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目 录 <span class="q">二十五调七十六体,五十字</span>
应天长十二体<span class="q">又名应天长令、应天长慢
</span>满宫花二体
少年游十五体<span class="q">又名玉腊梅枝、小阑干</span>
偷声木兰花一体
滴滴金四体
忆汉月四体<span class="q">又名望汉月</span>
西江月五体<span class="q">又名白苹香、步虚词、江月令</span>
惜春令二体
留春令四体
梁州令四体<span class="q">又名凉州令、梁州令叠韵</span>
盐角儿一体
归田乐五体<span class="q">又名归田乐引</span>
惜分飞五体<span class="q">又名惜双双、惜双双令、惜芳菲</span>
孤馆深沉一体
促拍采桑子一体<span class="q">又名促拍丑奴儿</span>
怨三三一体
使牛子一体
折丹桂一体
竹香子一体
城头月一体
四犯令一体<span class="q">又名四和香、桂华明</span>
醉高歌一体
黄鹤洞仙一体
破字令一体
花前饮一体</span>
</span>
应天长 此调有令词、慢词。令词始于韦庄,又有顾夐、毛文锡两体,宋毛圱词名《应天长令》;慢词始于柳永,《乐章集》注:林钟商调,又有周邦彦一体,名《应天长慢》。</span>
应天长 <span class="q">双调五十字,前后段各五句,四仄韵</span> 韦 庄</span>
绿槐阴里黄鹂语<span class="q">韵</span>深院无人春昼午<span class="q">韵</span>画帘垂<span class="q">句</span>金凤舞<span class="q">韵</span>寂寞绣屏香一炷<span class="q">韵</span> 碧天云<span class="q">句</span>无定</span>
◎⊙⊙◎○⊙● ⊙●⊙○○●● ◎○⊙ ⊙◎● ◎●◎○○●● ●○○ ○●
处<span class="q">韵</span>空有梦魂来去<span class="q">韵</span>夜夜绿窗风雨<span class="q">韵</span>断肠君信否<span class="q">韵
</span>● ⊙●◎○○● ◎●◎○⊙● ◎⊙⊙◎●
·
此调始于此词,顾词、冯词,由此减字,毛词由此或添字、或减字,实正体也。韦词别首,“别来半岁”词,牛峤“双眉淡薄”词,宋毛圱“曲阑十二”词,正与之同。 按,牛词,前段起句“双眉淡薄藏心事”,淡字仄声;韦词别首,第三、四句“难相见,易相别”,易字仄声;牛词,结句“宝帐鸳鸯春睡美”,鸳字平声。谱内可平可仄据之,其余参下所采令词。
</span>
又一体 <span class="q">双调四十九字,前段五句四仄韵,后段四句四仄韵</span> 顾 夐</span>
瑟瑟罗裙金线缕<span class="q">韵</span>轻透鹅黄香画袴<span class="q">韵</span>垂交带<span class="q">句</span>盘鹦鹉<span class="q">韵</span>袅袅翠翘移玉步<span class="q">韵</span> 背人匀檀注<span class="q">韵
</span>●●○○○●● ○●○○○●● ○○● ○○● ●●●○○●● ◎○○⊙●
慢转横波偷觑<span class="q">韵</span>敛黛春情暗许<span class="q">韵</span>倚屏慵不语<span class="q">韵
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·
此与韦词同,惟后段第一、二句,减去一字,作五字句异。 换头句,背字可平,檀字可仄,参下冯、毛二词。
</span>
又一体 <span class="q">双调四十九字,前段五句五仄韵,后段四句四仄韵</span> 冯延巳</span>
一弯初月临鸾镜<span class="q">韵</span>云鬓凤钗慵不整<span class="q">韵</span>珠帘静<span class="q">韵</span>重楼迥<span class="q">韵</span>惆怅落花风不定<span class="q">韵</span> 绿烟低柳径<span class="q">韵
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何处轳轳金井<span class="q">韵</span>昨夜更阑酒醒<span class="q">韵</span>春愁胜却病<span class="q">韵
</span>○●●○○● ●●○○●● ○○●●●
·
此与顾词同,惟前段第三句押韵异。 按,此体只冯集有之,唐、宋人不作也。
</span>
又一体 <span class="q">双调五十字,前后段各四句,四仄韵</span> 毛文锡</span>
平江波暖鸳鸯语<span class="q">韵</span>两两钓船归极浦<span class="q">韵</span>卢州一夜风和雨<span class="q">韵</span>飞起浅沙翘雪鹭<span class="q">韵</span> 渔灯明远渚<span class="q">韵
</span>○○○●○○● ●●●○○●● ○○◎●○○● ○●●○○●● ○○○●●
兰棹今宵何处<span class="q">韵</span>罗袂从风轻举<span class="q">韵</span>愁煞采莲女<span class="q">韵
</span>○●○○○● ○●○○○● ○●●○●
·
此亦与顾词同,惟前段第三、四句,添一字,摊破三字两句,作七字一句异。牛峤“玉楼春望”词,正与此合。 按,牛词,前段第三句“黄鹂娇啭声初歇”,娇字平声,谱内据之,其余可平可仄,已见上三词。
</span>
又一体 <span class="q">双调九十四字,前段十句六仄韵,后段十句七仄韵</span> 柳 永</span>
残蝉声断绝<span class="q">韵</span>傍碧砌修梧<span class="q">句</span>败叶微脱<span class="q">韵</span>风露凄清<span class="q">句</span>正是登高时节<span class="q">韵</span>东篱霜乍结<span class="q">韵</span>绽金蕊<span class="q">读</span>嫩</span>
○○○●● ●●●⊙○ ●◎○● ⊙●⊙⊙ ◎●⊙○○● ⊙○○●● ●⊙● ◎</span>
香堪折<span class="q">韵</span>聚宴处<span class="q">句</span>落帽风流<span class="q">句</span>未饶前哲<span class="q">韵</span> 把酒与君说<span class="q">韵</span>恁好景良辰<span class="q">句</span>怎忍虚设<span class="q">韵</span>休效牛</span>
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山<span class="q">句</span>空对江天凝咽<span class="q">韵</span>尘劳无暂歇<span class="q">韵</span>遇良会<span class="q">读</span>剩偷欢悦<span class="q">韵</span>歌未阙<span class="q">韵</span>杯兴方浓<span class="q">句</span>莫便中辍<span class="q">韵
</span>○ ⊙●⊙○○● ○○○●● ●⊙● ●○○● ⊙●● ○●○○ ◎◎○●
·
此调九十四字者,始于此词,叶词之少押四韵、无名氏词之多押一韵,皆从此词出也。故谱内可平可仄,即参两词。
</span>
又一体 <span class="q">双调九十四字,前段十句四仄韵,后段十句五仄韵</span> 叶梦得</span>
松陵秋已老<span class="q">句</span>正柳岸田家<span class="q">句</span>酒醅初熟<span class="q">韵</span>鲈脍蒪羹<span class="q">句</span>万里水天相续<span class="q">韵</span>扁舟临浩渺<span class="q">句</span>寄一叶<span class="q">读</span>暮</span>
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涛吞沃<span class="q">韵</span>青箬笠<span class="q">句</span>西塞山前<span class="q">句</span>自翻新曲<span class="q">韵</span> 来往未应足<span class="q">韵</span>便细雨斜风<span class="q">句</span>有谁拘束<span class="q">韵</span>陶写中</span>
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年<span class="q">句</span>何待更须丝竹<span class="q">韵</span>鸱彝千古意<span class="q">句</span>算入手<span class="q">读</span>比来尤速<span class="q">韵</span>最好是<span class="q">句</span>千点云屏<span class="q">句</span>半篙澄绿<span class="q">韵
</span>○ ○●●○○● ○○○●● ●●● ●○○● ●●● ○●○○ ●○○●
·
此与柳词同,惟前段起句、前后段第六句、后段第八句,俱不押韵异。
</span>
又一体 <span class="q">双调九十四字,前后段各十句,七仄韵</span> <span class="q">《古今词话》</span>无名氏</span>
雕鞍成漫驻<span class="q">韵</span>望断也不归<span class="q">句</span>院深天暮<span class="q">韵</span>倚遍旧日<span class="q">句</span>曾共凭肩门户<span class="q">韵</span>踏青何处所<span class="q">韵</span>想醉拍<span class="q">读</span>春</span>
○○○●● ●●●○○ ●○○● ●●●● ○●○○○● ●○○●● ●●● ○
衫歌舞<span class="q">韵</span>征斾举<span class="q">韵</span>一步红尘<span class="q">句</span>一步回顾<span class="q">韵</span> 行行愁独语<span class="q">韵</span>想媚容今宵<span class="q">句</span>怨郎不住<span class="q">韵</span>来为相</span>
○○● ○●● ●●○○ ●●○● ○○○●● ●●○○○ ●○●● ○●○
思<span class="q">句</span>却又空将愁去<span class="q">韵</span>人生无定据<span class="q">韵</span>叹后会<span class="q">读</span>不知何处<span class="q">韵</span>愁万缕<span class="q">韵</span>凭仗东风<span class="q">句</span>和泪吹与<span class="q">韵
</span>○ ●●○○○● ○○○●● ●●● ●○○● ○●● ○●○○ ○●○●
·
此亦柳词体,惟前段第八句亦押韵异。
</span>
又一体 <span class="q">双调九十八字,前后段各十一句,五仄韵</span> 周邦彦</span>
条风布暖<span class="q">句</span>霏雾弄晴<span class="q">句</span>池塘遍满春色<span class="q">韵</span>正是夜台无月<span class="q">句</span>沈沈暗寒食<span class="q">韵</span>梁间燕<span class="q">句</span>社前客<span class="q">韵</span>似笑</span>
⊙○●● ○●●○ ○○◎◎○● ●●●○○● ○○●○● ○○● ◎⊙● ◎●
我<span class="q">读</span>闭门愁寂<span class="q">韵</span>乱花过<span class="q">句</span>隔院芸香<span class="q">句</span>满地狼藉<span class="q">韵</span> 长记那回时<span class="q">句</span>邂逅相逢<span class="q">句</span>郊外驻油壁<span class="q">韵
</span>● ◎○○● ●○◎ ◎●⊙○ ◎◎○● ○●●○○ ◎●○○ ○●●○●
