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目 录 <span class="q">二十调五十一体,起六十八字至七十二字</span>
两同心六体</span>
拾翠羽一体
连理枝二体<span class="q">又名红娘子,小桃红,灼灼花</span>
月上海棠五体<span class="q">又名玉关遥,月上海棠慢
</span>惜黄花二体</span>
且坐令一体
佳人醉一体
西 施二体
小镇西犯三体<span class="q">又名小镇西,镇西</span>
千秋岁八体<span class="q">又名千秋节</span>
惜娇奴五体</span>
卓牌子近一体
三登乐二体
檐前铁一体
甘露歌一体<span class="q">又名祝英台</span>
忆帝京二体</span>
于飞乐三体<span class="q">又名鸳鸯怨曲</span>
撼庭竹二体</span>
粉蝶儿二体
绕池游一体</span>
</span>
两同心 此调有三体,仄韵者创自柳永,《乐章集》注:大石调;平韵者创自晏几道;三声叶韵者创自杜安世。</span>
两同心 <span class="q">双调六十八字,前段七句三仄韵,后段七句四仄韵</span> 柳 永</span>
伫立东风<span class="q">句</span>断魂南国<span class="q">韵</span>花光媚<span class="q">读</span>春醉琼楼<span class="q">句</span>蟾彩迥<span class="q">读</span>夜游香陌<span class="q">韵</span>忆当时<span class="q">句</span>酒恋花迷<span class="q">句</span>役损词</span>
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客<span class="q">韵</span> 别有眼长腰搦<span class="q">韵</span>痛怜深惜<span class="q">韵</span>鸳鸯阻<span class="q">读</span>夕雨朝飞<span class="q">句</span>锦书断<span class="q">读</span>暮云凝碧<span class="q">韵</span>想别来<span class="q">句</span>好景</span>
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良时<span class="q">句</span>也应相忆<span class="q">韵
</span>○○ ◎○⊙●
·
此调以此词为正体,若杨词之前段起句用韵,及前后段第五句押韵,皆变格也。 按,柳词别首,后段第一、二句“饮散玉炉香袅,洞房悄悄”,上悄字仄声;第三句“锦帐里低语偏浓”,锦字仄声;第四句“银烛下细看俱好”,烛字仄声。又,杨无咎词,前后段第四句“饶济济入时打扮”、“唯缀得秋波一盼”,打字、一字俱仄声,秋字平声;两结“小从容,不似前回,匆匆得见”、“告从今,休要教人,千呼万唤”,得字、万字俱仄声,休字、千字俱平声;又一首,前段第三句“见玉人且喜且悲”,人字平声,两且字俱仄声;后段第一、二句“觉来满船清悄,愁恨多少”,来字、愁字俱平声,恨字仄声。谱内可平可仄据此,余参所采杨词二首,惟前后段第五句平仄全异,故不参校。
</span>
又一体 <span class="q">双调六十八字,前段七句四仄韵,后段七句五仄韵</span> 杨无咎</span>
秋水明眸<span class="q">句</span>翠螺堆发<span class="q">韵</span>却扇坐<span class="q">读</span>羞落庭花<span class="q">句</span>凌波步<span class="q">读</span>尘生罗袜<span class="q">韵</span>芳心发<span class="q">韵</span>分付春风<span class="q">句</span>恰当时</span>
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节<span class="q">韵</span> 渐解愁花怨月<span class="q">韵</span>忒贪娇劣<span class="q">韵</span>宁宁地<span class="q">读</span>情态于人<span class="q">句</span>惺惺处<span class="q">读</span>语言低说<span class="q">韵</span>相思切<span class="q">韵</span>不见</span>
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须臾<span class="q">句</span>可堪离别<span class="q">韵
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此与柳词同,惟前后段第五句各用韵异。
</span>
又一体 <span class="q">双调六十八字,前段七句四仄韵、一叠韵,后段七句五仄韵</span> 柳 永</span>
行看不足<span class="q">韵</span>坐看不足<span class="q">叠</span>柳条软<span class="q">读</span>斜倚春风<span class="q">句</span>海棠睡<span class="q">读</span>醉敧红玉<span class="q">韵</span>清堪掬<span class="q">韵</span>桃李漫山<span class="q">句</span>真成粗</span>
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俗<span class="q">韵</span> 遥夜几番相属<span class="q">韵</span>暗魂飞逐<span class="q">韵</span>深酌酒<span class="q">读</span>低唱新声<span class="q">句</span>密传意<span class="q">读</span>解回娇目<span class="q">韵</span>知谁福<span class="q">韵</span>得似</span>
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风流<span class="q">句</span>可伊心曲<span class="q">韵
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此词前段起句用韵,第二句叠韵,与“秋水明眸”词又小异。 按,《逃禅集》有“凉生秋早”词,前段起句亦用韵,而前后段第五句仍不用韵,应分一体,因词俚不录。
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又一体 <span class="q">双调六十八字,前段七句三平韵,后段七句四平韵</span> 晏几道</span>
楚乡春晚<span class="q">句</span>似入仙源<span class="q">韵</span>拾翠处<span class="q">读</span>漫随流水<span class="q">句</span>踏青路<span class="q">读</span>暗惹香尘<span class="q">韵</span>心心在<span class="q">句</span>柳外青帘<span class="q">句</span>花下朱</span>
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门<span class="q">韵</span> 对景且醉芳尊<span class="q">韵</span>莫话消魂<span class="q">韵</span>好意思<span class="q">读</span>曾同明月<span class="q">句</span>恶滋味<span class="q">读</span>最是黄昏<span class="q">韵</span>相思处<span class="q">句</span>一纸</span>
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红笺<span class="q">句</span>无限啼痕<span class="q">韵
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此调平韵者,只有晏词及黄词三首,所不同者,前段起句或用韵、或不用韵耳。按,黄词别首,前段起句“秋水遥岑”,秋字平声;第三句“曾共结、合欢罗带”,曾字平声,又“尽道教、心坚穿石”,教字平声;第四句“更说甚、官不容针”,说字仄声;第五、六、七句“许多时,灵利惺惺,蓦地昏沉”,许字仄声,时字、灵字俱平声,蓦字仄声;后段第三句“你共人、女边著子”,人字平声,女字、著字俱仄声;第四句“争知我、门里挑心”,争字平声;第五、六、七句“最难忘,小院回廊,月影花阴”,最字仄声,忘字平声。谱内可平可仄据此,余参“巧笑眉颦”词。
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又一体 <span class="q">双调六十八字,前后段各七句,四平韵</span> 黄庭坚</span>
巧笑眉颦<span class="q">韵</span>行步精神<span class="q">韵</span>隐隐似<span class="q">读</span>朝云行雨<span class="q">句</span>弓弓样<span class="q">读</span>罗袜生尘<span class="q">韵</span>樽前见<span class="q">句</span>玉槛雕笼<span class="q">句</span>堪爱难</span>
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亲<span class="q">韵</span> 自言家住天津<span class="q">韵</span>生小从人<span class="q">韵</span>恐舞罢<span class="q">读</span>随风飞去<span class="q">句</span>顾阿母<span class="q">读</span>教窣珠裙<span class="q">韵</span>从今去<span class="q">句</span>唯愿</span>
