="q">韵</span> 满酌兰英酒<span class="q">句</span>须知献寿千春<span class="q">韵</span>太平</span>
●○○●●○○ ●○○ ⊙○◎●●○○ ●○○ ◎●○○● ○○●●○○ ●○
无事荷君恩<span class="q">韵</span>荷君恩<span class="q">叠</span>齐唱望仙门<span class="q">韵
</span>○●●○○ ●○○ ○●●○○
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后结“荷君恩”三字,例用叠句。晏词别首“庆相逢”、“泛浓香”皆然。 前段第三句,晏词别首“管弦声细出帘栊”,管字仄声,声字平声;后段第一句“仙酒斟云液”,仙字平声。谱内可平可仄据此。
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占春芳 苏轼咏梨花制此调,取词中第三句为名。</span>
占春芳 <span class="q">双调四十六字,前段五句两平韵,后段四句三平韵</span> 苏 轼</span>
红杏了<span class="q">句</span>夭桃尽<span class="q">句</span>独自占春芳<span class="q">韵</span>不比人间兰麝<span class="q">句</span>自然透骨生香<span class="q">韵</span> 对酒莫相忘<span class="q">韵</span>似佳人<span class="q">读
</span>○●● ○○● ●●●○○ ●●○○○● ●○●○○○ ●●●○○ ●○○
兼合明光<span class="q">韵</span>只忧长笛吹花落<span class="q">句</span>除是宁王<span class="q">韵
</span>○●○○ ●○○●○○● ○●○○
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此调只此一词,无别首可校。
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朝天子 唐教坊曲名。《阳春集》名《思越人》。</span>
朝天子 <span class="q">双调四十六字,前后段各四句,四仄韵</span> 晁补之</span>
酒醒情怀恶<span class="q">韵</span>金缕褪<span class="q">读</span>玉肌如雪<span class="q">韵</span>寒食过却<span class="q">韵</span>早海棠零落<span class="q">韵</span> 渐日照<span class="q">读</span>阑干烟淡薄<span class="q">韵</span>绣额</span>
●●○○● ⊙◎● ◎○○● ○◎●● ●◎○○● ●●● ○○○●● ●●
珠帘笼画阁<span class="q">韵</span>春睡著<span class="q">韵</span>觉来失<span class="q">读</span>秋千期约<span class="q">韵
</span>○○○●● ○●● ●⊙● ○○○●
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此调只有杨无咎词可校。杨词,前段第二句“占螺浦山川夷旷”,占字仄声,螺字、山字俱平声;第三句“千奇万状”,奇字平声;第四句“见云烟收放”,云字平声;后段第四句“徙倚抚危阑吟望”倚字仄声,谱内可平可仄据此。
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忆少年 万俟咏词,有“上陇首、凝眸天四阔”句,名《陇首山》;朱敦儒词,名《十二时》;元刘秉忠词,有“恨桃花流水”句,更名《桃花曲》。</span>
忆少年 <span class="q">双调四十六字,前段五句两仄韵,后段四句三仄韵</span> 晁补之</span>
无穷官柳<span class="q">句</span>无情画舸<span class="q">句</span>无根行客<span class="q">韵</span>南山尚相送<span class="q">句</span>只高城人隔<span class="q">韵</span> 罨画园林溪绀碧<span class="q">韵</span>算重</span>
⊙○⊙● ⊙○◎● ⊙○⊙● ○○●⊙● ●⊙○○● ●●○○○●● ◎⊙
来<span class="q">读</span>尽成陈迹<span class="q">韵</span>刘郎鬓如此<span class="q">句</span>况桃花颜色<span class="q">韵
</span>⊙ ●⊙○● ⊙○●⊙● ●⊙○⊙●
·
此调以此词为正体,若曹词不过于换头句添一字也。 前段第一、二、三句,万俟咏词“陇云溶泄,陇山峻秀,陇泉呜咽”,三陇字俱仄声;第二句,赵彦端词“逢花如露”,如字平声;第三句,无名氏词“盈盈脉脉”,上脉字仄声;第五句,万俟词“已不胜愁绝”,不字仄声;后段第二句,万俟词“更一声、塞雁凄切”,一字、雁字俱仄声,谢懋词“秋千外、卧红堆碧”,秋字平声,外字仄声;第三句,赵词“与君醉千岁”,与字仄声,万俟词“征书待寄远”,寄字仄声;第四句,无名氏词“忽一声长笛”,一字仄声。谱内可平可仄据此,余参曹词。
</span>
又一体 <span class="q">双调四十七字,前段五句两仄韵,后段四句三仄韵</span> 曹 组</span>
年时酒伴<span class="q">句</span>年时去处<span class="q">句</span>年时春色<span class="q">韵</span>清明又近也<span class="q">句</span>却天涯为客<span class="q">韵</span> 念过眼<span class="q">读</span>光阴难再得<span class="q">韵</span>想</span>
○○●● ○○●● ○○○● ○○●●● ●○○○● ●●● ○○○●● ●
前欢<span class="q">读</span>尽成陈迹<span class="q">韵</span>登临恨如此<span class="q">句</span>把阑干暗拍<span class="q">韵
</span>○○ ●○○● ○○●○● ●○○●●
·
此即晁词体,惟换头句添一字,作八字句异。万俟咏词“上陇首、凝眸天四阔”,孙道绚词“正雨后]梨花幽艳白”,并与此同。《词律》谓无第二首可订,非也。
</span>
</span>
西地锦 元高拭词,第三句七字者,注黄钟宫。</span>
西地锦 <span class="q">双调四十六字,前后段各五句,三仄韵</span> 蔡 伸</span>
寂寞悲秋怀抱<span class="q">韵</span>掩重门悄悄<span class="q">韵</span>清风皓月<span class="q">句</span>朱阑画阁<span class="q">句</span>双鸳池沼<span class="q">韵</span> 不忍今宵重到<span class="q">韵</span>惹离愁</span>
◎●⊙○⊙● ●⊙○◎● ○○●● ⊙○●● ⊙○○● ◎●⊙○⊙● ◎⊙○
多少<span class="q">韵</span>蓬山路杳<span class="q">句</span>蓝桥信阻<span class="q">句</span>黄花空老<span class="q">韵
</span>○● ⊙○●● ○○●● ○○○●
·
此词前后段两结句各四字,章华“重过黄粮”词,正与此同。 按,章词,前段起句“重过黄粮古驿”,古字仄声;末句“不禁攀折”,不字仄声;后段第三句“紫泥诰下”,紫字仄声。谱内可不可仄据此,余参下词。
</span>
又一体 <span class="q">双调四十八字,前后段各五句,三仄韵</span> 石孝友</span>
回望玉楼金阙<span class="q">韵</span>正水遮山隔<span class="q">韵</span>风儿又起<span class="q">句</span>雨儿又急<span class="q">句</span>好愁人天色<span class="q">韵</span> 两岸荻花枫叶<span class="q">韵</span>争舞</span>
○●●○○● ●●○○● ○○●● ●○●● ●○○○● ●●●○○● ○●
红吹白<span class="q">韵</span>中秋过也<span class="q">句</span>重阳近也<span class="q">句</span>作天涯孤客<span class="q">韵
</span>○○● ○○●● ○○●● ●○○○●
·
此词前后段两结句各五字,周紫芝“雨细欲收”词,正与此同,平仄亦如一。
</span>
又一体 <span class="q">双调四十七字,前后段各四句,三仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
不与群花相续<span class="q">韵</span>独占春光速<span class="q">韵</span>幽香远远散西东<span class="q">句</span>惟竹篱茅屋<span class="q">韵</span> 羌管谁调一曲<span class="q">韵</span>送月夜<span class="q">读
</span>●●○○○● ●●○○● ○○●●●○○ ○●○○● ○●○○●● ●●●
犹芬馥<span class="q">韵</span>忍君折取向玉堂<span class="q">句</span>只这些清福<span class="q">韵
</span>○○● ●○●●●●○ ●●○○●
·
此词前后段第三句各七字,其前段第二句,不作上一下四句法,后段第二句,六字折腰,自成一体。
</span>
</span>
相思引 此调有两体,四十六字者,押平声韵,房舜卿词名《玉交枝》,周紫芝词名《定风波令》,赵彦端词名《琴调相思引》;四十九字者,押仄声韵,《古今词话》无名氏词名《镜中人》。</span>
相思引 <span class="q">双调四十六字,前段四句三平韵,后段四句两平韵</span> 袁去华</span>