又见汉宫传烛<span class="q">句</span>飞烟五侯宅<span class="q">韵</span>青青草<span class="q">句</span>迷路陌<span class="q">韵</span>强载酒<span class="q">读</span>细寻前迹<span class="q">韵</span>市桥远<span class="q">句</span>柳下人家<span class="q">句</span>犹</span>
●●◎○○● ○○●○● ⊙○● ○●● ●◎● ●○○● ●⊙◎ ◎●○○ ⊙
自相识<span class="q">韵 </span>
◎○●
·
此调九十八字者,始于此词。前后段第七句以下,犹沿柳词句读,宋、元人俱依此填。若吴词之多押一韵,康词之句韵异同,王词之多押两韵,陈词之句读小异,皆变体也。 前段第九、十句,蒋捷词“似琼花,谪下红裳”,花字平声,张榘词“算惟有,塔起半轮”,半字仄声;后段第九、十句,张词“梦仙游,倚遍霓裳”,游字平声。谱内可平可仄据此,其余悉参吴、康、王、陈四词。
</span>
又一体 <span class="q">双调九十八字,前段十一句五仄韵,后段十一句六仄韵</span> 吴文英</span>
丽花斗靥<span class="q">句</span>清麝溅尘<span class="q">句</span>春声偏漏芳陌<span class="q">韵</span>竟路障空云幕<span class="q">句</span>冰壶侵霞色<span class="q">韵</span>芙蓉镜<span class="q">句</span>词赋客<span class="q">韵</span>竞绣</span>
●○●● ○●●○ ○○○●○● ●●●○○● ○○●○● ○○● ○●● ●●
笔<span class="q">读</span>醉嫌天窄<span class="q">韵</span>素娥下<span class="q">句</span>小驻轻镳<span class="q">句</span>眼乱红碧<span class="q">韵</span> 前事顿非昔<span class="q">韵</span>故苑年光<span class="q">句</span>浑与世相隔<span class="q">韵
</span>● ●○○● ●○● ●●○○ ●●○● ○●●○● ●●○○ ○●●○●
向暮巷空人绝<span class="q">句</span>残灯耿尘壁<span class="q">韵</span>凌波恨<span class="q">句</span>帘户寂<span class="q">韵</span>听怨写<span class="q">读</span>堕梅哀笛<span class="q">韵</span>伫立久<span class="q">句</span>雨暗河桥<span class="q">句</span>谯</span>
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漏疏滴<span class="q">韵</span>
●○●
·
此即周词体,惟换头句押韵异。
</span>
又一体 <span class="q">双调九十八字,前段十一句六仄韵,后段十一句七仄韵</span> 康与之</span>
管弦绣陌<span class="q">句</span>灯火画桥<span class="q">句</span>尘香旧时归路<span class="q">韵</span>断肠萧娘<span class="q">句</span>旧日风帘映朱户<span class="q">韵</span>莺能舞<span class="q">韵</span>花解语<span class="q">韵</span>念后</span>
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约<span class="q">读</span>顿成轻负<span class="q">韵</span>缓雕辔<span class="q">句</span>独自归来<span class="q">句</span>凭阑情绪<span class="q">韵</span> 楚岫在何处<span class="q">韵</span>香梦悠悠<span class="q">句</span>花月更谁主<span class="q">韵
</span>● ●○○● ●○● ●●○○ ○○○● ●●●○● ○●○○ ○●●○●
惆怅后期<span class="q">句</span>空有鳞鸿寄纨素<span class="q">韵</span>枕前泪<span class="q">韵</span>窗外雨<span class="q">韵</span>翠幕冷<span class="q">读</span>夜凉虚度<span class="q">韵</span>未应信<span class="q">句</span>此度相思<span class="q">句</span>寸</span>
○●●○ ○●○○●○● ●○● ○●● ●●● ●○○● ●○● ●●○○ ●
肠千缕<span class="q">韵</span>
○○●
·
此词前后段第四、五句,俱作四字一句、七字一句,其换头句及前后段第六句,又多押一韵,与周词异。
</span>
又一体 <span class="q">双调九十八字,前后段各十一句,六仄韵</span> 王沂孙</span>
疏帘蝶粉<span class="q">句</span>幽迳燕泥<span class="q">句</span>花间小雨初足<span class="q">韵</span>又是禁城寒食<span class="q">韵</span>轻舟泛晴渌<span class="q">韵</span>寻芳地<span class="q">句</span>来去熟<span class="q">韵</span>尚仿</span>
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佛<span class="q">句</span>大堤南北<span class="q">韵</span>望杨柳<span class="q">读</span>一片阴阴<span class="q">句</span>摇曳新绿<span class="q">韵</span> 重访艳歌人<span class="q">句</span>听取春声<span class="q">句</span>犹是杜郎曲<span class="q">韵
</span>● ●○○● ○○● ●●○○ ○●○● ○●●○○ ●●○○ ○●●○●
荡漾去年春色<span class="q">韵</span>深深杏花屋<span class="q">韵</span>东风里<span class="q">句</span>曾与宿<span class="q">韵</span>记小刻<span class="q">读</span>近窗新竹<span class="q">韵</span>旧游远<span class="q">句</span>沈醉归来<span class="q">句</span>满</span>
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院银烛<span class="q">韵</span>
●○●
·
此亦周词体,惟前段第四句押韵异。
</span>
又一体 <span class="q">双调九十八字,前后段各十句,五仄韵</span> 陈允平</span>
流莺唤梦<span class="q">句</span>芳草带愁<span class="q">句</span>东风料峭寒色<span class="q">韵</span>又见杏浆饧粥<span class="q">句</span>家家禁烟食<span class="q">韵</span>江湖几年倦客<span class="q">韵</span>曾惯识<span class="q">读
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凄凉岑寂<span class="q">韵</span>苦吟瘦<span class="q">句</span>萧索诗肠<span class="q">句</span>空媿郊籍<span class="q">韵</span> 春事正溪山<span class="q">句</span>柳雾花尘<span class="q">句</span>深映翠罗壁<span class="q">韵</span>更谢</span>
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多情双燕<span class="q">句</span>归来旧庭宅<span class="q">韵</span>晴丝乱游巷陌<span class="q">韵</span>怅容易<span class="q">读</span>万红陈迹<span class="q">韵</span>酒旗直<span class="q">句</span>绿水桥边<span class="q">句</span>犹记曾识<span class="q">韵
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·
此即和周词也,惟前后段第六、七句,俱作六字一句异。
</span>
</span>
满宫花 调见《花间集》,尹鹗赋宫怨词,有“满地禁花慵扫”句,取以为名。</span>
满宫花 <span class="q">双调五十字,前后段各五句,三仄韵</span> 尹 鹗</span>
月沈沈<span class="q">句</span>人悄悄<span class="q">韵</span>一炷后庭香袅<span class="q">韵</span>草深辇路不归来<span class="q">句</span>满地禁花慵扫<span class="q">韵</span> 离恨多<span class="q">句</span>相见少<span class="q">韵</span>何</span>
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处醉迷三岛<span class="q">韵</span>漏清宫树子规啼<span class="q">句</span>愁锁碧窗春晓<span class="q">韵
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·
此词换头作三字两句,与前段同,有宋许棐词可校。许词,前段第三句“犹带清酲微困”,犹字、清字俱平声;第四句“金鞍何处掠新欢”,金字平声;后段第一句“柳供愁”,柳字仄声,供字平声;结句“又是一番春尽”,又字仄声。谱内可平可仄据此,余参张词。
</span>
又一体 <span class="q">双调五十一字,前段五句三仄韵,后段四句三仄韵</span> 张 泌</span>
花正芳<span class="q">句</span>楼似绮<span class="q">韵</span>寂寞上阳宫里<span class="q">韵</span>钿笼金锁睡鸳鸯<span class="q">句</span>帘冷露华珠翠<span class="q">韵</span> 娇艳轻盈香雪腻<span class="q">韵
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细雨黄莺双起<span class="q">韵</span>东风惆怅欲清明<span class="q">句</span>公子桥边沈醉<span class="q">韵
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·
此词换头句作七字一句,魏承班“雪霏霏”词,正与此同。但魏词换头句,“春朝秋夜思君甚”,朝字、君字俱平声,夜字仄声,平仄与此词又异。
</span>
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少年游 调见《珠玉集》,因词有“长似少年时”句,取以为名。《乐章集》注:林钟商调。韩淲词,有“明窗玉蜡梅枝好”句,更名《玉蜡梅枝》;萨都刺词,名《小阑干》。 此调最为参差,今分七体,其源俱出于晏词。或添一字,摊破前后段起句,作四字两句者;或减一字,摊破前后段第三、四句,作七字一句者;或于前后段第二句,添一字者;或于两结句,添字、减字者。悉为类列,以便按谱查填。</span>
少年游 <span class="q">双调五十字,前段五句三平韵,后段五句两平韵</span> 晏 殊</span>
芙蓉花发去年枝<span class="q">韵</span>双燕欲归飞<span class="q">韵</span>兰堂风软<span class="q">句</span>金炉香暖<span class="q">句</span>新曲动帘帷<span class="q">韵</span> 家人并上千春寿<span class="q">句
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深意满琼卮<span class="q">韵</span>绿鬓朱颜<span class="q">句</span>道家装束<span class="q">句</span>长似少年时<span class="q">韵
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·