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银缸<span class="q">句</span>莫照离尊<span class="q">韵
</span>○○ ●●○○
·
此与晏词同,惟前段起句用韵异。
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又一体 <span class="q">双调七十二字,前段七句四平韵,后段七句三平韵、两叶韵</span> 杜安世</span>
巍巍剑外<span class="q">句</span>寒霜覆林枝<span class="q">韵</span>望衰柳<span class="q">读</span>尚色依依<span class="q">韵</span>暮天静<span class="q">读</span>雁阵高飞<span class="q">韵</span>入碧云际<span class="q">句</span>江山秋色<span class="q">句</span>遣客</span>
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心悲<span class="q">韵</span> 蜀道巇崄行迟<span class="q">韵</span>瞻京都迢递<span class="q">叶</span>听巴峡<span class="q">读</span>数声猿啼<span class="q">韵</span>惟独个<span class="q">读</span>未有归计<span class="q">叶</span>谩空怅望<span class="q">句
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每每无言<span class="q">句</span>独对斜晖<span class="q">韵
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此词用三声叶韵,其前后段第二句、第五句,较晏词又各添一字,宋词无别首可校。
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拾翠羽 《洛神赋》:“或拾翠羽”,调名取此。</span>
拾翠羽 <span class="q">双调六十八字,前后段各七句,四仄韵</span> 张孝祥</span>
春入园林<span class="q">句</span>花信总随迟速<span class="q">韵</span>听鸣禽<span class="q">读</span>稍迁乔木<span class="q">韵</span>夭桃弄色<span class="q">句</span>海棠芬馥<span class="q">韵</span>风雨霁<span class="q">句</span>芳径草心频</span>
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绿<span class="q">韵</span> 禊事才过<span class="q">句</span>相次禁烟追逐<span class="q">韵</span>想千年<span class="q">读</span>楚人遗俗<span class="q">韵</span>青旗沽酒<span class="q">句</span>各家炊熟<span class="q">韵</span>良夜游<span class="q">句</span>明</span>
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月胜烧花烛<span class="q">韵</span>
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此词见《于湖集》,无宋人别首可校。
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连理枝 《尊前集》注:黄钟宫;《宋史·乐志》:琵琶曲,蕤宾调。程垓词,名《红娘子》;刘过词,名《小桃红》,又名《灼灼花》。</span>
连理枝 <span class="q">双调七十字,前后段各七句,四仄韵</span> 李 白</span>
雪盖宫楼闭<span class="q">韵</span>罗幕昏金翠<span class="q">韵</span>斗鸭阑干<span class="q">句</span>香心淡薄<span class="q">句</span>梅梢轻倚<span class="q">韵</span>喷宝猊香烬<span class="q">读</span>麝烟浓<span class="q">句</span>馥红绡翠</span>
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被<span class="q">韵</span> 浅画云垂帔<span class="q">韵</span>点滴昭阳泪<span class="q">韵</span>咫尺宸居<span class="q">句</span>君恩断绝<span class="q">句</span>似遥千里<span class="q">韵</span>望水晶帘外<span class="q">读</span>竹枝寒<span class="q">句
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守羊车未至<span class="q">韵
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此调以此词为正体,若邵词之摊破句法,乃变格也。 此词见《尊前集》,有宋晏殊、程垓、刘过、余桂英诸词可校。旧谱或分作两首者非。 余词,前段起句“芳草连天莫”,芳字平声;晏词,第三、四、五句“朱槿独开,红莲尚坼,芙蓉含蕊”,朱字平声,又一首“不寒不暖,裁衣按曲,天时正好”,寒字平声,不字、暖字、正字俱仄声,刘过词“翠袖轻匀,玉纤弹去,小妆红粉”,玉字、小字俱仄声,弹字平声;程词,第六句“奈梅花引里、唤人行”,引字仄声;晏词,后段第一、二句“嘉宴凌晨启,金鸭飘香细”,嘉字、金字俱平声;程词,第三、四、五句“烧笋园林,尝梅台榭,有何不可”,烧字、台字俱平声,不字仄声,余词“门外当时,薄情流水,如今何处”,薄字仄声,如字平声;第六句“正相思望断、碧山云”,相字平声,望字仄声。谱内可平可仄据此,余参邵词句法同者。 此词前后两结句,例作上一下四句法,如晏词之“见梧桐叶坠”、“有年年岁岁”,又“见炉香缥缈”、“永逍遥奉道”,程词之“也留春得么”,“待日长间坐”,又“苦随他无计”、“枉教人憔悴”,刘词之“与尊前离恨”、“拭香津微揾”,余词之“镇轻随飞絮”、“又莺啼晚雨”等句可证,即邵词亦然。
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又一体 <span class="q">双调七十二字,前后段各六句,四仄韵</span> 邵叔齐</span>
澹泊疏篱隔<span class="q">韵</span>寂寞官桥侧<span class="q">韵</span>绿萼青枝风尘外<span class="q">句</span>别是一般姿质<span class="q">韵</span>念天涯憔悴<span class="q">读</span>各飘零<span class="q">句</span>记初曾相</span>
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识<span class="q">韵</span> 雪里清寒逼<span class="q">韵</span>月下幽香袭<span class="q">韵</span>不似薄情无凭准<span class="q">句</span>一去音书难得<span class="q">韵</span>看年年时候<span class="q">读</span>不踰期<span class="q">句
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报阳和消息<span class="q">韵
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此调见《梅苑》,与李词同,惟前后段第三、四句摊破句法,作七字一句、六字一句异。宋词中无别首可校。
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月上海棠 此调有两体,七十字者,见《梅苑》无名氏词,《金词》注:双调,陆游词有“几曾传玉关遥信”句,更名《玉关遥》;九十一字者,见姜夔《白石词》,注夹钟商,曹勋词名《月上海棠慢》。</span>
月上海棠 <span class="q">双调七十字,前后段各六句,四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
南枝昨夜先回暖<span class="q">韵</span>便凌寒<span class="q">读</span>开花暗香远<span class="q">韵</span>化工忒煞<span class="q">句</span>把琼瑶<span class="q">读</span>恣情裁剪<span class="q">韵</span>皑皑的<span class="q">读</span>点缀梢头又</span>
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遍<span class="q">韵</span> 横斜影蘸清溪浅<span class="q">韵</span>似玉人<span class="q">读</span>临鸾照粉面<span class="q">韵</span>大家休折<span class="q">句</span>且迟留<span class="q">读</span>对花开宴<span class="q">韵</span>祝东风<span class="q">句</span>吹</span>
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作和羹未晚<span class="q">韵</span>
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·