晓鉴胭脂拂紫绵<span class="q">韵</span>未忺梳掠髻云偏<span class="q">韵</span>日高人静<span class="q">句</span>沈水袅残烟<span class="q">韵</span> 春老菖蒲花未著<span class="q">句</span>路长鱼</span>
◎●○○◎●○ ◎○⊙●●○○ ◎○⊙● ⊙●●○○ ⊙●⊙○○●● ◎○⊙
雁信难传<span class="q">韵</span>无端风絮<span class="q">句</span>飞到绣床边<span class="q">韵
</span>●●○○ ⊙○⊙● ⊙●●○○
·
前段第一句,赵彦端词“曾蹑姑苏城上台”,曾字、城字俱平声;第二句,赵与仁词“晴尘不动地衣平”,明字平声,不字仄声;第三句,赵彦端词“几回徙倚”,徙字仄声,刘仲尹词“罗敷犹小”,罗字平声;第四句,赵彦端词“月里暮云开”,月字仄声;后段第一句,赵彦端词“燕语自知怀旧垒”,燕字、自字俱仄声;第二句,“水声只解送行人”,只字仄声,刘仲尹词“轻花吹陇麦初匀”,轻字平声;第三句,周紫芝词“断霞消尽”,断字仄声,房舜卿词“千钟玉酒”,玉字仄声;第四句,许棐词“雨外一鸠啼”,雨字仄声。谱内可平可仄据此。
</span>
又一体 <span class="q">双调四十九字,前段五句四仄韵,后段四句四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
笑盈盈<span class="q">句</span>香喷喷<span class="q">韵</span>姑射仙人风韵<span class="q">韵</span>天与肌肤常素嫩<span class="q">韵</span>玉面犹嫌粉<span class="q">韵</span> 斜倚小楼凝远信<span class="q">韵</span>多</span>
●○○ ○●● ○●⊙○○● ○●⊙○○●● ◎●○○● ⊙●●○○●● ⊙
少往来人恨<span class="q">韵</span>只恐乘春云雨困<span class="q">韵</span>迤逦娇容褪<span class="q">韵
</span>●●○○● ◎●⊙○○●● ○●○○●
·
《梅苑》无名氏词二首,押仄声韵,亦名《相思引》,虽与袁体迥别,因调名同,故为类列。 《梅苑》词别首,前段第三句“潇洒早梅犹嫩”,早字仄声;第四句“香入梦魂残酒醒”,梦字仄声。谱内可平可仄据此,余参下词。
</span>
又一体 <span class="q">双调四十八字,前段五句四仄韵,后段四句四仄韵</span> <span class="q">《古今词话》</span>无名氏</span>
柳烟浓<span class="q">句</span>梅雨润<span class="q">韵</span>芳草绵绵离恨<span class="q">韵</span>花坞风来几阵<span class="q">韵</span>罗袖沾香粉<span class="q">韵</span> 独上小楼迷远近<span class="q">韵</span>不见</span>
●○○ ○●● ○●○○○● ○●○○●● ○●○○● ●●●○○●● ●●
浣溪人信<span class="q">韵</span>何处笛声飘隐隐<span class="q">韵</span>吹断相思引<span class="q">韵
</span>●○○● ○●●○○●● ○●○○●
·
此与“笑盈盈”词同,惟前段第四句少一字异。
</span>
</span>
落梅风 调见《梅苑》。按,《梅苑》别有《落梅风》长调二首,俱一百六字,因《花草粹编》名《落梅》,亦名《落梅慢》,另编一体,不为类列。</span>
落梅风 <span class="q">双调四十六字,前段四句四平韵,后段四句三平韵</span> <span class="q">《梅苑》</span>无名氏</span>
宫烟如水湿芳辰<span class="q">韵</span>寒梅似雪相亲<span class="q">韵</span>玉楼侧畔数枝春<span class="q">韵</span>惹香尘<span class="q">韵</span> 寿阳娇面偏怜惜<span class="q">句</span>妆成一</span>
○○○●●○○ ○○●●○○ ●○●●●○○ ●○○ ●○○●○○● ○○●
面花新<span class="q">韵</span>镜中重把玉纤匀<span class="q">韵</span>酒初醺<span class="q">韵
</span>●○○ ●○○●●○○ ●○○
·
此词见《梅苑》,字多脱误,今照《词鹄》订定,其平仄无别首可校。
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</span>
江亭怨 《花庵词选》名《清平乐令》。按,《冷斋夜话》云:黄鲁直登荆州亭,见亭柱间有此词,夜梦一女子云“有感而作”,鲁直惊悟曰:此必吴城小龙女也。因又名《荆州亭》。</span>
江亭怨 <span class="q">双调四十六字,前后段各四句,三仄韵</span> <span class="q">《冷斋夜话》</span>无名氏</span>
帘卷曲阑独倚<span class="q">韵</span>江展暮云无际<span class="q">韵</span>泪眼不曾晴<span class="q">句</span>家在吴头楚尾<span class="q">韵</span> 数点落花乱委<span class="q">韵</span>扑漉沙鸥惊</span>
○●●○●○ ○●●○○● ●●●○○ ○●○○●● ●●●○●● ●●○○○
起<span class="q">韵</span>诗句欲成时<span class="q">句</span>没入苍烟丛里<span class="q">韵
</span>● ○●●○○ ●●○○○●
·
此词无他首可校,平仄亦遵之。
</span>
</span>
喜迁莺 此调有小令、长调两体。小令起于唐人,《太和正音谱》注:黄钟宫。因韦庄词有“鹤冲天”句,更名《鹤冲天》;和凝词有“飞上万年枝”句,名《万年枝》;冯延巳词有“拂面春风长好”句,名《春光好》;宋夏竦词名《喜迁莺令》;晏几首词名《燕归来》;李德载词有“残腊里、早梅芳”句,名《早梅芳》。长调起于宋人,《梅溪集》注:黄钟宫。《白石集》注:太簇宫,俗名中管高宫。江汉词一名《烘春桃李》。</span>
喜迁莺 <span class="q">双调四十七字,前段五句四平韵,后段五句两仄韵、两平韵</span> 韦 庄</span>
街鼓动<span class="q">句</span>禁城开<span class="q">平韵</span>天上探人回<span class="q">韵</span>凤衔金榜出云来<span class="q">韵</span>平地一声雷<span class="q">韵</span> 莺已迁<span class="q">句</span>龙已化<span class="q">仄韵
</span>⊙◎● ●○○<span class="q"> </span>⊙●●○○ ◎○⊙●●○○ ○●●○○ ⊙◎○ ○◎●
一夜满城车马<span class="q">韵</span>家家楼上簇神仙<span class="q">换平韵</span>争看鹤冲天<span class="q">韵
</span>◎●◎○⊙● ⊙○⊙●●○○<span class="q"> </span>⊙◎●⊙○
·
唐人填此调者,换头下二句例押仄韵,惟后结押平韵。或有异同,及前段第二句、后段第一句,或押韵,或不押韵耳。若毛词之后结亦押仄韵,宋张元幹词之全押平韵,皆变格也。此词两结,各用平韵,韦词别首亦然。周邦彦二词、李德载二词,俱照此填。 和凝词,后段第三句“红日渐长一线”,红字平声,一字仄声,谱内据之,余参后词。惟冯词首二句,平仄全异,因不参校入谱。
</span>
又一体 <span class="q">双调四十七字,前段五句三平韵,后段五句两仄韵、两平韵</span> 冯延巳</span>
雾朦朦<span class="q">句</span>风淅淅<span class="q">句</span>杨柳带疏烟<span class="q">平韵</span>飘飘轻絮满南园<span class="q">韵</span>墙下草芊绵<span class="q">韵</span> 燕初飞<span class="q">句</span>莺已老<span class="q">仄韵
</span>●○○ ○●● ○●●○○<span class="q"> </span>○○○●●○○ ○●●○○ ●○○ ○●●
拂面春风长好<span class="q">韵</span>相逢携酒且高歌<span class="q">换平韵</span>人生得几何<span class="q">韵
</span>●●○○○● ○○○●●○○<span class="q"> </span>○○●●○
·
此词前段第二句不用韵异,冯词别首亦然。晏殊“烛飘花”、“曙河低”二词,照此填。
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又一体 <span class="q">双调四十七字,前段五句四平韵,后段五句两仄韵、两平韵</span> 薛昭蕴</span>
金门晓<span class="q">句</span>玉京春<span class="q">平韵</span>骏马骤轻尘<span class="q">韵</span>桦烟深处白衫新<span class="q">韵</span>认得化龙身<span class="q">韵</span> 九陌喧<span class="q">句</span>千门启<span class="q">仄韵
</span>○○● ●○○<span class="q"> </span>●●●○○ ●○○●●○○ ●●●○○ ●●○ ○○●
满袖桂香风细<span class="q">韵</span>杏园欢宴曲江滨<span class="q">平韵</span>自此占芳辰<span class="q">韵
</span>●●●○○● ●○○●●○○<span class="q"> </span>●●●○○
·
此词后结,即押前段平韵,薛词三首皆然。许棐“鸠雨细”词,照此填。
</span>