自晏殊词至周密词,共四首,其前后段起句皆七字,第三、四句皆四字,所不同者,前后段第二句及结句,添字、减字耳。而晏词实为正体,宋、元人悉依此填。 前段第四句,陈允平词“箫吹紫玉”,紫字仄声;换头句,吴元可词“钏脱钗斜浑不省”,脱字、不字俱仄声,钗字、斜字俱平声;结句,柳永词“独上木兰桡”,独字仄声。谱内可平可仄据此,余参类列李词、柳词、周词。
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又一体 <span class="q">双调五十字,前后段各五句,两平韵</span> 李 甲</span>
江国陆郎封寄后<span class="q">句</span>独自冠群芳<span class="q">韵</span>折时雪里<span class="q">句</span>带时灯下<span class="q">句</span>香面讶争光<span class="q">韵</span> 而今不怕吹羌管<span class="q">句
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一任更繁霜<span class="q">韵</span>玳筵赏处<span class="q">句</span>玉纤整后<span class="q">句</span>犹胜岭头香<span class="q">韵
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此词见《梅苑》,与晏词同,惟前段起句不押韵异。
</span>
又一体 <span class="q">双调五十一字,前段五句三平韵,后段五句两平韵</span> 柳 永</span>
日高花榭懒梳头<span class="q">韵</span>无语倚妆楼<span class="q">韵</span>修眉敛黛<span class="q">句</span>远山横翠<span class="q">句</span>相对结春愁<span class="q">韵</span> 王孙走马长楸陌<span class="q">句
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贪迷恋<span class="q">读</span>少年游<span class="q">韵</span>似恁疏狂<span class="q">句</span>费人拘管<span class="q">句</span>争似不风流<span class="q">韵
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·
此与晏词同,惟后段第二句添一字,作六字异。《乐章集》四首皆然。欧阳修二词,“追往事、又成空”,“忍抛弃、向秋光”,亦与此同。
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又一体 <span class="q">双调五十二字,前段五句三平韵,后段五句两平韵</span> 柳 永</span>
一生赢得是凄凉<span class="q">韵</span>追往事<span class="q">读</span>暗心伤<span class="q">韵</span>好天良夜<span class="q">句</span>深屏香被<span class="q">句</span>争忍便相忘<span class="q">韵</span> 王孙动是经年</span>
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去<span class="q">句</span>贪迷恋<span class="q">读</span>有何长<span class="q">韵</span>万种千般<span class="q">句</span>把伊情分<span class="q">句</span>颠倒尽猜量<span class="q">韵
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·
此亦与晏词同,惟前后段第二句,各添一字,俱作六字句异。
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又一体 <span class="q">双调四十八字,前段五句三平韵,后段五句两平韵</span> 周 密</span>
帘销宝篆卷宫罗<span class="q">韵</span>蜂蝶扑飞梭<span class="q">韵</span>一样东风<span class="q">句</span>燕梁莺院<span class="q">句</span>那处春多<span class="q">韵</span> 晓妆日日随香辇<span class="q">句</span>多</span>
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在牡丹坡<span class="q">韵</span>花深深处<span class="q">句</span>柳阴阴处<span class="q">句</span>一片笙歌<span class="q">韵
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·
此亦晏词体,惟前后段两结句,各减一字,作四字句异。
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又一体 <span class="q">双调五十字,前段五句三平韵,后段四句三平韵</span> 杜安世</span>
小轩深院是秋时<span class="q">韵</span>风叶坠高枝<span class="q">韵</span>疏帘静永<span class="q">句</span>薄帷清夜<span class="q">句</span>暑退觉寒微<span class="q">韵</span> 凄凉天气离愁意<span class="q">句
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肯信杳难期<span class="q">韵</span>多情成病不须医<span class="q">韵</span>更憔悴<span class="q">读</span>转寻思<span class="q">韵
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·
此与向词,俱后段第三句减一字,改晏词四字两句作七字句,结句添一字,作六字者。欧阳修词“那堪疏雨滴黄昏,更特地忆王孙”,张耒词“相见时稀隔别多,又春尽奈愁何”,正与此同。
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又一体 <span class="q">双调五十字,前段五句两平韵,后段四句两平韵</span> 向子諲</span>
去年同醉酴醾下<span class="q">句</span>仅笔赋新词<span class="q">韵</span>今年君去<span class="q">句</span>酴醾欲破<span class="q">句</span>谁与醉为期<span class="q">韵</span> 旧曲重歌倾别酒<span class="q">句
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风露泣花枝<span class="q">韵</span>章水能长湘水远<span class="q">句</span>流不尽<span class="q">读</span>两相思<span class="q">韵
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·
此与杜词同,惟前段起句、后段第三句,不押韵异。
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又一体 <span class="q">双调五十一字,前段六句两平韵,后段五句两平韵</span> 姜 夔</span>
双螺未合<span class="q">句</span>双蛾先敛<span class="q">句</span>家在碧云西<span class="q">韵</span>别母情怀<span class="q">句</span>随郎滋味<span class="q">句</span>桃叶渡江时<span class="q">韵</span> 扁舟载了匆匆</span>
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去<span class="q">句</span>今夜泊前溪<span class="q">韵</span>杨柳津头<span class="q">句</span>梨花墙外<span class="q">句</span>心事两人知<span class="q">韵
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·
此词摊破晏词前段起句七字一句,作四字两句。周邦彦“并刀如水”词,正与此同。此与下韩淲词,又自成一体。
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又一体 <span class="q">双调五十二字,前段六句两平韵,后段五句两平韵</span> 韩 淲</span>
闲寻杯酒<span class="q">句</span>清翻曲谱<span class="q">句</span>相与送残冬<span class="q">韵</span>天地推移<span class="q">句</span>古今兴替<span class="q">句</span>斯道岂雷同<span class="q">韵</span> 明窗玉烛梅枝</span>
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好<span class="q">句</span>人情澹<span class="q">读</span>物华浓<span class="q">韵</span>个里风光<span class="q">句</span>别般滋味<span class="q">句</span>无梦听飞鸿<span class="q">韵
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·
此与姜词同,惟后段第二句添一字,作六字折腰异。
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又一体 <span class="q">双调五十二字,前后段各六句,两平韵</span> 晏几道</span>
绿勾栏畔<span class="q">句</span>黄昏淡月<span class="q">句</span>携手对残红<span class="q">韵</span>纱窗影里<span class="q">句</span>朦胧春睡<span class="q">句</span>繁杏小屏风<span class="q">韵</span> 须愁别后<span class="q">句</span>天</span>
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高海阔<span class="q">句</span>何处更相逢<span class="q">韵</span>幸有花前<span class="q">句</span>一杯芳酒<span class="q">句</span>归计莫匆匆<span class="q">韵
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·
此词摊破“芙蓉花发”词,前后段起句七字一句,各添一字,作四字两句。《小山乐府》三首皆然。高观国“春风吹碧”词,正与之同,此又自为一体。
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又一体 <span class="q">双调五十一字,前后段各五句,三平韵</span> 杜安世</span>
小楼归燕又黄昏<span class="q">韵</span>寂寞锁高门<span class="q">韵</span>轻风细雨<span class="q">句</span>惜花天气<span class="q">句</span>相次过春分<span class="q">韵</span> 画堂无绪<span class="q">句</span>初燃绛</span>
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烛<span class="q">句</span>罗帐掩余熏<span class="q">韵</span>多情不解怨王孙<span class="q">韵</span>任薄幸<span class="q">读</span>一从君<span class="q">韵
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·
此词摊破晏词换头七字一句,作四字两句,摊破晏词第三、四句四字两句,作七字一句,结句又添一字,作六字折腰句法,宋、元人无依此填者,自成一体。