此调七十字者,以此词为正体,若段词之减字、添字,皆变格也。此词有陆游词二首可校。 按,陆词,前段第二句“叹春酲、和梦甚时醒”,梦字仄声;第三句“燕子空归”,子字仄声,空字、归字俱平声;第四句“也依然、点酥翦水”,翦字仄声,党怀英词“尚仿佛、见山清气”,仿佛二字俱仄声;陆词,后段第一句“熏笼消歇沉烟冷”,消字平声;第二句“泪痕深、展转看花影”,殿转二字俱仄声,花字平声;第三句“漫拥余香”,拥字仄声,香字平声;结句“西窗晓、几声银瓶玉井”,几字仄声,声字平声。谱内可平可仄据此,余参段词句法同者。 《词律》以陆词后段结句“声”字宜仄,不知陆词别首“楚天危楼独倚”,“天”字亦平声。
</span>
又一体 <span class="q">双调七十二字,前后段各六句,四仄韵</span> 段克己</span>
小楼舞彻双垂手<span class="q">韵</span>便倩雁将书<span class="q">读</span>寄元九<span class="q">韵</span>举首望南山<span class="q">句</span>独蛾眉<span class="q">读</span>数峰明秀<span class="q">韵</span>人未老<span class="q">句</span>且任高歌</span>
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对酒<span class="q">韵</span> 莫将此乐轻孤负<span class="q">韵</span>唤明月清风<span class="q">读</span>做三友<span class="q">韵</span>纤手折黄花<span class="q">句</span>步东篱<span class="q">读</span>为伊三嗅<span class="q">韵</span>英雄</span>
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泪<span class="q">句</span>醉揾还须翠袖<span class="q">韵
</span>● ●●○○●●
·
此词较宋词,前后段第三句各添一字,金词俱照此填。
</span>
又一体 <span class="q">双调七十字,前后段各六句,四仄韵</span> 段克己</span>
酒杯何似浮名好<span class="q">韵</span>一入枯肠太山小<span class="q">韵</span>唤省梦中身<span class="q">句</span>鶗鴃数声春晓<span class="q">韵</span>昂头处<span class="q">句</span>几点青山屋杪<span class="q">韵
</span>●○○●○○● ●●○○●○● ●●●○○ ○●●○○● ○○● ●●○○●●
人生得计鱼游沼<span class="q">韵</span>视过眼光阴<span class="q">读</span>向来少<span class="q">韵</span>须卜一枝安<span class="q">句</span>笑月底<span class="q">读</span>惊鸟三绕<span class="q">韵</span>无穷事<span class="q">句</span>毕竟</span>
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何时是了<span class="q">韵</span>
○○●●
·
此词前段第二句及第四名,较前词俱少一字,元曲亦有照此填者,故亦采录,以备一体。
</span>
又一体 <span class="q">双调九十一字,前段十句四仄韵,后段十一句五仄韵</span> 姜 夔</span>
红妆艳色<span class="q">句</span>照浣花溪影<span class="q">句</span>绝代姝丽<span class="q">韵</span>弄轻风摇荡<span class="q">句</span>满林罗绮<span class="q">韵</span>自然富贵天姿<span class="q">句</span>都不比<span class="q">读</span>等闲桃</span>
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李<span class="q">韵</span>帘栊静<span class="q">句</span>悄悄月上<span class="q">句</span>正贪春睡<span class="q">韵</span> 长记<span class="q">韵</span>初开日<span class="q">句</span>逞妖艳<span class="q">句</span>如与人面争媚<span class="q">韵</span>遇韶光一</span>
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瞬<span class="q">句</span>便成流水<span class="q">韵</span>对此自叹浮华<span class="q">句</span>惜芳菲<span class="q">句</span>易成憔悴<span class="q">韵</span>留无计<span class="q">句</span>惟有花边尽醉<span class="q">韵
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·
此词有自注宫调,惜无别首可校,因曹勋词与陈允平词同,故以陈词作谱。
</span>
又一体 <span class="q">双调九十一字,前段十句四仄韵,后段十一句五仄韵</span> 陈允平</span>
游丝弄晚<span class="q">句</span>卷帘看看<span class="q">句</span>燕重来时候<span class="q">韵</span>正秋千亭榭<span class="q">句</span>锦窠春透<span class="q">韵</span>梦回褪浴华清<span class="q">句</span>凝温泉<span class="q">读</span>绛绡微</span>
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皱<span class="q">韵</span>芳阴底<span class="q">句</span>人立东风<span class="q">句</span>露华如昼<span class="q">韵</span> 宜酒<span class="q">韵</span>啼香泪薄<span class="q">句</span>醉玉痕深<span class="q">句</span>与春同瘦<span class="q">韵</span>想当年金</span>
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谷<span class="q">句</span>步帷初绣<span class="q">韵</span>彩云影里徘徊<span class="q">句</span>娇无语<span class="q">句</span>夜寒归后<span class="q">韵</span>莺窗晓<span class="q">句</span>花间重携素手<span class="q">韵
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·
此亦姜词体,惟前段第二句四字,第三句五字,后段第二、三、四句皆四字异。 按,《松隐集》曹勋词与此同,惟前段第二句“渐是春半”,是字仄声;第三句“海棠丽烟径”,丽字仄声;第四句“似蜀锦晴展”,蜀锦二字俱仄声;第八、九句“濛濛雨,黄鹂飞上”,鹂字平声,上字仄声;后段第三句“蟾华如水”,蟾华二字俱平声,水字仄声;第四句“初照清影”,初字平声,照字仄声;第五句“喜浓芳满池”,满字仄声;第七句“悄如彩云光中”,云字平声;第八、九句“留翔鸾,静临芳镜”,鸾字平声;结句“携酒去、何妨花边露冷”,酒字仄声。谱可平可仄据此。
</span>
</span>
惜黄花 调见《梅溪词》,《金词》注:仙吕调。</span>
惜黄花 <span class="q">双调七十字,前后段各七句,五仄韵</span> 史达祖</span>
涵秋寒渚<span class="q">韵</span>染霜丹树<span class="q">韵</span>尚依稀<span class="q">句</span>是来时<span class="q">读</span>梦中行路<span class="q">韵</span>时节正思家<span class="q">句</span>远道仍怀古<span class="q">韵</span>更对著<span class="q">读</span>满城</span>
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风雨<span class="q">韵</span> 黄花无数<span class="q">韵</span>碧云欲暮<span class="q">韵</span>美人兮<span class="q">句</span>美人兮<span class="q">读</span>未知何处<span class="q">韵</span>独自卷帘栊<span class="q">句</span>谁为开尊俎<span class="q">韵</span>恨</span>
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不得<span class="q">读</span>御风归去<span class="q">韵
</span>◎● ●○○●
·
宋、元人罕填此词,故此词可平可仄,即参许词句法同者。
</span>
又一体 <span class="q">双调七十字,前段八句五仄韵,后段八句四仄韵</span> 许冲元</span>
雁声晚断<span class="q">韵</span>寒霄云卷<span class="q">韵</span>正一枝开<span class="q">句</span>风前看<span class="q">句</span>月下见<span class="q">韵</span>花占千花上<span class="q">句</span>香笑千香浅<span class="q">韵</span>化工与<span class="q">读</span>最先</span>