又一体 <span class="q">双调四十七字,前段五句四平韵,后段五句三仄韵、两平韵</span> <span class="q">南唐</span>李煜</span>
晓月坠<span class="q">句</span>宿烟微<span class="q">平韵</span>无语枕频敧<span class="q">韵</span>梦回芳草思依依<span class="q">韵</span>天远雁声稀<span class="q">韵</span> 啼莺散<span class="q">仄韵</span>余花乱<span class="q">韵
</span>●●● ●○○<span class="q"> </span>○●●○○ ●○○●●○○ ○●●○○ ○○●<span class="q"> </span>○○●
寂寞画堂深院<span class="q">韵</span>片红休扫尽从伊<span class="q">平韵</span>留待舞人归<span class="q">韵
</span>●●●○○● ●○○●●○○<span class="q"> </span>○●●○○
·
此词换头第一句用韵,后结即押前段平韵。和凝“晓月坠”词、晏几道“莲叶雨”词,夏竦“霞散绮”词,照此填。 按,晏殊“风转惠”、“歌敛黛”二词,换头第一句,亦用韵,但后结不押前段平韵,欧阳修“梅谢粉”、“花不谢”二词,正与晏同,注明不录。
</span>
又一体 <span class="q">双调四十七字,前段五句四平韵,后段五句三仄韵</span> 毛文锡</span>
芳草景<span class="q">句</span>暧晴烟<span class="q">韵</span>乔木见莺迁<span class="q">韵</span>傅枝偎叶语关关<span class="q">韵</span>飞过绮丛间<span class="q">韵</span> 锦翼鲜<span class="q">句</span>金毳软<span class="q">仄韵</span>百</span>
○●● ●○○ ○●●○○ ●○○●●○○ ○●●○○ ●●○ ○●●<span class="q"> </span>●
啭千娇相唤<span class="q">韵</span>碧纱窗晓怕闻声<span class="q">句</span>惊破鸳鸯暖<span class="q">韵
</span>●○○○● ●○○●●○○ ○●○○●
·
此词后段全押仄韵,唐宋词中仅见此作。
</span>
又一体 <span class="q">双调四十六字,前段五句四平韵,后段五句三平韵</span> 张元幹</span>
文倚马<span class="q">句</span>笔如椽<span class="q">韵</span>桂殿早登仙<span class="q">韵</span>旧游册府记当年<span class="q">韵</span>衮绣合貂婵<span class="q">韵</span> 庆天申<span class="q">句</span>瞻玉座<span class="q">句</span>鹓鹭</span>
○●● ●○○ ●●●○○ ●○●●●○○ ●●●○○ ●○○ ○●● ○●
正陪班<span class="q">韵</span>看君稳步过花砖<span class="q">韵</span>归院引金莲<span class="q">韵
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·
此词前后段全押平韵,即宋词中,亦仅见此作。
</span>
又一体 <span class="q">双调一百三字,前后段各十一句,五仄韵</span> 康与之</span>
秋寒初劲<span class="q">韵</span>看云路雁来<span class="q">句</span>碧天如镜<span class="q">韵</span>湘浦烟深<span class="q">句</span>衡阳沙绕<span class="q">句</span>风外几行斜阵<span class="q">韵</span>回首塞门何处<span class="q">句
</span>⊙○⊙● ●⊙◎◎⊙ ◎⊙⊙● ⊙●○○ ⊙⊙⊙◎ ⊙●◎○○● ⊙◎◎⊙⊙●
故国关河重省<span class="q">韵</span>汉使老<span class="q">句</span>认上林欲下<span class="q">句</span>徘徊清影<span class="q">韵</span> 江南烟水暝<span class="q">韵</span>声过小楼<span class="q">句</span>烛暗金猊冷<span class="q">韵
</span>◎●⊙○⊙● ◎◎● ●◎⊙◎◎ ⊙⊙⊙● ○⊙○◎● ⊙◎◎⊙ ◎◎○○●
送目鸣琴<span class="q">句</span>裁诗挑锦<span class="q">句</span>此恨此情无尽<span class="q">韵</span>梦想洞庭飞下<span class="q">句</span>散入云涛千顷<span class="q">韵</span>过尽也<span class="q">句</span>奈杜陵人远<span class="q">句
</span>◎●⊙○ ⊙⊙⊙◎ ◎●◎⊙⊙● ◎◎◎⊙⊙● ◎●⊙○⊙● ◎◎● ●◎⊙⊙◎</span>
玉关无信<span class="q">韵</span>
◎⊙⊙●
·
长调以康词及蒋词为正体,其余摊破句法,皆变体也。若姜夔词之添字,自注高宫者,又与各家不同。 前段第七句,王千秋词“静久声鸣槛竹”,声字平声;第八句,王词“寄驿胜传缄纸”,胜字仄声,程珌词“谁信千龄际遇”,际词仄声;后段第一句,王千秋词“谁为停征骑”,为字仄声,征字平声;第四句,黄机词“桃李阴边”,桃字平声,何梦桂词“旧日沈腰”,沈字仄声;第六句,程珌词“须是人间紫府”,须字、人字俱平声,紫字仄声;第七句,曹冠词“棊战新来常胜”,棊字、新字俱平声,吴礼之词“巷陌笑声不断”,不字仄声。谱内据此,余参后词。
</span>
又一体 <span class="q">双调一百三字,前段十一句五仄韵,后段十二句一叠韵、四仄韵</span> 蒋 捷</span>
游丝纤弱<span class="q">韵</span>漫著意绊春<span class="q">句</span>春难凭托<span class="q">韵</span>水暖成纹<span class="q">句</span>云晴生影<span class="q">句</span>芳草渐侵裙幄<span class="q">韵</span>露添牡丹新艳<span class="q">句
</span>○○○● ●●●●○ ○○○● ●●○○ ○○○● ○●●○○● ●○●○○○
风摆秋千闲索<span class="q">韵</span>对此景<span class="q">句</span>动高歌一曲<span class="q">句</span>何妨行乐<span class="q">韵</span> 行乐<span class="q">叠</span>君听取<span class="q">句</span>莺啭绿窗<span class="q">句</span>也似来相</span>
○●○○○● ●●● ●○○●● ○○○● ○● ○●● ○●●○ ●●○○
约<span class="q">韵</span>粉壁题诗<span class="q">句</span>香街走马<span class="q">句</span>争奈鬓丝输却<span class="q">韵</span>梦回昼长无事<span class="q">句</span>聊倚阑干斜角<span class="q">韵</span>翠深处<span class="q">句</span>看悠悠</span>
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几点<span class="q">句</span>杨花自落<span class="q">韵
</span>●● ○○●●
·
此词换头句用短韵,余与康词同。 按,康词换头句本押韵,此用短韵叠上,句末即不更押。若高观国词“转盼,尘梦断”,则又押一韵,蒋词别首“别浦,云断处”亦然,注明不录。
</span>
又一体 <span class="q">双调一百三字,前段十句五仄韵,后段十二句六仄韵</span> 吴文英</span>
凡尘流水<span class="q">韵</span>正春在<span class="q">读</span>绛阙瑶阶十二<span class="q">韵</span>暖日明霞<span class="q">句</span>天香盘锦<span class="q">句</span>低映晓光梳洗<span class="q">韵</span>故园浣花沈恨<span class="q">句
</span>○○○● ●○● ●●○○●● ●●○○ ○○○● ○●●○○● ●●●○○●
化作夭桃斜紫<span class="q">韵</span>困无力<span class="q">句</span>倚阑干<span class="q">句</span>还倩东风扶起<span class="q">韵</span> 公子<span class="q">韵</span>留意处<span class="q">韵</span>罗盖牙签<span class="q">句</span>一一花名</span>
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字<span class="q">韵</span>小扇翻歌<span class="q">句</span>密围留客<span class="q">句</span>云叶翠温罗绮<span class="q">韵</span>艳波紫金杯重<span class="q">句</span>人倚妆台微醉<span class="q">韵</span>夜和露<span class="q">句</span>剪残枝<span class="q">句
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点点花心清泪<span class="q">韵</span>
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·