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又一体 <span class="q">双调五十一字,前段六句两平韵,后段四句两平韵</span> 苏 轼</span>
去年相送<span class="q">句</span>余杭门外<span class="q">句</span>飞雪似杨花<span class="q">韵</span>今年春尽<span class="q">句</span>杨花似雪<span class="q">句</span>犹不见还家<span class="q">韵</span> 对酒卷帘邀明</span>
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月<span class="q">句</span>风露透窗纱<span class="q">韵</span>恰似嫦娥怜双燕<span class="q">句</span>分明照<span class="q">读</span>画梁斜<span class="q">韵
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·
此词摊破晏词前段起句七字一句,作四字两句,又摊破后段第三、四句四字两句,作七字一句,结句又添一字,作六字折腰。晁补之“前时相见”词,正与之同。此亦自成一体。
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又一体 <span class="q">双调五十一字,前段六句两平韵,后段五句三平韵</span> 晏几道</span>
西楼别后<span class="q">句</span>风高露冷<span class="q">句</span>无奈月分明<span class="q">韵</span>飞鸿影里<span class="q">句</span>捣衣砧外<span class="q">句</span>总是玉关情<span class="q">韵</span> 王孙此际<span class="q">句</span>山</span>
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重水远<span class="q">句</span>何处赋西征<span class="q">韵</span>金闺魂梦枉可咛<span class="q">韵</span>寻遍短长亭<span class="q">韵
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·
此词摊破“芙蓉花发”词,前后段起句七字一句,俱作四字两句,又摊破后段第三、四句四字两句,作七字一句。晏殊“重阳过后”词、“霜华满树”词,几道“雕梁燕去”词,正与之同。此亦自成一体。
</span>
又一体 <span class="q">双调五十二字,前段六句两平韵,后段五句三平韵</span> 杨 亿</span>
江南节物<span class="q">句</span>水昏云淡<span class="q">句</span>飞雪满前村<span class="q">韵</span>千寻翠岭<span class="q">句</span>一枝芳艳<span class="q">句</span>迢递寄归人<span class="q">韵</span> 寿阳妆罢<span class="q">句</span>冰</span>
○○●● ●○○● ○●●○○ ○○●● ●○○● ○●●○○ ●○○● ○
姿玉态<span class="q">句</span>的的写天真<span class="q">韵</span>等闲风雨又纷纷<span class="q">韵</span>更忍向<span class="q">读</span>笛中闻<span class="q">韵
</span>○●● ●●●○○ ●○○●●○○ ●●● ●○○
·
此调见《梅苑》,与晏词同,惟后段结句添一字,作六字折腰句法异。
</span>
又一体 <span class="q">双调四十九字,前后段各五句,两仄韵</span> 晁补之</span>
当年携手<span class="q">句</span>是处成双<span class="q">句</span>无人不羡<span class="q">韵</span>自间阻五年也<span class="q">句</span>一梦拥<span class="q">读</span>娇娇粉面<span class="q">韵</span> 柳眉轻扫<span class="q">句</span>杏腮</span>
○○○● ●●○○ ○○●● ●●●●○● ●●● ○○●● ●○○● ●○
微拂<span class="q">句</span>依前双靥<span class="q">韵</span>甚睡里<span class="q">读</span>起来寻觅<span class="q">句</span>却眼前不见<span class="q">韵
</span>○● ○○○● ●●● ●○○● ●●○●●
·
此词用仄韵,宋、元人无填此者,因见《琴趣外篇》,采之以备一体。
</span>
</span>
偷声木兰花 此调亦本于《木兰花令》,前后段第三句,减去三字,另偷平声,故云偷声。若《减字木兰花》,前后段起句四字,则又从此调减去三字耳。</span>
偷声木兰花 <span class="q">双调五十字,前后段各四句,两仄韵、两平韵</span> 冯延巳</span>
落梅著雨消残粉<span class="q">仄韵</span>云重烟深寒食近<span class="q">韵</span>罗幕遮香<span class="q">平韵</span>柳外秋千出画墙<span class="q">韵</span> 春山颠倒钗横</span>
◎○◎●○○●<span class="q"> </span>⊙●○○○●● ⊙●○○<span class="q"> </span>●●○○●●○ ○○⊙●○○
凤<span class="q">换仄韵</span>飞絮入帘春睡重<span class="q">韵</span>梦里佳期<span class="q">换平韵</span>只许庭花与月知<span class="q">韵
</span>●<span class="q"> </span>⊙●◎○○●● ◎●○○ ◎●⊙○◎●○
·
此调只此一体,《阳春集》刻《上行杯》,今从张先集改定。 张词,前段起句“云笼琼苑梅花瘦”,云字、琼字俱平声;第二句“外院重扉联宝兽”,外字仄声;第三句“海月新生”,海字仄声;后段起句“帘波不动银釭小”,不字仄声;第二句“宝带垂鱼金照地”,宝字仄声,垂字平声;第三句“和气融入”,和字平声;结句“清霅千家日日春”,清字平声,又“只恐觉来添断肠”,觉字仄声,添字平声。谱内可平可仄据此。
</span>
</span>
滴滴金 蒋氏《九宫谱目》,入黄钟宫。</span>
滴滴金 <span class="q">双调五十字,前后段各四句,三仄韵</span> 李遵勖</span>
帝城五夜宴游歇<span class="q">韵</span>残灯外<span class="q">读</span>看残月<span class="q">韵</span>都来犹在醉乡中<span class="q">句</span>听更漏初彻<span class="q">韵</span> 行乐已成闲话说<span class="q">韵
</span>◎○◎●◎○● ⊙⊙◎ ●○● ⊙⊙○◎●⊙○ ●○◎○● ⊙◎◎⊙○◎●
如春梦<span class="q">读</span>觉时节<span class="q">韵</span>大家同约探春行<span class="q">句</span>问甚花先发<span class="q">韵
</span>⊙○◎ ●○● ◎⊙○◎●○○ ●◎○○●
·
此调以此词及晏词为正体,若杨词之押韵参差,宋媛孙氏词之添字,皆变体也。按,《中吴纪闻》内一词,前后段第二句“引得都来胡道”、“都叫一时闲了”,俱不作折腰句法,因属谑词不列。 谱内可平可仄,悉参下诸词。
</span>
又一体 <span class="q">双调五十字,前后段各四句,四仄韵</span> 晏 殊</span>
梅花漏泄春消息<span class="q">韵</span>柳丝长<span class="q">读</span>草芽碧<span class="q">韵</span>不觉星霜鬓边白<span class="q">韵</span>念时光堪惜<span class="q">韵</span> 兰堂把酒留佳客<span class="q">韵
</span>○○●●○○● ●○○ ●○● ●●○○●○● ●○○○● ○○●●○○●
对离筵<span class="q">读</span>驻行色<span class="q">韵</span>千里音尘便疏隔<span class="q">韵</span>合有人相忆<span class="q">韵
</span>●○○ ●○● ○●○○●○● ●●○○●
·
此与李词同,惟前后段第三句,俱押韵异。
</span>
又一体 <span class="q">双调五十字,前段四句四仄韵,后段四句三仄韵</span> 杨无咎</span>
相逢未尽论心素<span class="q">韵</span>早容易<span class="q">读</span>背人去<span class="q">韵</span>忆得歌翻肠断句<span class="q">韵</span>更惺惺言语<span class="q">韵</span> 萋萋芳草迷南浦<span class="q">韵
</span>○○●●○○● ●○● ●○● ●●○○○●● ●○○○● ○○○●○○●
正风吹<span class="q">读</span>打船雨<span class="q">韵</span>静听愁声夜无眠<span class="q">句</span>到水村何处<span class="q">韵
</span>●○○ ●○● ●●○○●○○ ●●○○●
·
此即晏词体,惟后段第三句不押韵。杨词别首,前段第三、四句“表里冰清谁与比,占无双两地”,后段第三、四句“岁岁今朝捧瑶觞,劝南园桃李”,一押韵、一不押韵,正与此同。
</span>
又一体 <span class="q">双调五十一字,前后段各四句,三仄韵</span> 孙道绚</span>
月光飞入林前屋<span class="q">韵</span>风策策<span class="q">读</span>度庭竹<span class="q">韵</span>夜半江城击柝声<span class="q">句</span>动寒梢栖宿<span class="q">韵</span> 等闲老去年华促<span class="q">韵
</span>●○○●○○● ○●● ●○● ●●○○●●○ ●○○○● ●○●●○○●
只有江梅伴幽独<span class="q">韵</span>梦绕夷门旧家山<span class="q">句</span>恨惊回难续<span class="q">韵
</span>●●○○●○● ●●○○●○○ ●○○○●
·
此与李词同,惟后段第二句添一字,作七字句异。
</span>
</span>
忆汉月 唐教坊曲名。柳永词名《望汉月》,《乐章集》注:正平调。</span>
忆汉月 <span class="q">双调五十字,前段四句三仄韵,后段四句两仄韵</span> 欧阳修</span>
红艳几枝轻袅<span class="q">韵</span>早被东风开了<span class="q">韵</span>倚烟啼露为谁娇<span class="q">句</span>故惹蝶恋蜂恼<span class="q">韵</span> 多情游赏处<span class="q">句</span>留恋向<span class="q">读
</span>○●●○○● ●●○○○● ●○○●●○○ ●●●○○● ○○○●● ○●●
绿丛千绕<span class="q">韵</span>酒阑欢罢不成归<span class="q">句</span>肠断月斜人老<span class="q">韵
</span>●○○● ●○○●●○○ ○●●○○●
·
此调只有两体,前后段结句,或六字、或七字,柳词虽注宫调,然句读参差,非正体也。 此词两结句六字,无宋、元词可校。
</span>
又一体 <span class="q">双调五十字,前段四句三仄韵,后段四句两仄韵</span> 柳 永</span>
明月明月明月<span class="q">韵</span>何事乍圆还缺<span class="q">韵</span>恰如年少洞房人<span class="q">句</span>欢会依前离别<span class="q">韵</span> 小楼凭栏处<span class="q">句</span>正是去</span>
○●○●○● ○●●○○● ●○○●●○○ ○●○○○● ●○○●● ●●●
年时节<span class="q">韵</span>千里清光又依旧<span class="q">句</span>奈夜永<span class="q">读</span>厌厌人绝<span class="q">韵
</span>○○● ○●○○●○● ●●● ○○○●
·
此亦欧词体,惟后段第二句减一字,作六字句,结句添一字,作七字句异。亦无宋、元人别词可校。 按,前段起句,叠用三明月,本系游戏笔墨,无关体例,至第四字,月字仄声,乃以入替平之法,若用上去,便不协律矣。
</span>