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裁剪<span class="q">韵</span> 谁把瑶林<span class="q">句</span>闲抛江岸<span class="q">韵</span>恁素英浓<span class="q">句</span>芳心细<span class="q">句</span>意何限<span class="q">韵</span>不恨宫妆色<span class="q">句</span>不怨吹羌管<span class="q">韵</span>恨</span>
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天远<span class="q">读</span>恨春来晚<span class="q">韵
</span>○● ●○○●
·
此亦史词体,惟换头句不押韵,前后段第三句四字、第五句三字异。 《花草粹编》后段起句“谁把瑶林秀”,多一字,今从《梅苑》本。
</span>
</span>
且坐令 调见《东浦词》。</span>
且坐令 <span class="q">双调七十字,前段七句五仄韵,后段六句六仄韵</span> 韩 玉</span>
闲院落<span class="q">韵</span>误了清明约<span class="q">韵</span>杏花雨过胭脂绰<span class="q">韵</span>紧了秋千索<span class="q">韵</span>斗草人归<span class="q">句</span>朱门悄掩<span class="q">句</span>梨花寂寞<span class="q">韵
</span>○●● ●●○○● ●○●●○○● ●●○○● ●●○○ ○○●● ○○●●
书万纸<span class="q">读</span>恨凭谁托<span class="q">韵</span>才封了<span class="q">读</span>又揉却<span class="q">韵</span>冤家何处贪欢乐<span class="q">韵</span>引得我<span class="q">读</span>心儿恶<span class="q">韵</span>怎生全不思量著<span class="q">韵
</span>○●● ●○○● ○○● ●○● ○○○●○○● ●●● ○○● ●○○●○○●
那人人情薄<span class="q">韵
</span>●○○○●
·
此词无别首可校。
</span>
</span>
佳人醉 《乐章集》注:双调。</span>
佳人醉 <span class="q">双调七十一字,前段七句五仄韵,后段八句六仄韵</span> 柳 永</span>
暮景萧萧雨霁<span class="q">韵</span>云淡天高风细<span class="q">韵</span>正月华如水<span class="q">韵</span>金波银汉<span class="q">句</span>潋滟无际<span class="q">韵</span>冷浸书帷梦断<span class="q">句</span>却披衣重</span>
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起<span class="q">韵</span> 临轩砌<span class="q">韵</span>素光遥指<span class="q">句</span>因念素蛾<span class="q">韵</span>窅隔音尘何处<span class="q">句</span>相望同千里<span class="q">韵</span>尽凝睇<span class="q">韵</span>厌厌无寐<span class="q">韵</span>渐</span>
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晓雕阑独倚<span class="q">韵</span>
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·
汲古阁本《乐章集》,前段于“临轩砌”句分段,后段第四句少二字,今从《花草粹编》,亦无别首宋词可校。
</span>
</span>
西 施 《乐章集》注:仙吕调。</span>
西 施 <span class="q">双调七十一字,前段七句四平韵,后段七句三平韵</span> 柳 永</span>
柳街灯市好花多<span class="q">韵</span>尽让美琼娥<span class="q">韵</span>万娇千媚<span class="q">句</span>的的在层波<span class="q">韵</span>取次妆梳<span class="q">句</span>自有天然态<span class="q">句</span>爱浅画双</span>
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蛾<span class="q">韵</span> 断肠最是金闺客<span class="q">句</span>空怜爱<span class="q">读</span>奈伊何<span class="q">韵</span>洞房咫尺<span class="q">句</span>无计枉朝珂<span class="q">韵</span>有意怜才<span class="q">句</span>每遇行云</span>
○ ●○●●○○● ⊙○● ●○○ ●○●● ⊙●●○○ ●●○○ ●●○○
处<span class="q">句</span>幸时恁相过<span class="q">韵
</span>● ●⊙●○○
·
按,《花草粹编》柳词别首,“自从回步百花桥。便独处清宵。凤衾鸳枕,何事等闲抛。纵有余香,也似郎恩爱,向日夜潜消。 恐伊不信芳容改,将憔悴、写霜绡。更凭锦字,字字说情憀。要识愁肠,但看丁香树,渐结尽春梢。”惟两三字平仄小异,其余并同。
</span>
又一体 <span class="q">双调七十三字,前段七句四平韵,后段七句三平韵</span> 柳 永</span>
苎萝妖艳世难侪<span class="q">韵</span>善媚悦君怀<span class="q">韵</span>后庭恃爱宠<span class="q">句</span>尽使绝嫌猜<span class="q">韵</span>正恁朝欢暮宴<span class="q">句</span>情未足<span class="q">句</span>早江上兵</span>
●○○●●○○ ●●●○○ ●○●●● ●●●○○ ●●○○●● ○●● ●○●○
来<span class="q">韵</span> 捧心调态军前死<span class="q">句</span>旋罗绮<span class="q">读</span>变尘埃<span class="q">韵</span>至今想怨魂<span class="q">句</span>无主尚徘徊<span class="q">韵</span>夜夜姑苏城外<span class="q">句</span>当时</span>
○ ●○○●○○● ●○● ●○○ ●○●●● ○●●○○ ●●○○○● ○○
月<span class="q">句</span>但空照荒台<span class="q">韵
</span>● ●○●○○
·
此与“柳街花市”词同,惟前后段第三句,各添一字异。《花草粹编》本,后段第三句脱一字,今从《乐章集》校定。
</span>
</span>
小镇西犯 唐教坊曲有《镇西子》,唐乐府亦有《镇西》七言绝句诗,此盖以旧曲名,另创新声也。《乐章集》有两调,七十一字者,名《小镇西犯》,七十九字者,名《小镇西》,或名《镇西》,俱注仙吕调。</span>
小镇西犯 <span class="q">双调七十一字,前段七句五仄韵,后段八句六仄韵</span> 柳 永</span>
水乡初禁火<span class="q">句</span>青春未老<span class="q">韵</span>芳菲满<span class="q">读</span>柳汀烟岛<span class="q">韵</span>波际红帏缥缈<span class="q">韵</span>尽杯盘小<span class="q">韵</span>歌祓禊<span class="q">句</span>声声谐楚</span>
●○○●● ○○●● ○○● ●○○● ○●○○●● ●○○● ○●● ○○○●
调<span class="q">韵</span> 路缭绕<span class="q">韵</span>野桥新市里<span class="q">句</span>花浓妓好<span class="q">韵</span>引游人<span class="q">读</span>竞来欢笑<span class="q">韵</span>酩酊谁家年少<span class="q">韵</span>信玉山倒<span class="q">韵
</span>● ●○● ●○○●● ○○●● ●○○ ●○○● ●●○○○● ●●○●
家何处<span class="q">句</span>落日眠芳草<span class="q">韵
</span>○○● ●●○○●
·
按,《乐章集》此名《小镇西犯》,前段第一、二、三句,后段第一、二、三、四句,与《镇西》词同,以下句读俱异。
</span>
又一体 <span class="q">双调七十九字,前段八句四仄韵,后段九句五仄韵</span> 柳 永</span>
意中有个人<span class="q">句</span>芳颜二八<span class="q">韵</span>天然俏<span class="q">读</span>自来奸黠<span class="q">韵</span>最奇绝<span class="q">韵</span>是笑时<span class="q">读</span>媚靥深深<span class="q">句</span>百态千娇<span class="q">句</span>再三偎</span>
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著<span class="q">句</span>再三香滑<span class="q">韵</span> 久离缺<span class="q">韵</span>夜来魂梦里<span class="q">句</span>尤花殢雪<span class="q">韵</span>分明似<span class="q">读</span>旧家时节<span class="q">韵</span>正欢悦<span class="q">韵</span>被鸡声唤</span>
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起<span class="q">句</span>一场寂寥<span class="q">句</span>无眠向晓<span class="q">句</span>空有半窗残月<span class="q">韵