此词前段第二句,作三字一读、下六字一句,又前后结各三字两句、六字一句。吴词别首“江亭年暮”词、“烟空白鹭”词皆然,吴礼之“易”、“祓”二词,亦与此同。
</span>
又一体 <span class="q">双调一百三字,前段十二句五仄韵,后段十三句五仄韵</span> 赵长卿</span>
商飚轻透<span class="q">韵</span>动帘幕飞梧<span class="q">句</span>乱飘庭甃<span class="q">韵</span>瑞气氤氲<span class="q">句</span>沉檀初爇<span class="q">句</span>烟喷宝台金兽<span class="q">韵</span>黄花美酒<span class="q">句</span>天教</span>
○○○● ●○●○○ ●○○● ●●○○ ○○○● ○●●○○● ○○●● ○○
占得<span class="q">句</span>先他时候<span class="q">韵</span>诞元老<span class="q">句</span>庆有声<span class="q">句</span>此夕降生华胄<span class="q">韵</span> 欢笑<span class="q">句</span>宜称寿<span class="q">韵</span>弦管鼎沸<span class="q">句</span>宫商方</span>
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频奏<span class="q">韵</span>满捧瑶卮<span class="q">句</span>华堂歌舞<span class="q">句</span>拍转金钗斜溜<span class="q">韵</span>朱颜绿鬓<span class="q">句</span>殷勤深愿<span class="q">句</span>镇长如旧<span class="q">韵</span>叹滨海<span class="q">句</span>道</span>
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难留<span class="q">句</span>指日荣迁飞骤<span class="q">韵
</span>○○ ●●○○○●
·
此词前后段第七、八句,摊破六字两句,作四字三句,与各家不同。 按,此词前后段两结,各三字两句、六字一句,正与吴文英词同。《词律》乃于前结,以“庆有声此夕”五字为一句,“降生华胄”四字为一句,后结则以“道难留指日荣迁飞骤”九字为一句,不可从。
</span>
又一体 <span class="q">双调一百三字,前段十一句五仄韵,后段十二句六仄韵</span> 史达祖</span>
月波凝滴<span class="q">韵</span>望玉壶天近<span class="q">句</span>了无尘隔<span class="q">韵</span>翠眼圈花<span class="q">句</span>冰丝织练<span class="q">句</span>黄道宝光相直<span class="q">韵</span>自怜诗酒瘦<span class="q">句</span>难</span>
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应接<span class="q">读</span>许多春色<span class="q">韵</span>最无赖<span class="q">句</span>是随香趁烛<span class="q">句</span>曾伴狂客<span class="q">韵</span> 踪迹<span class="q">韵</span>漫记忆<span class="q">韵</span>老了杜郎<span class="q">句</span>忍听东</span>
●● ●○○● ●○● ●○○●● ○●○● ○● ●●● ●●●○ ●●○
风笛<span class="q">韵</span>柳院灯疏<span class="q">句</span>梅厅雪在<span class="q">句</span>谁与细倾春碧<span class="q">韵</span>旧情拘未定<span class="q">句</span>犹是学<span class="q">读</span>当年游历<span class="q">韵</span>怕万一<span class="q">句</span>误</span>
○● ●●○● ○○●● ○●●○○● ●○○●● ○●● ○○○● ●●● ●
玉人夜寒<span class="q">句</span>窗际帘隙<span class="q">韵
</span>●○●○ ○●○●
·
此词前后段第七、八句,摊破六字两句,作五字一句、七字一句,亦与诸家不同。
</span>
又一体 <span class="q">双调一百五字,前段十一句六仄韵,后段十二句七仄韵</span> 姜 夔</span>
玉珂朱组<span class="q">韵</span>又占了道人<span class="q">句</span>林下真趣<span class="q">韵</span>窗户新成<span class="q">句</span>青红犹润<span class="q">句</span>双燕为君胥宇<span class="q">韵</span>秦淮贵人第宅<span class="q">句
</span>●○○● ●●●●○ ○●○● ○●○○ ○○○● ○●●○○● ○○●○●●
问谁记<span class="q">读</span>六朝歌舞<span class="q">韵</span>总付与<span class="q">韵</span>在柳桥花馆<span class="q">句</span>玲珑深处<span class="q">韵</span> 居士<span class="q">韵</span>闲记取<span class="q">韵</span>高卧未成<span class="q">句</span>且种</span>
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松千树<span class="q">韵</span>觅句堂深<span class="q">句</span>写经窗静<span class="q">句</span>他日任听风雨<span class="q">韵</span>列仙更教谁做<span class="q">句</span>伴一院<span class="q">读</span>双成俦侣<span class="q">韵</span>世间住<span class="q">韵
</span>○○● ●●○○ ●○○● ○●●○○● ●○●○○● ●●● ○○○● ●○●
且休将鸡犬<span class="q">句</span>云中飞去<span class="q">韵
</span>●○○○● ●○○●
·
此词前后段第八句,各添一字,作七字句,两结又多押一韵,自注太簇宫,俗名中管高宫。 按,大吕宫为高宫,太簇宫与大吕宫同,字谱故名中管高宫,但宫调失传,其义则不可考矣。
</span>
又一体 <span class="q">双调一百三字,前后段各十一句,四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
南枝向暖<span class="q">句</span>乍秀出庾岭<span class="q">句</span>梅英初吐<span class="q">韵</span>玉颊轻匀<span class="q">句</span>琼腮淡抹<span class="q">句</span>姑射冰容相许<span class="q">韵</span>几回立马凝伫<span class="q">句
</span>○○●● ●●●●● ○○○● ●●○○ ○○●● ○●○○○● ●○●●○●
影映寒光霜妒<span class="q">韵</span>拌尽占<span class="q">句</span>在百花头上<span class="q">句</span>严冬独步<span class="q">韵</span> 芳华春意早<span class="q">句</span>昨夜一番<span class="q">句</span>雪里开无数<span class="q">韵
</span>●●○○○● ○●● ●●○○● ○○●● ○○○●● ●●●○ ●●○○●
万蕊千稍<span class="q">句</span>铅堆粉污<span class="q">句</span>总是化工偏赋<span class="q">韵</span>月明暗香浮动<span class="q">句</span>休使龙吟声苦<span class="q">韵</span>且留取<span class="q">句</span>待时时频倚<span class="q">句
</span>●●○○ ○○●● ●●●○○● ●○●○○● ○○○○○● ●○● ●○○○●
阑干重顾<span class="q">韵</span>
○○○●
·
此与康词同,惟前后段起句不用韵异。
</span>
又一体 <span class="q">双调一百三字,前段十一句五仄韵,后段十二句六仄韵</span> 江 汉</span>
升平无际<span class="q">韵</span>庆八载相业<span class="q">句</span>君臣鱼水<span class="q">韵</span>镇抚风稜<span class="q">句</span>调燮精神<span class="q">句</span>合是圣朝房魏<span class="q">韵</span>凤山政好<span class="q">句</span>还被</span>
○○○● ●●●●● ○○○● ●●○○ ○●○○ ●●●○○● ●○●● ○●
画毂朱轮催起<span class="q">韵</span>按锦辔<span class="q">句</span>映玉带金鱼<span class="q">句</span>都人争指<span class="q">韵</span> 丹陛<span class="q">韵</span>常注意<span class="q">韵</span>追念裕陵<span class="q">句</span>元佐今无</span>