又一体 <span class="q">双调五十二字,前后段各四句,三仄韵</span> 杜安世</span>
红杏一枝遥见<span class="q">韵</span>凝露粉愁香怨<span class="q">韵</span>吹开吹谢任春风<span class="q">句</span>恨流莺<span class="q">读</span>不能拘管<span class="q">韵</span> 曲池连夜雨<span class="q">句</span>绿</span>
○●●○○● ⊙●●○○○ ⊙○⊙●◎○○ ●○⊙ ●○○● ◎○○●● ◎</span>
水上<span class="q">读</span>碎红千片<span class="q">韵</span>直拟移来向深苑<span class="q">韵</span>任凋零<span class="q">读</span>不孤双眼<span class="q">韵
</span>●● ●○○● ◎◎⊙⊙●○● ●⊙⊙ ●○○●
·
此词两结句各七字,后段第三句又押韵,晏殊“千缕万条”词,正与之同。 晏词,前段第三、四句“谢娘春晚先多愁”,先字平声,“更撩乱飞絮如雪”,乱字仄声;后段第二句“长忆得醉中攀折”,长字平声;第三句“年年岁岁好时节”,上年字平声,上岁字仄声。谱内可平可仄据此,余参李词。
</span>
又一体 <span class="q">双调五十二字,前后段各四句,三仄韵</span> 李遵勖</span>
黄菊一丛临砌<span class="q">韵</span>颗颗露珠装缀<span class="q">韵</span>独教冷落向秋天<span class="q">句</span>恨东风<span class="q">读</span>不曾留意<span class="q">韵</span> 雕阑新雨霁<span class="q">韵</span>绿</span>
○●●○○● ●●●○○● ●○●●●○○ ●○○ ●○○● ○○○●● ●
藓上<span class="q">读</span>乱铺金蕊<span class="q">韵</span>此花开后更无花<span class="q">句</span>愿爱惜<span class="q">读</span>莫同桃李<span class="q">韵
</span>●● ○○○● ●○○●●○○ ●●● ●○○●
·
此与杜词同,惟后段起句押韵,第三句不押韵异。
</span>
<h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm">
</h5>
西江月 唐教坊曲名。《乐章集》注:中吕宫。欧阳炯词,有“两岸苹香暗起”句,名《白苹香》;程珌词,名《步虚词》;王行词,名《江月令》。</span>
西江月 <span class="q">双调五十字,前后段各四句,两平韵、一叶韵</span> 柳 永</span>
凤额绣帘高卷<span class="q">句</span>兽钚朱户频摇<span class="q">韵</span>两竿红日上花梢<span class="q">韵</span>春睡恹恹难觉<span class="q">叶</span> 好梦枉随飞絮<span class="q">句</span>闲愁</span>
◎●◎○⊙● ◎○⊙●○○ ◎○⊙●●○○ ⊙●⊙○⊙● ◎●◎○⊙● ⊙○
浓胜香醪<span class="q">韵</span>不成雨暮与云朝<span class="q">韵</span>又是韶光过了<span class="q">叶
</span>⊙●○○ ◎○◎●●○○ ◎●⊙○◎●
·
此调始于南唐欧阳炯,前后段两起句,俱叶仄韵,自宋苏轼、辛弃疾外,填者绝少,故此词必以柳词为正体。沈伯时《乐府指迷》云:《西江月》第二句平声韵,第四句就平声切去押仄韵,如平声押“东”字,仄声须押“董、冻”字韵,不可随意押入他韵。其说正与柳词体合。若吴词之两段各韵,欧词之添字,赵词之不叶韵,皆变体也。 前段第四句,晏几道词“晓镜心情更懒”,更字仄声;后段第三句,司马光词“笙歌散后酒微醒”,笙字平声;末句,欧阳炯词“犹占凤楼春色”,凤字仄声。谱内可平可仄据之,余参下词。
</span>
又一体 <span class="q">双调五十字,前后段各四句,两平韵、两叶韵</span> 苏 轼</span>
点点楼头细雨<span class="q">叶</span>重重江外平湖<span class="q">韵</span>当年戏马会东徐<span class="q">韵</span>今日凄凉南浦<span class="q">叶</span> 莫恨黄花未吐<span class="q">叶</span>且教</span>
●●○○●● ○○○●○○ ○○●●●○○ ○●○○○● ●●○○●● ●○
红粉相扶<span class="q">韵</span>酒阑不必看茱萸<span class="q">韵</span>俯仰人间今古<span class="q">叶
</span>○●○○ ●○●●●○○ ●●○○○●
·
此词两起句俱叶仄韵,欧阳炯“水上鸳鸯”词、辛弃疾“贪数明朝”词,即此体也,其可平可仄,与柳词同,故不复注。 按,欧阳韵,以“力、色”叶“衣、眉、期、枝”,盖遵古韵“陌、锡、职”通“寘、未”,以四支无入声也,不若苏词韵之“虞、麌、遇”本部三声者为合法,故采苏词为谱。
</span>
又一体 <span class="q">双调五十字,前后段各四句,两平韵、一叶韵</span> 吴文英</span>
枝袅一痕雪在<span class="q">句</span>叶藏几豆春浓<span class="q">韵</span>玉奴最晚嫁春风<span class="q">韵</span>来结梨花幽梦<span class="q">叶</span> 香力添熏罗被<span class="q">句</span>瘦肌</span>
○●●○●● ●○●●○○ ●○●●●○○ ○●○○○● ○●○○○● ●○
犹怯冰绡<span class="q">换韵</span>绿阴青子老溪桥<span class="q">韵</span>羞见东邻娇小<span class="q">换叶
</span>○●○○<span class="q"> </span>●○○●●○○ ○●○○○●
·
此与柳词同,惟前后段各韵异。周紫芝“池面风翻”词,正与之合。
</span>
又一体 <span class="q">双调五十一字,前后段各四句,两平韵、两仄韵</span> 欧阳炯</span>
月映长江秋水<span class="q">仄韵</span>分明冷浸星河<span class="q">平韵</span>浅沙汀上白云多<span class="q">韵</span>雪散几丛芦苇<span class="q">仄韵</span> 扁舟倒映寒潭</span>
●●○○○●<span class="q"> </span>○○●●○○<span class="q"> </span>●○○●●○○ ●●●○○● ○○●●○○
里<span class="q">仄韵</span>烟光远罩轻波<span class="q">平韵</span>笛声何处响渔歌<span class="q">韵</span>两岸苹香暗起<span class="q">仄韵
</span>●<span class="q"> </span>○○●●○○<span class="q"> </span>●○○●●○○ ●●○○●●
·
此见《尊前集》,换头句较“水上鸳鸯”词多一字,但此词押韵,又与诸家不同。按,古韵从无“五歌”通“四寘”之例,此盖以“苇、起”押“水、里”,“多、歌”押“河、波”也。唐人有间押之法,采以备体。
</span>
又一体 <span class="q">双调五十六字,前后段各四句,三平韵</span> 赵以仁</span>
夜半沙痕依约<span class="q">句</span>雨余天气溟蒙<span class="q">韵</span>起行微月遍池东<span class="q">韵</span>水影浮花<span class="q">读</span>花影动帘栊<span class="q">韵</span> 量减难追醉</span>
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白<span class="q">句</span>恨长莫尽题红<span class="q">韵</span>雁声能到画楼中<span class="q">韵</span>也要玉人<span class="q">读</span>知道有秋风<span class="q">韵
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此词两结句,不叶仄韵,又各添三字,作九字句,见周密《绝妙好词》选本。宋、元人无填此者,采之以备一体。
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</span>
惜春令 宋周密“天基圣节乐次”,有方响独打正宫《惜春》。</span>
惜春令 <span class="q">双调五十字,前后段各四句,三平韵</span> 杜安世</span>
今日重阳秋意深<span class="q">韵</span>篱边散<span class="q">读</span>嫩菊开金<span class="q">韵</span>万里霜天林叶坠<span class="q">句</span>萧索动离心<span class="q">韵</span> 臂上茱萸新<span class="q">韵</span>似</span>
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前岁<span class="q">读</span>堪赏光阴<span class="q">韵</span>一盏香醪聊寄兴<span class="q">句</span>牛岭会难寻<span class="q">韵
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调见《寿域词》,只此二首,而下首字句亦同,所异者,前后段起句叶仄韵耳。宋、元人无别首可校,其平仄当依之。
</span>
又一体 <span class="q">双调五十字,前后段各四句,一叶韵、两平韵</span> 杜安世</span>
春梦无凭犹懒起<span class="q">叶</span>银烛尽<span class="q">读</span>画帘低垂<span class="q">韵</span>小庭杨柳黄金翠<span class="q">句</span>桃脸两三枝<span class="q">韵</span> 妆阁才梳洗<span class="q">叶</span>闷</span>
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无绪<span class="q">读</span>玉箫慵吹<span class="q">韵</span>纷纷飘絮人疏远<span class="q">句</span>空对日迟迟<span class="q">韵
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此词两起句叶仄韵,以下仍照前词押平韵。
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留春令 调见《小山乐府》。</span>
留春令 <span class="q">双调五十字,前段五句两仄韵,后段四句三仄韵</span> 晏几道</span>
画屏天畔<span class="q">句</span>梦回依约<span class="q">句</span>十洲云水<span class="q">韵</span>手撚红笺寄人书<span class="q">句</span>写无限<span class="q">读</span>伤春事<span class="q">韵</span> 别浦高楼曾漫倚<span class="q">韵
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对江南千里<span class="q">韵</span>楼下分流水声中<span class="q">句</span>有当日<span class="q">读</span>凭高泪<span class="q">韵
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此调以此词为正体,若李词、沈词、黄词之摊破句法,皆变体也。此词前段第四句、后段第三句,例作拗句,如晏词别首之“懊恼黄花暂时香”、“水湿红裙酒初消”,高观国词之“柳影人家起炊烟”、“花里清歌酒边情”,三首皆然。 晏词别首,前段第二句“夜来陡觉”,陡字仄声;第三句“香红强半”,香字平声;第五句“仔细把、残春看”,细字仄声;高观国词,换头句“历尽冰霜空嗟怨”,嗟字平声;第二句“怨粉香消减”,粉字仄声;第五句“奈笛里、关山远”,笛字仄声。谱内可平可仄据此。
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又一体 <span class="q">双调五十字,前段六句两仄韵,后段五句三仄韵</span> 李之仪</span>