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·
此见《乐章集》,名《小镇西》,与蔡伸集《镇西》词,大同小异。
</span>
又一体 <span class="q">双调七十九字,前段八句五仄韵,后段九句六仄韵</span> 蔡 伸</span>
秋风吹雨<span class="q">句</span>觉重衾寒透<span class="q">韵</span>伤心听<span class="q">读</span>晓钟残漏<span class="q">韵</span>凝情久<span class="q">韵</span>记红窗夜雪<span class="q">句</span>促膝围炉<span class="q">句</span>交杯劝酒<span class="q">韵</span>如</span>
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今顿孤欢偶<span class="q">韵</span> 念别后<span class="q">韵</span>菱花清镜里<span class="q">句</span>眉峰暗斗<span class="q">韵</span>想标格<span class="q">读</span>怎禁消瘦<span class="q">韵</span>忍回首<span class="q">韵</span>但云笺妙</span>
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墨<span class="q">句</span>鸳锦啼妆<span class="q">句</span>依然似旧<span class="q">韵</span>临风泪沾襟袖<span class="q">韵
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·
此见《友古集》,名《镇西》,前段惟第三、四句与柳词同,后段则句读悉同,惟第八句多用一韵。
</span>
</span>
<h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm">
</h5>
千秋岁 《宋史·乐志》:歇指调;《金词》注:中吕调,一名《千秋节》。</span>
千秋岁 <span class="q">双调七十一字,前后段各八句,五仄韵</span> 秦 观</span>
柳边沙外<span class="q">韵</span>城郭轻寒退<span class="q">韵</span>花影乱<span class="q">句</span>莺声碎<span class="q">韵</span>飘零疏酒盏<span class="q">句</span>离别宽衣带<span class="q">韵</span>人不见<span class="q">句</span>碧云暮合空相</span>
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对<span class="q">韵</span> 忆昔西池会<span class="q">韵</span>鸳鹭同飞盖<span class="q">韵</span>携手处<span class="q">句</span>今谁在<span class="q">韵</span>日边清梦断<span class="q">句</span>镜里朱颜改<span class="q">韵</span>春去也<span class="q">读</span>落</span>
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红万点愁如海<span class="q">韵</span>
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此调前段第三、四句三字者,以此词为正体,宋、元人皆照此填,若周词之多押两韵,石词之多押四韵,叶词之少押一韵,晁词之少押两韵,皆变格也。 前段第二句,黄庭坚词“记得同朝退”,记字仄声;第三、四句。石孝友词“对流景,伤沦落”,对字仄声,流字平声;第五句,李之仪词“地偏人罕到”,地字仄声;第七、八句,谢逸词“琴书倦,鹧鸪唤起南窗睡”,书字平声;后段第三句,袁虚寮词“堂堂去”,下堂字平声;第七句及结句,石孝友词“心撩乱,斜阳影在阑干角”,撩字平声。谱内可平可仄据此,余参类列四词。
</span>
又一体 <span class="q">双调七十一字,前后段各八句,六仄韵</span> 周紫芝</span>
小春时候<span class="q">韵</span>晴日吴山秀<span class="q">韵</span>霜尚浅<span class="q">句</span>梅先透<span class="q">韵</span>波翻醽醁醆<span class="q">句</span>雾满芙蓉绣<span class="q">韵</span>持寿酒<span class="q">韵</span>仙娥特地回双</span>
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袖<span class="q">韵</span> 试问春多少<span class="q">韵</span>恩入芝兰厚<span class="q">韵</span>松不老<span class="q">句</span>山长久<span class="q">韵</span>星占南极远<span class="q">句</span>家是椒房旧<span class="q">韵</span>君一笑<span class="q">韵</span>金</span>
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銮看取人归后<span class="q">韵</span>
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此与秦词同,惟前后段第七句各押韵异。 后段起句“少”字、第七句“笑”字,俱以“绦”叶“有”,亦古韵也。
</span>
又一体 <span class="q">双调七十一字,前后段各八句,七仄韵</span> 石孝友</span>
金风玉宇<span class="q">韵</span>庭院新经雨<span class="q">韵</span>香有露<span class="q">韵</span>清无暑<span class="q">韵</span>溪光摇几席<span class="q">句</span>岚翠横尊俎<span class="q">韵</span>烘笑语<span class="q">韵</span>佳时聊复乡人</span>
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聚<span class="q">韵</span> 门外荷花浦<span class="q">韵</span>秋到花无数<span class="q">韵</span>红脍鲤<span class="q">韵</span>青浮醑<span class="q">韵</span>何妨文字饮<span class="q">句</span>更得江山助<span class="q">韵</span>从此去<span class="q">韵</span>蒲</span>
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轮入佐中兴主<span class="q">韵</span>
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·
此与周词同,惟前后段第三句,又各押韵异。
</span>
又一体 <span class="q">双调七十一字,前段八句五仄韵,后段八句六仄韵</span> 叶梦得</span>
雨声萧瑟<span class="q">句</span>初到梧桐响<span class="q">韵</span>人不寐<span class="q">句</span>秋襟爽<span class="q">韵</span>低檐灯黯淡<span class="q">句</span>画幕风来往<span class="q">韵</span>谁共赏<span class="q">韵</span>依稀记得船篷</span>
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上<span class="q">韵</span> 拍岸浮轻浪<span class="q">韵</span>水阔菰蒲长<span class="q">韵</span>向别浦<span class="q">句</span>收横网<span class="q">韵</span>缘蓑冲暝色<span class="q">句</span>艇子摇双桨<span class="q">韵</span>君莫忘<span class="q">韵</span>此</span>
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情犹是当时唱<span class="q">韵</span>
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此词前段起句不用韵,与诸家异。
</span>
又一体 <span class="q">双调七十一字,前后段各八句,四仄韵</span> 晁补之</span>
玉京仙侣<span class="q">句</span>同受琅函结<span class="q">韵</span>风雨隔<span class="q">句</span>尘埃绝<span class="q">韵</span>霞觞翻手破<span class="q">句</span>阆苑花前别<span class="q">韵</span>鹏翼敛<span class="q">句</span>人间泛梗无由</span>
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歇<span class="q">韵</span> 岂忆山中酒<span class="q">句</span>还共溪边月<span class="q">韵</span>愁闷火<span class="q">句</span>时间灭<span class="q">韵</span>何妨心似水<span class="q">句</span>莫遣头如雪<span class="q">韵</span>春近也<span class="q">句</span>江</span>