●●○○○● ●●● ●●●○○ ○○○● ○● ○●● ○●●○ ○●○○
几<span class="q">韵</span>绣衮香浓<span class="q">句</span>鼎槐风细<span class="q">句</span>荣耀满门朱紫<span class="q">韵</span>四方具瞻师表<span class="q">句</span>尽道夔足矣<span class="q">韵</span>运化笔<span class="q">句</span>又管领一</span>
● ●●○○ ●○○● ○●●○○● ●○●○○● ●●●○●● ●●● ●●●
年年<span class="q">句</span>烘春桃李<span class="q">韵
</span>○○ ○○○●
·
此亦康、蒋二词体,惟前段第七句四字、第八句八字异。
</span>
又一体 <span class="q">双调一百三字,前段十二句五仄韵,后段十一句五仄韵</span> 蔡 伸</span>
素娥呈瑞<span class="q">韵</span>正惨惨暮寒<span class="q">句</span>同云千里<span class="q">韵</span>剪水飞花<span class="q">句</span>渐渐瑶英<span class="q">句</span>密洒翠筠声细<span class="q">韵</span>邃馆静深<span class="q">句</span>金铺</span>
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半掩<span class="q">句</span>重帘垂地<span class="q">韵</span>明窗外<span class="q">句</span>伴疏梅潇洒<span class="q">句</span>玉肌香腻<span class="q">韵</span> 幽人当此际<span class="q">韵</span>醒魂照影<span class="q">句</span>漏永愁无</span>
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寐<span class="q">韵</span>强拊清尊<span class="q">句</span>慵添宝鸦<span class="q">句</span>谁会默然情味<span class="q">韵</span>幸有赏心人<span class="q">句</span>奈咫尺<span class="q">读</span>重门深闭<span class="q">韵</span>今夜里<span class="q">句</span>莫忍</span>
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教孤负<span class="q">句</span>浓香鸳被<span class="q">韵
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·
此亦康词体,惟前段第七、八句,作四字三句,后段第七、八句,作五字一句、七字一句异。 按,江词、蔡词句读参差,不足为法,谱内采入,聊以备体。
</span>
又一体 <span class="q">双调一百二字,前段十一句五仄韵,后段十句四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
腊残春未<span class="q">韵</span>正候馆梅开<span class="q">句</span>墙阴雪里<span class="q">韵</span>冷艳凝寒<span class="q">句</span>孤根回暖<span class="q">句</span>昨夜一枝春至<span class="q">韵</span>素苞暗香浮动<span class="q">句
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别有风流标致<span class="q">韵</span>谢池月<span class="q">句</span>最相宜<span class="q">句</span>疏影横斜临水<span class="q">韵</span> 谁为传驿陇上<span class="q">句</span>故人不见今千里<span class="q">韵</span>寄</span>
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与东君<span class="q">句</span>从教知人<span class="q">句</span>别后岁寒清意<span class="q">韵</span>乱山万叠何在<span class="q">句</span>但有飞云天际<span class="q">韵</span>故园好<span class="q">句</span>早归来<span class="q">句</span>休恋</span>
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繁花浓李<span class="q">韵</span>
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·
此词换头作六字一句、七字一句,与各家异。
</span>
又一体 <span class="q">双调一百三字,前段十二句五仄韵,后段十一句四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
琼姿冰体<span class="q">韵</span>料莹光乍传<span class="q">句</span>广寒宫里<span class="q">韵</span>北陆寒深<span class="q">句</span>南园春早<span class="q">句</span>此后万花方起<span class="q">韵</span>剪霞斗萼<span class="q">句</span>裁云</span>
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砌蕊<span class="q">句</span>天与高致<span class="q">韵</span>太潇洒<span class="q">句</span>最宜雪宜月<span class="q">句</span>宜亭宜水<span class="q">韵</span> 好是天涯庾岭上<span class="q">句</span>万株浮动香千里<span class="q">韵
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屏写横斜<span class="q">句</span>鬟插垂袅<span class="q">句</span>占尽秀骨清意<span class="q">韵</span>醉魂易醒<span class="q">句</span>吟兴信来<span class="q">句</span>佳思无际<span class="q">韵</span>为传语<span class="q">句</span>向东风<span class="q">句
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甘使无言桃李<span class="q">韵</span>
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·
此词换头作七字两句,与各家异。 按,《梅苑》两词。亦是异体,但句读较江、蔡二词,稍觉齐整。至《词律》收张元幹一词,字多脱误,无从校对,删之。
</span>
</span>
乌夜啼 唐教坊曲名。《太和正音谱》注:南吕宫,又大石调。宋欧阳修词名《圣无忧》,赵令畤词名《锦堂春》。 按,郭茂倩《乐府诗集》有清商曲《乌夜啼》,乃六朝及唐人古今诗体,与此不同,此盖借旧曲名,另翻新声也。</span>
乌夜啼 <span class="q">双调四十七字,前后段各四句,两平韵</span> <span class="q">南唐</span>李煜</span>
昨夜风兼雨<span class="q">句</span>帘帏飒飒秋声<span class="q">韵</span>烛残漏断频敧枕<span class="q">句</span>起坐不能平<span class="q">韵</span> 世事漫随流水<span class="q">句</span>算来一梦浮</span>
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生<span class="q">韵</span>醉乡路稳宜频到<span class="q">句</span>此外不堪行<span class="q">韵
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·
此词前段起句五字,欧阳修《圣无忧》词及权无染词,正与此同。 欧词,前段第二句“十年一别须臾”,十字仄声;权词,后段第三句“与君高却看花眼”,高字平声。谱内据此,余参下词。
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又一体 <span class="q">双调四十八字,前后段各四句,两平韵</span> 赵令畤</span>
楼上萦帘弱絮<span class="q">句</span>墙头碍月低花<span class="q">韵</span>年年春事关心事<span class="q">句</span>肠断欲栖鸦<span class="q">韵</span> 舞镜鸾衾翠减<span class="q">句</span>啼珠凤</span>
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蜡红斜<span class="q">韵</span>重门不锁相思梦<span class="q">句</span>随意绕天涯<span class="q">韵
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·