梦断难寻<span class="q">句</span>酒醒犹困<span class="q">句</span>那堪春暮<span class="q">韵</span>香阁深沈<span class="q">句</span>红窗翠暗<span class="q">句</span>莫羡颠狂絮<span class="q">韵</span> 绿满当时携手路<span class="q">韵
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懒见同欢处<span class="q">韵</span>何时却得<span class="q">句</span>低帏昵枕<span class="q">句</span>尽诉情千缕<span class="q">韵
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此词摊破晏词前段第四句、后段第三句七字一句,各添一字,作四字两句,两结各减一字,作五字句异。宋词只此一首,无别词可校。
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又一体 <span class="q">双调五十二字,前段五句两仄韵,后段四句三仄韵</span> 沈端节</span>
旧家元夜<span class="q">句</span>追随风月<span class="q">句</span>连宵欢宴<span class="q">韵</span>被那们<span class="q">读</span>引得滴流地<span class="q">句</span>一似蛾儿转<span class="q">韵</span> 而今百事心情懒<span class="q">韵
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灯下几曾收看<span class="q">韵</span>算静中<span class="q">读</span>唯有窗间梅影<span class="q">句</span>合是幽人伴<span class="q">韵
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此较晏词,前段第四句添一字,作八字句;后段第二句添一字,作六字句;第三句添二字,作九字句;两结亦减去一字,俱作五字句。宋词只此一体,无可校对。
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又一体 <span class="q">双调五十四字,前后段各四句,三仄韵</span> 黄庭坚</span>
江南一雁横秋水<span class="q">韵</span>叹咫尺<span class="q">读</span>断行千里<span class="q">韵</span>回文机上字纵横<span class="q">句</span>欲寄远<span class="q">读</span>凭谁是<span class="q">韵</span> 谢客池塘春</span>
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都未<span class="q">韵</span>微微动<span class="q">读</span>短墙桃李<span class="q">韵</span>半阴才暖却清寒<span class="q">句</span>是瘦损人天气<span class="q">韵
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此词前后段第三、四句,俱与晏词同,所不同者,惟前段起句七字,第二句七字折腰,后段第二句亦七字折腰耳。亦无宋、元词别首可校。
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梁州令 唐教坊曲名,一名《凉州令》。晁补之词名《梁州令叠韵》,盖合两首为一首也。 《碧鸡漫志》云:凉州即梁州,有七宫曲。按,柳永《乐章集》注:中吕宫。</span>
梁州令 <span class="q">双调五十字,前段四句三仄韵,后段四句四仄韵</span> 晏几道</span>
莫唱阳关曲<span class="q">韵</span>泪湿当年金缕<span class="q">韵</span>离歌自古最销魂<span class="q">句</span>于今更在魂销处<span class="q">韵</span> 南桥杨柳多情绪<span class="q">韵</span>不</span>
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系行人住<span class="q">韵</span>人情却似飞絮<span class="q">句</span>悠扬便逐春风去<span class="q">韵
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此调小令有三体,大同小异,而晁词一体,实与欧词长调体同,故可平可仄,即以晁词为谱,以其字句相同,可以参校也。 此词两结句俱作七字,与晁词不同。 《词律》云:前段起句,曲字音去,北音也,即是起韵。按《中原音律》,鱼、模上声中,有缕、处等韵,以入声作上声中,有曲字,从之。
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又一体 <span class="q">双调五十二字,前段五句三仄韵,后段四句四仄韵</span> 晁补之</span>
二月春犹浅<span class="q">韵</span>去年樱桃开遍<span class="q">韵</span>今年春色怪迟迟<span class="q">句</span>红梅常早<span class="q">句</span>未露胭脂脸<span class="q">韵</span> 东君故遣春来</span>
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缓<span class="q">韵</span>似会人深愿<span class="q">韵</span>蟠桃新缕双盏<span class="q">韵</span>相期似此春长远<span class="q">韵
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此词再加一叠,即《梁州令叠韵》,故谱内可平可仄,即参欧词。
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又一体 <span class="q">双调五十五字,前后段各五句,三仄韵</span> 柳 永</span>
梦觉纱窗晓<span class="q">韵</span>残灯黯然空照<span class="q">韵</span>因思人事苦萦牵<span class="q">句</span>离愁别恨<span class="q">句</span>无限何时了<span class="q">韵</span> 怜深定是心肠</span>
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小<span class="q">韵</span>往往成烦恼<span class="q">韵</span>一生惆怅情多感<span class="q">句</span>月不长圆<span class="q">句</span>春色易为老<span class="q">韵
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此词前后段结,俱四字一句、五字一句,与晁词不同。
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又一体 <span class="q">双调一百四字,前后段各九句,六仄韵</span> 欧阳修</span>
翠树芳条飐<span class="q">韵</span>的的裙腰初染<span class="q">韵</span>佳人携手弄芳菲<span class="q">句</span>绿阴红影<span class="q">句</span>共展双纹簟<span class="q">韵</span>插花照影窥鸾鉴<span class="q">韵
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只恐芳容减<span class="q">韵</span>不堪零落春晚<span class="q">句</span>青苔雨后深红点<span class="q">韵</span> 一去门闲掩<span class="q">韵</span>重来却寻朱槛<span class="q">韵</span>离离秋实</span>
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弄清霜<span class="q">句</span>娇红脉脉<span class="q">句</span>似见胭脂脸<span class="q">韵</span>人非事往眉空敛<span class="q">韵</span>谁把佳期赚<span class="q">韵</span>芳心只愿依旧<span class="q">句</span>春风更放</span>
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明年艳<span class="q">韵</span>
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按,晁补之《琴趣外篇》词,《梁州令叠韵》正与此同。 前段起句“田野闲来惯”,田字平声;第二旬“睡起初惊晓燕”,晓字仄声;第三句“樵青走挂小帘钩”,走字仄声;第四句“南园昨夜”,南字平声,昨字仄声;第六句“平芜一带烟花浅”,平字平声;第八句“江云渭树俱远”,江字平声,渭字仄声;后段第二句“过眼韶华如箭”,过字、眼字俱仄声,韶字平声;第三句“莫教鶗鴃送韶华”,莫字仄声;第四句“多情杨柳”,杨字平声。其余平仄悉同。
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盐角儿 《碧鸡漫志》云:始教坊家人市盐。于纸角中得以曲谱翻之,遂以为名,今双调《盐角儿令》是也。</span>
盐角儿 <span class="q">双调五十字,前段六句三仄韵、一叠韵,后段五句三仄韵</span> 晁补之</span>
开时似雪<span class="q">韵</span>谢时似雪<span class="q">叠</span>花中奇绝<span class="q">韵</span>香非在蕊<span class="q">句</span>香非在萼<span class="q">句</span>骨中香彻<span class="q">韵</span> 占溪风<span class="q">句</span>留溪月<span class="q">韵
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堪羞损山桃如血<span class="q">韵</span>直饶更<span class="q">读</span>疏疏淡淡<span class="q">句</span>终有一般情别<span class="q">韵
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·
此调只晁补之一词,无别可校。
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归田乐 黄庭坚词,名《归田乐引》。</span>
归田乐 <span class="q">双调五十字,前段六句三仄韵,后段四句两仄韵</span> 晁补之</span>
春又去<span class="q">句</span>似别佳人幽恨积<span class="q">韵</span>闲庭院<span class="q">句</span>翠阴满<span class="q">读</span>添昼寂<span class="q">韵</span>一枝梅最好<span class="q">句</span>至今忆<span class="q">韵</span> 正梦断<span class="q">读
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炉烟袅<span class="q">句</span>参差疏帘隔<span class="q">韵</span>为何事<span class="q">读</span>年年春恨<span class="q">句</span>问花应会得<span class="q">韵
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·
此调名《归田乐》,无引字。惟晁词、蔡词二体,然两词亦各不同,无别首可校。
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又一体 <span class="q">双调五十字,前后段各四句,三仄韵</span> 蔡 伸</span>
风生苹末莲香细<span class="q">韵</span>新浴晚凉天气<span class="q">韵</span>独自倚朱阑<span class="q">句</span>波面双双彩鸳戏<span class="q">韵</span> 鸾钗委坠云堆髻<span class="q">韵</span>谁</span>