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南雁识归时节<span class="q">韵</span>
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此词前后段起句,俱不用韵。
</span>
又一体 <span class="q">双调七十二字,前段七句五仄韵,后段八句五仄韵</span> 欧阳修</span>
数声鶗鴂<span class="q">韵</span>又报芳菲歇<span class="q">韵</span>惜春更把残红折<span class="q">韵</span>雨轻风色暴<span class="q">句</span>梅子青时节<span class="q">韵</span>永丰柳<span class="q">句</span>无人尽日飞花</span>
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雪<span class="q">韵</span> 莫把幺弦拨<span class="q">韵</span>怨极弦能说<span class="q">韵</span>天不老<span class="q">句</span>情难绝<span class="q">韵</span>心似双丝网<span class="q">句</span>中有千千结<span class="q">韵</span>夜过也<span class="q">句</span>东</span>
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窗未白孤灯灭<span class="q">韵</span>
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此调前段第三句七字者,以此词及叶词为正体,宋、元人皆照此填,若无名氏词之少押一韵,乃变格也。 按,李之仪词,前段第一句“深帘静昼”,深字平声,静字仄声;第三句“鲜衣楚制非文绣”,鲜字平声,又“怎生图画如何绣”,图字平声;第四句“宜推萧史伴”,宜字平声;张仲幹词,结句“泰阶已应升平象”,泰字仄声;李词,后段第二句“歌断青青柳”,歌字平声。谱内可平可仄据此,余参类列二词。
</span>
又一体 <span class="q">双调七十二字,前段七句六仄韵,后段八句六仄韵</span> 叶梦得</span>
晓烟溪畔<span class="q">韵</span>曾记东风面<span class="q">韵</span>化工更与重裁剪<span class="q">韵</span>额黄明艳粉<span class="q">句</span>不共妖红软<span class="q">韵</span>凝露脸<span class="q">韵</span>多情正是当时</span>
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见<span class="q">韵</span> 谁向沧波岸<span class="q">韵</span>特地移闲馆<span class="q">韵</span>情一缕<span class="q">句</span>愁千点<span class="q">韵</span>烦君搜妙语<span class="q">句</span>为我催清燕<span class="q">韵</span>须细看<span class="q">韵</span>纷</span>
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纷乱蕊空凡艳<span class="q">韵</span>
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·
此与欧词同,惟后段第七句押韵异。
</span>
又一体 <span class="q">双调七十二字,前段七句五仄韵,后段八句四仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
腊残春近<span class="q">韵</span>江上梅开粉<span class="q">韵</span>一枝漏泄东君信<span class="q">韵</span>寿阳妆面靓<span class="q">句</span>姑射冰姿莹<span class="q">韵</span>似浅杏<span class="q">句</span>清香试与分明</span>
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认<span class="q">韵</span> 只恐霜侵破<span class="q">句</span>又怕风吹损<span class="q">韵</span>待折取<span class="q">句</span>还不忍<span class="q">韵</span>莫将花上貌<span class="q">句</span>来点多情鬓<span class="q">韵</span>凝睇久<span class="q">句</span>行</span>
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人立马成遗恨<span class="q">韵</span>
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此亦与欧词同,惟前段第六句、后段起句不押韵异。
</span>
</span>
惜奴娇 元高拭词注:双调。按,《高丽史·乐志》,宋赐大晟乐内有《惜奴娇曲破》,择其雅者,亦为类列。</span>
惜奴娇 <span class="q">双调七十一字,前段七句五仄韵,后段七句四仄韵、一叠韵</span> 晁补之</span>
歌阕琼筵<span class="q">句</span>暗失金貂侣<span class="q">韵</span>说衷肠<span class="q">读</span>丁宁嘱付<span class="q">韵</span>棹举帆开<span class="q">句</span>黯行色<span class="q">读</span>秋将暮<span class="q">韵</span>欲去<span class="q">韵</span>待却回<span class="q">读</span>高</span>
○●○○ ●●○○● ●○○ ○○●● ●●○○ ●○● ○○● ○● ●●○ ○
城已暮<span class="q">韵</span> 渔火烟村<span class="q">句</span>但触目<span class="q">读</span>伤离绪<span class="q">韵</span>此情向<span class="q">读</span>阿谁分诉<span class="q">韵</span>那里思量<span class="q">句</span>争知我<span class="q">读</span>思量苦<span class="q">韵
</span>○●● ○●○○ ●●● ○○● ●○● ●○○● ●●○○ ○○● ○○●
最苦<span class="q">叠</span>睡不著<span class="q">读</span>西风夜雨<span class="q">韵
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·
此调始于此词,但前段第二句五字,宋人如此填者甚少,采之以志渊源所自。 可平可仄,详见史词,此不复注。
</span>
又一体 <span class="q">双调七十二字,前后段各七句,五仄韵</span> 史达祖</span>
香剥酥痕<span class="q">句</span>自昨夜<span class="q">读</span>春愁醒<span class="q">韵</span>高情寄<span class="q">读</span>冰桥雪岭<span class="q">韵</span>试约黄昏<span class="q">句</span>便不误<span class="q">读</span>黄昏信<span class="q">韵</span>人静<span class="q">韵</span>倩娇</span>
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娥<span class="q">读</span>留连秀影<span class="q">韵</span> 吟鬓簪香<span class="q">句</span>已断了<span class="q">读</span>多情病<span class="q">韵</span>年年待<span class="q">读</span>将春管领<span class="q">韵</span>镂月描云<span class="q">句</span>不枉了<span class="q">读
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闲心性<span class="q">韵</span>漫听<span class="q">韵</span>谁敢把<span class="q">读</span>红颜比并<span class="q">韵
</span>⊙○● ◎● ○◎● ○○●●
·
此即晁词体,惟前段第二句六字异,蔡伸“隔阔多时”词,正与此同,惟后段第六、七句“只替那、火桶儿,与奴暖被”,多一衬字;石孝友“我已多情”词,亦与此同,惟前段第二句“更撞着、多情底你”,亦多一衬字;又“合下相逢”词,亦与此同,惟前结“冤家,你教我、如何割舍”,后结“冤家,休直待、教人咒骂”,叶两平韵;赵长卿“洛浦娇魂”词,亦与此同,惟后段第二句“怎似妖娆体调”,不作折腰句法,第五句不押韵,均属变格,词又俚鄙,注明不录。 按,赵词,前段起句“洛浦娇魂”,洛字仄声;第三句“把风流、分付花貌”,把字、付字俱仄声,流字、花字俱平声,石词“把一心、十分向你”,一字、十字俱仄声;赵词,第五句“腊寒射、试香到”,寒字平声,试字仄声,石词“劣心肠、偏有你”,肠字平声,有字仄声;赵词,结句“与江梅、争相先后”,先字平声,石词“你教我、如何割舍”,教字、我字俱仄声;蔡词,后段起句“雪意垂垂”,雪字仄声;石词,第二句“百忙里、方知你”,忙字平声;赵词,第三句“比山礬、也应错道”,比字、也字俱仄声,礬字平声;石词,第五句“亮从前、说风话”,从字、前字俱平声,说字仄声;赵词,结句“拌子,仙源与、奇葩醉倒”,拌字、源字俱平声。谱内可平可仄据此,若无名氏词三首,句读既异,即不参校。
</span>
又一体 <span class="q">双调七十一字,前后段各七句,四仄韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