按,此调五字起者,或名《圣无忧》;六字起者,或名《锦堂春》。宋人俱填《锦堂春》体,其实始于南唐李煜,本名《乌夜啼》也。《词律》反以《乌夜啼》为别名者误。惟《相见欢》一词,乃别名《乌夜啼》,与此无涉。 此调前段起句六字,宋人皆同,惟苏轼词,前后段第三句“若见故人须细问”、“更有鲈鱼堪切鲙”,平仄独异。 前段第一句,卢祖皋词“柳色津头泫绿”,柳字仄声;刘迎词“离恨远萦杨柳”,远字仄声,杨字平声。谱内据此,余参前词。
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又一体 <span class="q">双调五十字,前后段各五句,两平韵</span> 程 垓</span>
墙外雨肥梅子<span class="q">句</span>阶前水绕荷花<span class="q">韵</span>阴阴庭户薰风洒<span class="q">句</span>冰纹箪<span class="q">句</span>怯菱芽<span class="q">韵</span> 春尽难凭燕语<span class="q">句</span>日长</span>
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惟有蜂衙<span class="q">韵</span>沈香火冷珠帘暮<span class="q">句</span>个人在<span class="q">句</span>碧窗纱<span class="q">韵
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·
此词前后段结句,作三字两句异。汲古阁本《书舟词》误刻《西江月》,《词律》犹沿其误。今从《词纬》改定,至《词律》收程珌词,乃《锦帐春》,与《锦堂春》迥别,另编不列。
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</span>
相思儿令 《花草粹编》名《相思令》。</span>
相思儿令 <span class="q">双调四十七字,前段四句两平韵,后段四句三平韵</span> 晏 殊</span>
昨日探春消息<span class="q">句</span>湖上绿波平<span class="q">韵</span>无奈绕堤芳草<span class="q">句</span>还向旧痕生<span class="q">韵</span> 有酒且醉瑶觞<span class="q">韵</span>更何妨<span class="q">读</span>檀板</span>
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新声<span class="q">韵</span>谁教杨柳千丝<span class="q">句</span>就中牵系人情<span class="q">韵
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·
此调只晏殊一词,无别首可校。
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</span>
阮郎归 宋丁持正词,有“碧桃春昼长”句,名“碧桃春”;李祁词名《醉桃源》;曹冠词名《宴桃源》;韩淲词,有“濯缨一曲可流行”句,名《濯缨曲》。</span>
阮郎归<span class="q"> 双调四十七字,前段四句四平韵,后段五句四平韵</span> <span class="q">南唐</span>李煜</span>
东风吹水日衔山<span class="q">韵</span>春来长自闲<span class="q">韵</span>落花狼藉酒阑珊<span class="q">韵</span>笙歌醉梦间<span class="q">韵</span> 春睡觉<span class="q">句</span>晚妆残<span class="q">韵</span>无人整</span>
⊙○⊙●●○○ ⊙○⊙●○ ◎○⊙●●○○ ⊙○◎●○ ⊙◎● ●○○ ⊙○◎</span>
翠鬟<span class="q">韵</span>留连光景惜朱颜<span class="q">韵</span>黄昏独倚阑<span class="q">韵
</span>●○ ⊙○⊙●●○○ ⊙○◎●○
·
唐宋人填此调者,只此一体。若黄词押韵游戏,非正体也。 前段第一句,苏轼词“绿槐高柳咽新蝉”,绿字仄声,秦观词“宫腰袅袅翠鬟松”,上袅字仄声;第二句,李词别首“孤窗月影低”,月字仄声;第三句,秦观词“秋千未拆水平堤”,秋字平声,未字仄声;后段第一句,欧阳修词“浅螺黛”,浅字仄声,螺字平声;第四句,司马光词“落花寂寂水潺潺”,落字、上寂字俱仄声。谱内可平可仄据此,余参黄词。
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又一体 <span class="q">双调四十七字,前段四句三平韵、一重韵,后段五句两平韵、两重韵</span> 黄庭坚</span>
烹茶留客驻雕鞍<span class="q">韵</span>有人愁远山<span class="q">韵</span>别郎容易见郎难<span class="q">韵</span>月斜窗外山<span class="q">重韵</span> 归去后<span class="q">句</span>忆前欢<span class="q">韵</span>画屏</span>
○○○●●○○ ●○○●○ ●○○●●○○ ●○○●○ ○●● ●○○ ●○
金博山<span class="q">重</span>一杯春露莫留残<span class="q">韵</span>与郎扶玉山<span class="q">重
</span>○●○ ●○○●●○○ ●○○●○
·
此即李词体,惟前后段重押四“山”字韵,自注:效独木桥体。宋人亦间一为之。
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贺圣朝 唐教坊曲名。《花间集》有欧阳炯词,本名《贺明朝》,《词律》混入《贺圣朝》误。</span>
贺圣朝 <span class="q">双调四十七字,前段五句三仄韵,后段六句两仄韵</span> 冯延巳</span>
金丝帐暖牙床稳<span class="q">韵</span>怀香方寸<span class="q">韵</span>轻颦轻笑<span class="q">句</span>汗珠微透<span class="q">句</span>柳沾花润<span class="q">韵</span> 云鬟斜坠<span class="q">句</span>春应未已<span class="q">句</span>不</span>
⊙○◎●○○● ○○⊙● ⊙○○● ●○○● ●○○● ⊙○⊙● ⊙○●● ●
胜娇困<span class="q">韵</span>半敧犀枕<span class="q">句</span>乱缠珠被<span class="q">句</span>转羞人问<span class="q">韵
</span>○○● ●○○● ◎○⊙● ⊙⊙○●
·
此调昉自此词,如杜词、黄词、叶词、赵词,皆由此添字或摊破句法,其实同出一原也。若无名氏之《转调贺圣朝》,另押平韵,与此不同,因调名同,故为类列。
谱内可平可仄,悉参后列七词句法同者。
</span>
又一体 <span class="q">双调四十七字,前段四句三仄韵,后段五句三仄韵</span> 黄庭坚</span>
脱霜披茜初登第<span class="q">韵</span>名高得意<span class="q">韵</span>樱桃荣宴玉池游<span class="q">句</span>领群仙行缀<span class="q">韵</span> 佳人何事<span class="q">韵</span>轻相戏道<span class="q">句</span>得之</span>
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何济<span class="q">韵</span>君家声誉古无双<span class="q">句</span>且均平为二<span class="q">韵
</span>○● ○○○●●○○ ●○○○●
·
此即冯词体,惟前段第三、四、五句,后段第四、五、六句,俱摊破句法,作七字一句、五字一句异。
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又一体 <span class="q">双调四十九字,前段四句三仄韵,后段五句三仄韵</span> 叶清臣</span>
满斟绿醑留君住<span class="q">韵</span>莫匆匆归去<span class="q">韵</span>三分春色二分愁<span class="q">句</span>更一分风雨<span class="q">韵</span> 花开花谢<span class="q">句</span>都来几许<span class="q">韵</span>且</span>
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高歌休诉<span class="q">韵</span>不知来岁牡丹时<span class="q">句</span>再相逢何处<span class="q">韵
</span>○○○● ◎○⊙●●○○ ●⊙○○●
·
此亦冯词体,惟前段第二句添一字,后段第三句添一字;前段第三、四、五句,后段第四、五、六句,俱摊破句法,作七字一句、五字一句异。赵鼎、马庄父词,正与此同。别本前结,或作“三分春色,二分愁闷,一分风雨”,后起,或作“花开花谢花无语”,后结,或作“知他来岁。牡丹时候,相逢何处”,即后赵彦端“一江风月”词体,今照《花庵词选》本。 前段起句,赵词“断霞收尽黄昏雨”,收字平声,马词“游人拾翠不知远”,游字平声,不字仄声;第二句,马词“被子规呼转”,子字仄声;第三句,赵词“帘栊不卷夜深沈”,不字仄声;后段第二句,马词“海棠红浅”,海字仄声,红字平声;第四句,马词“花前一笑不须悭”,花字平声,一字仄声;结句,赵词“有许多言语”,许字仄声。谱内可平可仄据之。
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又一体 <span class="q">双调四十九字,前段四句三仄韵,后段五句两仄韵</span> 赵师侠</span>