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会此时情意<span class="q">韵</span>冰簟玉琴横<span class="q">句</span>还是月明人千里<span class="q">韵
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此词前后段字句相同,极为整齐,然亦无他词可校。
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又一体 <span class="q">双调七十一字,前段六句五仄韵,后段七句五仄韵</span> 晏几道</span>
试把花期数<span class="q">韵</span>便早有<span class="q">读</span>感春情绪<span class="q">韵</span>看即梅花吐<span class="q">韵</span>愿花更不谢<span class="q">句</span>春且长住<span class="q">韵</span>只恐花飞又春去<span class="q">韵
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花开还不语<span class="q">韵</span>问此意<span class="q">读</span>年年春会否<span class="q">韵</span>绛唇青鬓<span class="q">句</span>渐少花前侣<span class="q">韵</span>对花又记得<span class="q">句</span>旧曾游处<span class="q">韵
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门外垂杨未飘絮<span class="q">韵</span>
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此调名《归田乐引》,有三体,大同小异,可以参校。故此词可平可仄,即参无名氏词及黄词。
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又一体 <span class="q">双调七十一字,前段六句五仄韵、一叠韵,后段七句五仄韵、一叠韵
</span> <span class="q">《乐府雅词》</span>无名氏</span>
水绕溪桥渌<span class="q">韵</span>泛苹汀<span class="q">读</span>步迷花曲<span class="q">韵</span>衣巾散余馥<span class="q">韵</span>种竹更洗竹<span class="q">韵</span>咏竹题竹<span class="q">叠</span>日暮无人伴幽独<span class="q">韵
</span>●●○○● ●○○ ●○○● ○○●○● ●●●●● ●●○● ●●○○●○●
光阴双转毂<span class="q">韵</span>可惜许<span class="q">读</span>等闲愁万斛<span class="q">韵</span>世间种种<span class="q">句</span>只是荣和辱<span class="q">韵</span>念足又愿足<span class="q">韵</span>意足心足<span class="q">叠
</span> ○○○●● ●●● ●○○●● ●○●● ●●○○● ●●●●● ●●○●
忘了眉头怎生蹙<span class="q">韵</span>
○●○○●○●
·
此与晏词同,惟前段第四句、后段第五句,各用一叠韵异。
</span>
又一体 <span class="q">双调七十字,前段六句四仄韵、一叠韵,后段七句五仄韵、一叠韵</span> 黄庭坚</span>
暮雨濛阶砌<span class="q">韵</span>漏渐移<span class="q">读</span>转添寂寞<span class="q">句</span>点点心如碎<span class="q">韵</span>怨你又恋你<span class="q">韵</span>恨你惜你<span class="q">叠</span>毕竟教人怎生是<span class="q">韵
</span>●●○○● ●●○ ●○●● ●●○○● ●●●●● ●●●● ●●○○●○●
前欢算未已<span class="q">韵</span>奈何如今愁无计<span class="q">韵</span>为伊聪俊<span class="q">句</span>消得人憔悴<span class="q">韵</span>这里诮睡里<span class="q">韵</span>梦里心里<span class="q">叠</span>一向</span>
○○●●● ●○○○○○● ●○○● ○●○○● ●●●●● ●●○● ●●
无言但垂泪<span class="q">韵</span>
○○●○●
·
此亦晏词体,惟前段第二句不押韵,后段第二句减一字、作七字句异。其用叠韵,则与无名氏词同。 按,黄词别首,后段第五、六句“拌了又舍了,一定是这回休了”,多衬字三字,因词俚不录,
</span>
</span>
惜分飞 贺铸词名《惜双双》,刘弇词名《惜双双令》,曹冠词名《惜芳菲》。</span>
惜分飞 <span class="q">双调五十字,前后段各四句,四仄韵</span> 毛 滂</span>
泪湿阑干花著露<span class="q">韵</span>愁到眉峰碧聚<span class="q">韵</span>此恨平分取<span class="q">韵</span>更无言语空相觑<span class="q">韵</span> 断雨残云无意绪<span class="q">韵</span>寂</span>
◎●⊙○○◎● ⊙●⊙○◎● ◎●○○● ●○⊙●○○● ◎◎⊙⊙○◎● ◎</span>
寞朝朝暮暮<span class="q">韵</span>今夜山深处<span class="q">韵</span>断魂分付潮回去<span class="q">韵
</span>●⊙○◎● ⊙●○○● ●○⊙●○○●
·
此调以此词为正体,宋、元人俱照此填,其余添字,皆变体也。 毛词别首,首段第二句“望尽冷烟衰草”,望字、冷字俱仄声,衰字平声;第三句“惊散雕阑晚”,惊字平声;后段起句“云断月斜红烛短”,云字平声,月字仄声;贺铸词,第二句“偏照空床翠被”,偏字平声,袁去华词“翠竹短窗无暑”,无字平声。谱内可平可仄据之,余参所采诸词。 按,前段第三句第四字,诸家俱用平声,惟吕渭老词“帘映春窈窕”,窈字仄声,其后段第三句“归去城南道”,南字仍用平声,故“分”字不注可仄。
</span>
又一体 <span class="q">双调五十二字,前后段各四句,四仄韵</span> 刘 弇</span>
风外橘花香暗度<span class="q">韵</span>飞絮绾<span class="q">读</span>残春归去<span class="q">韵</span>酝造黄梅雨<span class="q">韵</span>冷烟晓占横塘路<span class="q">韵</span> 翠屏人在天低处<span class="q">韵
</span>○●●○○●● ⊙◎● ⊙○⊙● ●●○○● ●○●●○○● ●○○●○○●
惊梦断<span class="q">读</span>行云无据<span class="q">韵</span>此恨凭谁诉<span class="q">韵</span>恁时却倩危弦语<span class="q">韵
</span>⊙●● ○○⊙● ●●○○● ●○○●○○●
·
此与毛词同,惟前后段第二句各添一字,作七字句异。 此词前后段第二句内可平可仄,即参后所列三体,其余已见前词。
</span>
又一体 <span class="q">双调五十四字,前后段各四句,四仄韵</span> 张 先</span>
城上层楼天边路<span class="q">韵</span>残照里<span class="q">读</span>平芜绿树<span class="q">韵</span>伤远更惜春暮<span class="q">韵</span>有人还在高高处<span class="q">韵</span> 断梦归云经日</span>
○●○○○○● ○●● ○○●● ○●●●○● ●○○●○○● ●●○○○●
去<span class="q">韵</span>无计使<span class="q">读</span>哀弦寄语<span class="q">韵</span>相望恨不相遇<span class="q">韵</span>倚桥临水谁家住<span class="q">韵
</span>● ○●● ○○●● ○●●●○● ●○○●○○●
·
此亦毛词体,惟前后段第二句各添一字、作七字句,第三句又各添一字、作六字句异。
</span>
又一体 <span class="q">双调五十六字,前后段各四句,四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
庾岭香前亲写得<span class="q">韵</span>仔细看<span class="q">读</span>粉匀无迹<span class="q">韵</span>月殿休寻觅<span class="q">韵</span>姑射人来<span class="q">读</span>知是曾相识<span class="q">韵</span> 不要青春</span>
●●○○○●● ●●● ●○○● ●●○○● ○●○○ ○●○○●<span class="q"> </span> ●●○○
闲用力<span class="q">韵</span>也合寄<span class="q">读</span>江南信息<span class="q">韵</span>著意应难摘<span class="q">韵</span>留与梨花<span class="q">读</span>比并真颜色<span class="q">韵
</span>○●● ●●● ○○●● ●●○○● ○●○○ ●●○○●
·
此亦毛词体,惟前后段第二句各添一字、作七字句,两结句又各添二字,作九字句异。
</span>
又一体 <span class="q">双调五十六字,前后段各四句,四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
冒雪披风开数点<span class="q">韵</span>万花压<span class="q">读</span>欺寒探暖<span class="q">韵</span>掩映闲庭院<span class="q">韵</span>月下疏影横斜<span class="q">读</span>幽香远<span class="q">韵</span> 命友开尊</span>
●●○○○●● ●○● ○○●● ●●○○● ●●○●○○ ○○● ●●○○
闲宴玩<span class="q">韵</span>听丽质<span class="q">读</span>歌声宛转<span class="q">韵</span>对景侧金盏<span class="q">韵</span>任他结实和羹<span class="q">读</span>归仙馆<span class="q">韵
</span>○●● ●●● ○○●● ●●●○● ●○●●○○ ○○●
·
此与“庾岭香前”词同,而两结句法,作上六下三,与上四下五者不同。
</span>
</span>
孤馆深沉 调见宋黄大舆《梅苑》词。</span>
孤馆深沉 <span class="q">双调五十字,前段五句三平韵,后段五句两平韵</span> 权无染</span>
琼英雪艳岭梅芳<span class="q">韵</span>天付与清香<span class="q">韵</span>向腊后春前<span class="q">句</span>解压万花<span class="q">句</span>先占东阳<span class="q">韵</span> 拟待折<span class="q">读</span>一枝相赠<span class="q">句
</span>○○●●●○○ ○●●○○ ●●●○○ ●●●○ ○●○○ ●●● ●○○●
奈水远天长<span class="q">韵</span>对妆面<span class="q">句</span>忍听羌笛<span class="q">句</span>又还空断人肠<span class="q">韵
</span>●●●○○ ●○● ●○○● ●○○●○○
·
此词只此一体,无别首可校。
</span>
</span>
促拍采桑子 调见朱希真《太平樵唱词》,一名《促拍丑奴儿》。促拍者,即促节繁声之意,《中原音韵》所谓“急曲子”也,字句与《采桑子》、《添字采桑子》迥别。</span>
促拍采桑子 <span class="q">双调五十字,前段五句三平韵,后段五句两平韵</span> 朱敦儒</span>
清露湿幽香<span class="q">韵</span>想瑶台<span class="q">读</span>无语凄凉<span class="q">韵</span>飘然欲去<span class="q">句</span>依然似梦<span class="q">句</span>云渡银潢<span class="q">韵</span> 又是天风吹澹月<span class="q">句