莫如胜概<span class="q">句</span>景压天街际<span class="q">韵</span>彩鳌举<span class="q">读</span>百仞耸倚<span class="q">韵</span>凤舞龙骧<span class="q">句</span>满目红光宝翠<span class="q">韵</span>动霁色<span class="q">句</span>余霞映<span class="q">读</span>散</span>
●○●● ●●○○● ●○● ●●●● ●●○○ ●●○○●● ●●● ○○● ●
成绮<span class="q">韵</span> 渐灼兰膏<span class="q">句</span>覆满青烟罩地<span class="q">韵</span>簇宫商<span class="q">读</span>撋荡纷委<span class="q">韵</span>万姓瞻仰<span class="q">句</span>苒苒云龙香细<span class="q">韵</span>共稽</span>
○● ●●○○ ●●○○●● ●○○ ○●○● ●●○● ●●○○○● ●○
首<span class="q">句</span>同乐与<span class="q">读</span>众方纪<span class="q">韵
</span>● ○●● ●○●
·
此以下三词,皆见《高丽史·乐志》宋赐大晟乐中,《惜奴娇曲破》之一遍也,其源亦出于晁词,故句读多同者,此与晁词较,惟前段第五句,后段第二句、第五句,不作折腰句法,两结摊破句法、不押短韵,余皆同。
</span>
又一体 <span class="q">双调八十字,前后段各八句,七仄韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
景云披靡<span class="q">韵</span>露浥轻寒若水<span class="q">韵</span>尽是游人才美<span class="q">韵</span>陌尘润<span class="q">读</span>宝沈递<span class="q">韵</span>笑指扬鞭<span class="q">句</span>多少高门胜会<span class="q">韵</span>况</span>
●○○● ●●○○●● ●●○○○● ●○● ●○● ●●○○ ○●○○●● ●
是<span class="q">韵</span>只有今夕誓无寐<span class="q">韵</span> 盛日凝理<span class="q">韵</span>箫韶可继<span class="q">韵</span>阆苑金门齐启<span class="q">韵</span>烛连宵<span class="q">读</span>宁防避<span class="q">韵</span>暗尘随</span>
● ●●○●●○● ●○○● ○○●● ●●○○○● ●○○ ○○● ●○○
马<span class="q">句</span>明月逐人无际<span class="q">韵</span>调戏<span class="q">韵</span>相歌秾李未阑已<span class="q">韵
</span>● ○●●○○● ○● ○○○●●○●
·
此词音节,犹近晁词体制,但前后段第二句以下,各添六字一句,后段第二句减二字,前后段第三句又各减一字耳。
</span>
又一体 <span class="q">双调一百二字,前段九句五仄韵,后段十句六仄韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
春早皇都冰泮<span class="q">韵</span>宫沼东风布轻暖<span class="q">韵</span>梅粉飘香<span class="q">句</span>柳带弄色<span class="q">句</span>瑞霭祥烟凝浅<span class="q">韵</span>正值元宵<span class="q">句</span>行乐同民</span>
○●○○○● ○●○○●○● ○●○○ ●●●● ●●○○○● ●●○○ ○●○○
总无闲<span class="q">韵</span>肆情怀<span class="q">读</span>何惜相邀<span class="q">韵</span>是处里容欵<span class="q">韵</span> 无算<span class="q">韵</span>仗委东君遍<span class="q">韵</span>有风光<span class="q">读</span>占五陵闲散<span class="q">韵</span>从</span>
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把千金<span class="q">句</span>五夜继赏<span class="q">句</span>并彻春宵游玩<span class="q">韵</span>借问花灯<span class="q">句</span>金锁琼瑰果曾罕<span class="q">韵</span>洞天里<span class="q">读</span>一掠蓬瀛<span class="q">韵</span>第恐今</span>
●○○ ●●●● ●●○○○● ●●○○ ○●○○●○● ●○● ●●○○ ●●○
宵短<span class="q">韵</span>
○●
·
此词句读,与晁词、史词迥别。
</span>
</span>
卓牌子近 宋人填词,有犯、有近、有促拍、有近拍,近者,其腔调微近也。此调见《袁宣卿集》,名《卓牌子近》,因字句与《卓牌子》不同,故另录于此。</span>
卓牌子近 <span class="q">双调七十一字,前段八句五仄韵,后段六句四仄韵</span> 袁去华</span>
曲沼朱阑<span class="q">句</span>缭墙翠竹晴昼<span class="q">韵</span>金万缕<span class="q">读</span>摇摇风柳<span class="q">韵</span>还是燕子归时<span class="q">句</span>花信来后<span class="q">韵</span>看淡净洗妆态<span class="q">句</span>梅</span>
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样瘦<span class="q">韵</span>春初透<span class="q">韵</span> 尽日明窗相守<span class="q">韵</span>闲共我焚香<span class="q">句</span>伴伊刺绣<span class="q">韵</span>睡眼瞢腾<span class="q">句</span>今朝早是病酒<span class="q">韵</span>那堪</span>
●● ○○● ●●○○○● ○●●○○ ●○●● ●●○○ ○○●●●● ●○
更<span class="q">读</span>困人时候<span class="q">韵
</span>● ●○○●
·
宋人仅见此词,无别首可校。
</span>
</span>
三登乐 调见《石湖词》。按,《汉书·食货志》:三考黜陟,余三年食,进业曰登,再登曰平,余六年食三登曰泰平,二十七岁,遗九年食,然后王德流洽,礼乐成焉。《三登乐》之调名取此。</span>
三登乐 <span class="q">双调七十一字,前后段各七句,四仄韵</span> 范成大</span>
一碧鳞鳞<span class="q">句</span>横万里<span class="q">读</span>天垂吴楚<span class="q">韵</span>四无人<span class="q">读</span>橹声自语<span class="q">韵</span>向浮云<span class="q">读</span>西下处<span class="q">句</span>水村烟树<span class="q">韵</span>何处系船<span class="q">句
</span>◎●⊙○ ○●● ⊙○○● ◎○⊙ ●○◎● ●○○ ⊙◎● ◎○○● ⊙◎●⊙
暮涛涨浦<span class="q">韵</span> 正江南摇落后<span class="q">句</span>好山无数<span class="q">韵</span>尽乘流<span class="q">读</span>兴来便去<span class="q">韵</span>对青灯<span class="q">读</span>独自叹<span class="q">句</span>一生羁旅<span class="q">韵
</span>●○◎● ●⊙○○●● ◎○⊙● ●○○ ●○●● ●⊙○ ◎●● ◎○○●
敧枕梦寒<span class="q">句</span>又还夜雨<span class="q">韵
</span>⊙◎◎⊙ ●○●●
·
此调始自范成大,有别词三首及陈三聘和词四首可校,若罗词之句读参差,采以备体,非正格也。 按,范词别首,前段第一、二句“今夕何期,披岫幌、云关初启”,今字平声,又“路转横塘,风卷地、水肥帆饱”,水字仄声,陈词“注望晓山,晴色丽、晨餐应饱”,晓字仄声;范词,第三句“荒三径、不知何许”,荒字、何字俱平声,径字仄声;第四、五句“问菟裘、无恙否,天教重到”,天字平声,陈词“望横塘、越溪路,石湖烟水”,越字仄声,溪字平声;范词,第六、七句“木落雾收,故山更好”,木字仄声,陈词“丹忠此日,盛名千古”,忠字、千字俱平声,日辽仄声;范词,后段第一、二句“况五湖、原自有,扁舟祖武”,五字仄声,扁字平声,祖字仄声;第四、五句“喜山林、踪迹在,何曾如扫”,踪字、何字俱平声,陈词“问几时、寻旧约,石矶重扫”,几字仄声;范词,第六、七句“寂寞潮暮,唤回棹去”,寂字、暮字俱仄声,潮字平声,陈词“一竿钓月,更看醉里”,竿字平声。谱内可平可仄据此。
</span>
又一体 <span class="q">双调七十二字,前段七句三仄韵,后段七句四仄韵</span> 罗子衎</span>
过了元宵<span class="q">句</span>见七叶蓂又飞<span class="q">句</span>恰今朝昴宿降瑞<span class="q">韵</span>初度果生贤<span class="q">句</span>尽道丰姿绝异<span class="q">韵</span>翰林人物<span class="q">句</span>云霄富</span>