千林脱落群芳息<span class="q">韵</span>有一枝先白<span class="q">韵</span>孤标疏影压花丛<span class="q">句</span>更清香堪惜<span class="q">韵</span> 吟情无尽<span class="q">句</span>赏音未已<span class="q">句</span>早</span>
○○●●○○● ●●○○● ○○○●●○○ ●○○○● ○○○● ●○●● ●
纷纷籍籍<span class="q">韵</span>想贪结子去调羹<span class="q">句</span>任叫云横笛<span class="q">韵
</span>○○●● ●○●●●○○ ●●○○●
·
此与叶词同,惟后段第二句不用韵异。
</span>
又一体 <span class="q">双调四十八字,前段五句三仄韵,后段四句三仄韵</span> 赵彦端</span>
一江风月同君住<span class="q">韵</span>了不知秋去<span class="q">韵</span>赏心亭下<span class="q">句</span>过帆如马<span class="q">句</span>堕枫如雨<span class="q">韵</span> 相将莫问兴亡事<span class="q">韵</span>举离</span>
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觞谁诉<span class="q">韵</span>垂杨指点<span class="q">句</span>但归来<span class="q">读</span>有温柔佳处<span class="q">韵
</span>○○● ○○●● ●○○ ●○○○●
·
此词前段即冯词体,惟第二句添一字;后段则摊破句法,另成变调,与冯词异。
</span>
又一体 <span class="q">双调四十八字,前后段各四句,三仄韵</span> 赵彦端</span>
河阳桃李开无数<span class="q">韵</span>待乘春归去<span class="q">韵</span>小园几片忽惊飞<span class="q">句</span>恨主人难驻<span class="q">韵</span> 雏莺乳燕愁相语<span class="q">韵</span>道留君</span>
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不住<span class="q">韵</span>愿君随处作东风<span class="q">句</span>与群芳为主<span class="q">韵
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·
此与叶词同,惟换头处摊破句法异。
</span>
又一体 <span class="q">双调四十七字,前段四句三仄韵,后段五句两仄韵</span> 杜安世</span>
牡丹盛坼春将暮<span class="q">韵</span>群芳羞妒<span class="q">韵</span>几时流落在人间<span class="q">句</span>半开仙露<span class="q">韵</span> 馨香艳冶<span class="q">句</span>吟看醉赏<span class="q">句</span>叹谁能</span>
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留住<span class="q">韵</span>莫辞持烛夜深深<span class="q">句</span>怨等闲风雨<span class="q">韵
</span>○● ●○○●●○○ ●●○○●
·
此亦冯词体,惟后段第三句添一字,前段第三、四、五句,摊破作七字一句、四字一句,后段第四、五、六句,摊破作七字一句、五字一句异。
</span>
又一体 <span class="q">双调四十七字,前段四句三仄韵,后段六句三仄韵</span> 杜安世</span>
东君造物无凝滞<span class="q">韵</span>芳容相替<span class="q">韵</span>杏花桃萼一时开<span class="q">句</span>就中明媚<span class="q">韵</span> 绿丛金朵<span class="q">句</span>枝长叶细<span class="q">韵</span>称花王</span>
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相待<span class="q">韵</span>万般堪爱<span class="q">句</span>暂时见了<span class="q">句</span>肠断无计<span class="q">韵
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·
此即冯词体,惟前段第三、四、五句,摊破作七字一句、四字一句,后段第三句,添一字异。 杜词二首,句读参差,不足为法,采入以备一体。
</span>
又一体 <span class="q">双调四十九字,前段五句两平韵,后段五句一平韵、一叠韵</span> <span class="q">《古今词话》</span>无名氏</span>
渐觉一日<span class="q">句</span>浓如一日<span class="q">句</span>不比寻常<span class="q">韵</span>若知人<span class="q">读</span>为伊瘦损<span class="q">句</span>成病又何妨<span class="q">韵</span> 相思到了<span class="q">句</span>不成模</span>
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样<span class="q">句</span>收泪千行<span class="q">韵</span>把从前<span class="q">读</span>泪来做水<span class="q">句</span>流也流到伊行<span class="q">叠
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·
此见《古今词话》,名《转调贺圣朝》,押平声韵,与押仄韵者不同。谱内可平可仄,悉参下词。
</span>
又一体 <span class="q">双调五十字,前后段各五句,两平韵</span> <span class="q">《鸣鹤余音》</span>无名氏</span>
野僧归后<span class="q">句</span>渔舟才缆<span class="q">句</span>绿桧生烟<span class="q">韵</span>对寒灯<span class="q">读</span>潇洒枕书眠<span class="q">句</span>听石潄流泉<span class="q">韵</span> 丹炉火灭<span class="q">句</span>琴房人</span>
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静<span class="q">句</span>风自调弦<span class="q">韵</span>待孤峰<span class="q">读</span>顶上月明时<span class="q">句</span>正一梦游仙<span class="q">韵
</span>● ○●○○ ●○○ ●●●○○ ●●●○○
·
此与转调词同,惟前后段第四句,各添一字,作八字句异。
</span>
又一体 <span class="q">双调五十字,前后段各六句,两平韵</span> <span class="q">《鸣鹤余音》</span>无名氏</span>
草堂初寐<span class="q">句</span>青衣扃户<span class="q">句</span>丹顶归巢<span class="q">韵</span>抱瑶琴高枕<span class="q">句</span>梦游仙岛<span class="q">句</span>物外逍遥<span class="q">韵</span> 中宵睡觉<span class="q">句</span>声如鸣</span>
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佩<span class="q">句</span>竹被风敲<span class="q">韵</span>隔疏林斜望<span class="q">句</span>断云飞去<span class="q">句</span>月上松梢<span class="q">韵
</span>● ●●○○ ●○○○● ●○○● ●●○○
·
此亦转调词体,惟前段第四、五句添一字,后段第四、五句摊破句法,俱作五字一句、四字两句异。
</span>
</span>
甘草子 《乐章集》注:正宫。</span>
甘草子 <span class="q">双调四十七字,前段五句四仄韵,后段四句四仄韵</span> 寇 准</span>
春早<span class="q">韵</span>柳丝无力<span class="q">句</span>低拂青门道<span class="q">韵</span>暖日笼啼鸟<span class="q">韵</span>初坼桃花小<span class="q">韵</span> 遥望碧天净如扫<span class="q">韵</span>曳一缕<span class="q">读</span>轻</span>
○● ●○○● ○●○○● ●●○○● ○●○○● ○●●○●○● ●●● ○
烟缥缈<span class="q">韵</span>堪惜流年谢芳草<span class="q">韵</span>任玉壶倾倒<span class="q">韵
</span>○●● ○●○○●○● ●●○○●
·
此调前段第四句押韵者,只有此词。柳词二首,自注宫调,又有杨无咎词可校,故可平可仄,悉注于柳词之下。
</span>
又一体 <span class="q">双调四十七字,前段五句三仄韵,后段四句四仄韵</span> 柳 永</span>