</span>○●●○○ ●○○ ○●○○ ○○●● ○○●● ○●○○ ●●○○○●●
佩丁东<span class="q">读</span>携手西厢<span class="q">韵</span>泠泠玉磬<span class="q">句</span>沈沈素瑟<span class="q">句</span>舞遍霓裳<span class="q">韵
</span>●○○ ○●○○ ○○●● ○○●● ●●○○
·
此调亦只此词,无别首可校。 按,《黄山谷集》,《丑奴儿》词六十二字者,减去前后段第三句,即是此词,但换头句,黄词止五字,因黄体已编入《似娘儿》调,兹不类列。
</span>
</span>
怨三三 调见李之仪《姑溪词》,取词中前段结句意为名。</span>
怨三三 <span class="q">双调五十字,前段四句四平韵,后段五句四平韵</span> 李之仪</span>
清溪一派泻楼蓝<span class="q">韵</span>岸草毵毵<span class="q">韵</span>记得黄鹂语画檐<span class="q">韵</span>唤狂里<span class="q">读</span>醉重三<span class="q">韵</span> 春风不动垂帘<span class="q">韵</span>似三</span>
○○●●●○○ ●●○○ ●●○○●●○ ●○● ●○○ ○○●●○○ ●○
五<span class="q">读</span>初圆素蟾<span class="q">韵</span>镇泪眼廉纤<span class="q">韵</span>何时歌舞<span class="q">句</span>再和池南<span class="q">韵
</span>● ○○●○ ●●●○○ ○○○● ●●○○
·
此李端叔《登姑孰堂寄旧游》,用贺方回韵也。今所传《东山词》中缺此调,其平仄亦无可校对矣。
</span>
</span>
使牛子 调见曹冠《燕喜词》。</span>
使牛子 <span class="q">双调五十字,前后段各四句,三仄韵</span> 曹 冠</span>
晚天雨霁横雌霓<span class="q">韵</span>帘卷一轩月色<span class="q">韵</span>纹簟坐苔茵<span class="q">句</span>乘兴高歌饮琼液<span class="q">韵</span> 翠瓜冷浸冰壶碧<span class="q">韵</span>茶</span>
●○●●○○● ○●●○●● ○●●○○ ○●○○●○● ●○●●○○● ○
罢风生两掖<span class="q">韵</span>四座沸欢声<span class="q">句</span>喜我投壶全中的<span class="q">韵
</span>●○○●● ●●●○○ ●●○○○●●
·
此调止此一体。
</span>
</span>
折丹桂 调见《相山词》,送人应举之作,取词中“仙籍桂香浮”句意为名,与《步蟾宫》别名《折丹桂》者不同。</span>
折丹桂 <span class="q">双调五十字,前后段各四句,三仄韵</span> 王之道</span>
风漪欲皱春江碧<span class="q">韵</span>我寄江城北<span class="q">韵</span>子今东去赴春官<span class="q">句</span>挽不住<span class="q">读</span>抟风翼<span class="q">韵</span> 修程好近天池息<span class="q">韵
</span>○○●●○○● ●●○○● ◎○⊙●●○○ ●●● ○○● ⊙○◎●○○●
何处堪留客<span class="q">韵</span>预知仙籍桂香浮<span class="q">句</span>语祝史<span class="q">读</span>休占墨<span class="q">韵
</span>⊙●○○● ◎○○●●○○ ●●● ○○●
·
此调以此词为正体,有程大昌词可校,若王词别首,后段第二句“算不是西风客”,多一衬字,乃变体也,注明不录。 程词,前段第三句“双亲带笑酌天杯”,双字平声,带字仄声;王词别首,换头句“晚来江上西风急”,晚字仄声,江字平声;程词,第二句“桂是蟾宫种”,桂字仄声;第三句“诗书沈处便生枝”,诗字平声。谱内可平可仄据此。
</span>
</span>
竹香子 调见刘过《龙洲集》。</span>
竹香子 <span class="q">双调五十字,前后段各四句,三仄韵</span> 刘 过</span>
一桁窗儿明快<span class="q">韵</span>料想那人不在<span class="q">韵</span>熏笼脱下旧衣裳<span class="q">句</span>件件香难赛<span class="q">韵</span> 匆匆去得忒繺<span class="q">韵</span>这镜儿<span class="q">读
</span>●●○○○● ●●●○●● ○○●●●○○ ●●○○● ○○●●●● ●●○
也不曾盖<span class="q">韵</span>千朝百日不曾来<span class="q">句</span>没这些儿个采<span class="q">韵
</span>●●○● ○○●●●○○ ●●○○●●
·
此调似近谑词,因其调僻,采以备体。
</span>
</span>
城头月 调见李昴英《文溪词》,和广帅马天骥韵,赠道士梁青霞作。此词盖马天骥所倡也,取词中起句为名。</span>
城头月 <span class="q">双调五十字,前后段各五句,三仄韵</span> 马天骥</span>
城头月色明如昼<span class="q">韵</span>总是青霞有<span class="q">韵</span>酒醉茶醒<span class="q">句</span>饥餐困睡<span class="q">句</span>不把双眉皱<span class="q">韵</span> 坎离龙虎勤交媾<span class="q">韵
</span>○○●●○○● ●●○○● ◎●○○ ○○●● ●●○○● ●○⊙●○○●
炼得丹将就<span class="q">韵</span>借问罗浮<span class="q">句</span>苏耽鹤侣<span class="q">句</span>还似先生否<span class="q">韵
</span>●●○○● ●●○○ ○○●● ○●○○●
·
此调只有李昴英词可校。李词,前段第三句“真气长存”,真字平声;后段第一句“一身二五只精媾”,二字仄声。其余平仄皆同。
</span>
</span>
四犯令 调见侯寘《孏窟词》,李处全词更名《四和香》,关注词又名《桂华明》。</span>
四犯令 <span class="q">双调五十字,前后段各四句,四仄韵</span> 侯 寘</span>
月破轻云天淡注<span class="q">韵</span>夜悄花无语<span class="q">韵</span>莫听阳关牵离绪<span class="q">韵</span>拌酩酊<span class="q">读</span>花深处<span class="q">韵</span> 明日江郊芳草路<span class="q">韵
</span>●●○○○●● ●●○○● ◎●○○○⊙● ○●● ○○● ⊙●○○○●●
春逐行人去<span class="q">韵</span>不是酴醾开独步<span class="q">韵</span>能著意<span class="q">读</span>留春住<span class="q">韵
</span>⊙●○○● ◎●⊙○○◎● ○●● ○○●
·
此调有李词、关词可校,但关词前后段第二句“为广寒宫女”、“为按歌宫羽”,俱作上一下四句法,与此又小异。 李词,前段第三句“华节良辰人有分”,华字平声,有字仄声;后段第一句“莫向春风寻旧恨”,莫字仄声;第二句“乐事随方寸”,乐字仄声;第三句“眉寿固应天不吝”,眉字平声,固字仄声,关词“皓月满窗人何处”,何字平声。谱内可平可仄据此。
</span>
</span>
醉高歌 元姚燧自度曲。《太平乐府》注:中吕宫。</span>
醉高歌 <span class="q">双调五十字,前后段各四句,一平韵、三叶韵</span> 姚 燧</span>
十年燕月歌声<span class="q">韵</span>几点吴霜鬓影<span class="q">叶</span>西风吹起鲈鱼兴<span class="q">叶</span>已在桑榆暮景<span class="q">叶</span> 荣枯枕上三更<span class="q">韵</span>傀儡</span>
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场中四并<span class="q">叶</span>人生幻化如泡影<span class="q">叶</span>几个临危自省<span class="q">叶
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此元人“叶儿乐府”也,平仄互叶,采入以备一体。
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黄鹤洞仙 调见元彭致中《鸣鹤余音》词。</span>
黄鹤洞仙 <span class="q">双调五十字,前段五句三仄韵,后段五句一仄韵、两重韵</span> 马 钰</span>
终日驾盐车<span class="q">句</span>鞭棒时时打<span class="q">韵</span>自数精神久屈沈<span class="q">句</span>如病马<span class="q">韵</span>怎得优游也<span class="q">韵</span> 伯乐祖师来<span class="q">句</span>见后</span>
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频嗟讶<span class="q">韵</span>巧计多方赎了身<span class="q">句</span>得志马<span class="q">重韵</span>须报恩师也<span class="q">重
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此亦元人小令也,重押两“马”字、两“也”字韵,想其体例应尔,惜无别首可校。
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破字令 调见《高丽史·乐志》。</span>
破字令 <span class="q">双调五十字,前段四句三仄韵,后段五句三仄韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
缥缈三山岛<span class="q">韵</span>十万岁<span class="q">读</span>方分昏晓<span class="q">韵</span>春风开遍碧桃花<span class="q">句</span>为东君一笑<span class="q">韵</span> 祥飚暂引香尘到<span class="q">韵</span>祝</span>
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嵩龄<span class="q">读</span>后天难老<span class="q">韵</span>瑞烟散碧<span class="q">句</span>归云弄暖<span class="q">句</span>一声长啸<span class="q">韵
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此宋赐高丽五羊仙队舞曲也,名曰《唐乐》,故采入以备一体。
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花前饮 调见宋杨湜《古今词话》,取词中前段结句为名。</span>
花前饮 <span class="q">双调五十字,前后段各四句,三仄韵</span> <span class="q">《古今词话》</span>无名氏</span>
雨余天色渐寒渗<span class="q">韵</span>海棠绽<span class="q">读</span>胭脂如锦<span class="q">韵</span>告你休看书<span class="q">句</span>且共我<span class="q">读</span>花前饮<span class="q">韵</span> 皓月穿帘未成寝<span class="q">韵
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篆香透<span class="q">读</span>鸳鸯双枕<span class="q">韵</span>似恁天色时<span class="q">句</span>你道是<span class="q">读</span>好做甚<span class="q">韵
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亦近谑词,以其调僻,采以备体。
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