秋暮<span class="q">韵</span>乱洒衰荷<span class="q">句</span>颗颗真珠雨<span class="q">韵</span>雨过月华生<span class="q">句</span>冷彻鸳鸯浦<span class="q">韵</span> 池上凭阑愁无侣<span class="q">韵</span>奈此个<span class="q">读</span>单</span>
○● ●●○○ ●●○○● ●●●○○ ◎●○○● ○●●○○○● ●◎● ⊙
栖情绪<span class="q">韵</span>却傍金笼教鹦鹉<span class="q">韵</span>念粉郎言语<span class="q">韵
</span>○○● ◎●○○◎⊙● ●●○○●
·
换头句“愁无侣”三字,《词律》误为“愁无似”,今从《花草粹编》改正。 柳词别首,前段结句“还有边庭信”,还字平声;后段第二句“动罗幕晓寒犹嫩”,罗字平声,晓字仄声;第三句“中酒残妆慵整顿”,慵字平声,整字仄声,杨词“谁与浮家五湖去”,谁字平声。谱内可平可仄据此。
</span>
</span>
珠帘卷 调见欧阳修词,因词有“珠帘卷”句,取以为名。</span>
珠帘卷 <span class="q">双调四十七字,前段五句三平韵,后段五句两平韵</span> 欧阳修</span>
珠帘卷<span class="q">句</span>暮云愁<span class="q">韵</span>垂杨暗锁青楼<span class="q">韵</span>烟雨濛濛如画<span class="q">句</span>轻风吹旋收<span class="q">韵</span> 香断锦屏新别<span class="q">句</span>人间玉</span>
○○● ●○○ ○○●●○○ ○●○○○● ○○○●○ ○●●○○● ○○●
簟初秋<span class="q">韵</span>多少旧欢新恨<span class="q">句</span>书杳杳<span class="q">句</span>梦悠悠<span class="q">韵
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·
此调仅见此词,无他作可校。
</span>
</span>
画堂春 调见《淮海集》。即咏画堂春色,取以为名。</span>
画堂春 <span class="q">双调四十七字,前段四句四平韵,后段四句三平韵</span> 秦 观</span>
落红铺径水平池<span class="q">韵</span>弄晴小雨霏霏<span class="q">韵</span>杏花憔悴杜鹃啼<span class="q">韵</span>无奈春归<span class="q">韵</span> 柳外画楼独上<span class="q">句</span>凭阑手</span>
◎○⊙●●○○ ◎○◎●○○ ●○○●●○○ ⊙●○○ ◎●◎○◎● ⊙○◎</span>
撚花枝<span class="q">韵</span>放花无语对斜晖<span class="q">韵</span>此恨谁知<span class="q">韵
</span>●○○ ◎○⊙●●○○ ◎●○○
·
此调以此词为正体,其余减字、添字,皆变格也。 秦词别首,前段结句“睡损红妆”,睡字仄声,谱内据之,余参所采诸词。
</span>
又一体 <span class="q">双调四十六字,前段四句四平韵,后段四句三平韵</span> 谢 懋</span>
西风庭院雨垂垂<span class="q">韵</span>黄花秋闰迟<span class="q">韵</span>已凉天气未寒时<span class="q">韵</span>才褪单衣<span class="q">韵</span> 睡起枕痕犹在<span class="q">句</span>鬓松钗压云</span>
○○○●●○○ ○○○●○ ●○○●●○○ ○●○○ ●●●○○● ●○○●○
低<span class="q">韵</span>玉奁重拂淡胭脂<span class="q">韵</span>青入双眉<span class="q">韵
</span>○ ●○○●●○○ ○●○○
·
此词前段第二句五字,较秦词减一字。
</span>
又一体 <span class="q">双调四十八字,前段四句四平韵,后段四句三平韵</span> 赵长卿</span>
小亭烟柳水溶溶<span class="q">韵</span>野花白白红红<span class="q">韵</span>恼人池上晚来风<span class="q">韵</span>吹损春容<span class="q">韵</span> 又是清明天气<span class="q">句</span>记当年<span class="q">读
</span>●○○●●○○ ●○●●○○ ●○○●●○○ ○●○○ ●●○○○● ●○○
小院相逢<span class="q">韵</span>凭阑幽思几千重<span class="q">韵</span>残杏香中<span class="q">韵
</span>●●○○ ○○○●●○○ ○●○○
·
此词后段第二句七字,较秦词添一字。
</span>
又一体 <span class="q">双调四十九字,前段四句四平韵,后段四句三平韵</span> 黄庭坚</span>
摩围小隐枕蛮江<span class="q">韵</span>蛛丝闲锁晴窗<span class="q">韵</span>水风山影上修廊<span class="q">韵</span>不到晚来凉<span class="q">韵</span> 相伴蝶穿花迳<span class="q">句</span>独飞</span>
○○●●●○○ ○○○●○○ ●○○●●○○ ●●●○○ ○●●○○● ●○
鸥舞溪光<span class="q">韵</span>不因送客下绳床<span class="q">韵</span>添火炷炉香<span class="q">韵
</span>○●○○ ●○●●●○○ ○●●○○
·
此词前后段结句皆五字,较秦词各添一字。张先“外湖莲子”词,与此同。
</span>
又一体 <span class="q">双调四十九字,前后段各四句,四平韵</span> 赵长卿</span>
当时巧笑记相逢<span class="q">韵</span>玉梅枝上玲珑<span class="q">韵</span>酒杯流处已愁浓<span class="q">韵</span>寒雁摩空<span class="q">韵</span> 去程无计更从容<span class="q">韵</span>到归</span>
○○●●●○○ ●○○●○○ ●○○●●○○ ○●○○ ●○○●●○○ ●○
来<span class="q">读</span>好事匆匆<span class="q">韵</span>一时分付不言中<span class="q">韵</span>此恨难穷<span class="q">韵
</span>○ ●●○○ ●○○●●○○ ●●○○
·
此词换头二句皆七字,多押一韵,较秦词添二字。
</span>
</span>
喜长新 唐教坊曲名。</span>
喜长新 <span class="q">双调四十七字,前段四句四平韵,后段四句三平韵</span> 王胜之</span>
秋风朔吹晓徘徊<span class="q">韵</span>雪照楼台<span class="q">韵</span>梁王宴召有邹枚<span class="q">韵</span>相如独逞英才<span class="q">韵</span> 明烛熏炉香暖<span class="q">句</span>深劝金</span>
○○●●●○○ ●●○○ ○○●●●○○ ○○●●○○ ○●○○○● ○●○
杯<span class="q">韵</span>庭前艳粉有寒梅<span class="q">韵</span>一枝昨夜先开<span class="q">韵
</span>○ ○○●●●○○ ●○●●○○
·
此词无他首可校,平仄当遵之。
</span>
</span>
金盏子 见《高丽史·乐志》。</span>
金盏子 <span class="q">双调四十七字,前后段各五句,两平韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
东风报暖<span class="q">句</span>到头嘉气渐融怡<span class="q">韵</span>巍峨凤阙<span class="q">句</span>起鳌山万仞<span class="q">句</span>争耸云涯<span class="q">韵</span> 梨园子弟<span class="q">句</span>齐奏新曲<span class="q">句
</span>○○●● ●○○●●○○ ○○●● ○○○●● ○●○○ ○○●● ○●○●
半是埙篪<span class="q">韵</span>见满筵<span class="q">读</span>簪绅醉饱<span class="q">句</span>颂鹿鸣诗<span class="q">韵
</span>●●○○ ●●○ ○○●● ●●○○
·
此词亦无他首可校。
</span>
献天寿 见《高丽史·乐志》。</span>
献天寿 <span class="q">双调四十七字,前段四句四平韵,后段五句三平韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
日暖风和春更迟<span class="q">韵</span>是太平时<span class="q">韵</span>我从蓬岛整容姿<span class="q">韵</span>来降贺丹墀<span class="q">韵</span> 幸逢灯夕真佳会<span class="q">句</span>喜近天</span>
●●○○○●○ ●●○○ ●○○●●○○ ○●●○○ ●○○●○○● ●●○
威<span class="q">韵</span>神仙寿算永无期<span class="q">韵</span>献君寿<span class="q">句</span>万年斯<span class="q">韵
</span>○ ○○●●●○○ ●○● ●○○
·
此词亦无他首可校。
</span>