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贵<span class="q">韵</span> 自栖鸾展骥<span class="q">韵</span>迤逦黄堂<span class="q">句</span>每登要路无留滞<span class="q">韵</span>暂归来<span class="q">读</span>访松菊<span class="q">句</span>趣装行用济<span class="q">韵</span>增崇福</span>
● ●○○●● ●●○○ ●○●●○○● ●○○ ●○● ●○○●● ○○●
禄<span class="q">句</span>寿延千百岁<span class="q">韵
</span>● ●○○●●
·
此见《翰墨全书》,无别首宋词可校,因与范词句读不同,录以备体。
</span>
</span>
檐前铁 调见《古今词话》,因词中有“檐前铁马戛叮当”句,故名。</span>
檐前铁 <span class="q">双调七十一字,前段八句三仄韵,后段六句三仄韵</span> <span class="q">《古今词话》</span>无名氏</span>
悄无人<span class="q">句</span>宿雨厌厌<span class="q">句</span>空庭乍歇<span class="q">韵</span>听檐前<span class="q">读</span>铁马戛叮当<span class="q">句</span>敲破梦魂残结<span class="q">韵</span>丁年事<span class="q">句</span>天涯恨<span class="q">句</span>又早</span>
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在<span class="q">读</span>心头咽<span class="q">韵</span> 谁怜我<span class="q">读</span>绮帘前<span class="q">句</span>镇日鞋儿双跌<span class="q">韵</span>今番也<span class="q">读</span>石人应下千行血<span class="q">韵</span>拟展青天<span class="q">句</span>写</span>
● ○○● ○○● ●○○ ●●○○○● ○○● ●○○●○○● ●●○○ ●
作断肠文<span class="q">句</span>难尽说<span class="q">韵
</span>●●○○ ○●●
·
此见宋杨湜《古今词话》,无别首宋词可校。
</span>
</span>
甘露歌 调见《乐府雅词》,一名《古祝英台》。</span>
甘露歌 <span class="q">三段七十二字,每段各四句,两平韵、两仄韵</span> 王安石</span>
折得一枝香在手<span class="q">仄韵</span>人间应未有<span class="q">韵</span>疑是经春雪未消<span class="q">平韵</span>今日是何朝<span class="q">韵</span> 尽日含毫难比兴<span class="q">换仄韵
</span>●●●○○●●<span class="q"> </span>○○○●● ○●○○●●○<span class="q"> </span>○●●○○ ●●○○○●●
都无色可并<span class="q">韵</span>万里晴天何处来<span class="q">换平韵</span>真是屑琼瑰<span class="q">韵</span> 天寒日暮山谷里<span class="q">换仄韵</span>的砾愁成水<span class="q">韵</span>池上</span>
○○●●● ●●○○○●○<span class="q"> </span>○●●○○ ○○●●○●●<span class="q"> </span>●●○○● ○●
渐多枝上稀<span class="q">换平韵</span>唯有故人知<span class="q">韵
</span>●○○●○<span class="q"> </span>○●●○○
·
按,《花草粹编》分此词三段为三首,今从《乐府雅词》订正。
</span>
</span>
忆帝京 《乐章集》注:南吕调。</span>
忆帝京 <span class="q">双调七十二字,前段六句四仄韵,后段七句四仄韵</span> 柳 永</span>
薄衾小枕天气<span class="q">韵</span>乍觉别离滋味<span class="q">韵</span>展转数寒更<span class="q">句</span>起了还重睡<span class="q">韵</span>毕竟不成眠<span class="q">句</span>一夜长如岁<span class="q">韵</span> 也</span>
◎⊙◎◎○○● ●●●○○● ◎●●○○ ●●○○● ●●●○○ ●●○○● ◎</span>
拟把<span class="q">读</span>却回征辔<span class="q">韵</span>又争奈<span class="q">读</span>已成行计<span class="q">韵</span>万种思量<span class="q">句</span>多方开解<span class="q">句</span>只恁寂寞厌厌地<span class="q">韵</span>系我一生心<span class="q">句
</span>●● ◎○○● ●⊙● ◎⊙⊙● ●●○○ ○○⊙● ●●◎●○○● ●●●○○
负你千行泪<span class="q">韵
</span>●●○○●
·
此调以此词为正体,故黄庭坚“鸣鸠乳燕”词、“薄妆小靥”词,皆与此同,若“银烛生花”词之添字,亦变格也。 按,黄词,后段第一句“万里嫁、乌孙公主”,乌字平声;第二句“对易水、明妃不渡”,易字仄声,明字平声,不字仄声,又“更莫问、莺老花谢”,老字仄声;第四句“红颜片片”,上片字仄声;第五句“指下花落狂风雨”,花字平声。谱内可平可仄据此,余参添字词之句法同者。
</span>
又一体 <span class="q">双调七十六字,前段六句四仄韵,后段七句六仄韵</span> 黄庭坚</span>
银烛生花如红豆<span class="q">韵</span>占好事<span class="q">读</span>而今有<span class="q">韵</span>人醉曲屏深<span class="q">句</span>借宝瑟<span class="q">读</span>轻招手<span class="q">韵</span>一阵白苹风<span class="q">句</span>故灭烛<span class="q">读</span>教</span>
○●○○○○● ○●● ○○● ○●●○○ ●●● ○○● ●●●○○ ●●● ○
相就<span class="q">韵</span> 花带雨<span class="q">读</span>冰肌香透<span class="q">韵</span>恨啼乌<span class="q">读</span>辘轳声晓<span class="q">韵</span>柳岸微寒吹残酒<span class="q">韵</span>断肠人<span class="q">句</span>依旧镜中消</span>
○● ○●● ○○○● ●○● ●○○● ●●○○○○● ●○○ ○●●○○
瘦<span class="q">韵</span>恐那人知后<span class="q">韵</span>镇把你<span class="q">读</span>来僝僽<span class="q">韵
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此词大略与柳词同,惟前段第二句六字折腰,第四句及结句各添一字、俱六字折腰,后段第三、四、五句摊破句法,作七字一句、三字一句、六字一句,第六句押韵,结句亦添一字异。至“晓”字与“透”字押,亦遵古韵。
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于飞乐 《金词》注:高平调;《元词》注:南吕调。史达祖词,名《鸳鸯怨曲》。</span>
于飞乐 <span class="q">双调七十二字,前段八句四平韵,后段八句三平韵</span> 晏几道</span>
晓日当帘<span class="q">句</span>睡痕犹占香腮<span class="q">韵</span>轻盈笑倚鸾台<span class="q">韵</span>晕残红<span class="q">句</span>匀宿翠<span class="q">句</span>满镜花开<span class="q">韵</span>娇蝉鬓畔<span class="q">句</span>插一枝<span class="q">读
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淡蕊疏梅<span class="q">韵</span> 每到春深<span class="q">句</span>多愁饶恨<span class="q">句</span>妆成懒下香阶<span class="q">韵</span>意中人<span class="q">句</span>从别后<span class="q">句</span>萦系情怀<span class="q">韵</span>良辰好</span>
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景<span class="q">句</span>相思字<span class="q">读</span>唤不归来<span class="q">韵
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此调有晏词、张词、毛词三体,大同小异。按,史达祖“绮翼翩翩”词,照此填。 史词,前段第七句“白头相守”,相字平声;后段第六句“合是单栖”,合字仄声。谱内可平可仄据此,余参张词、毛词句法同者。
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又一体 <span class="q">双调七十三字,前段九句四平韵,后段七句三平韵</span> 张 先</span>
宝奁开<span class="q">句</span>美鉴净<span class="q">句</span>一掬清蟾<span class="q">韵</span>新妆脸<span class="q">读</span>旋学花添<span class="q">韵</span>蜀红衫<span class="q">句</span>双绣蝶<span class="q">句</span>裙缕鹣鹣<span class="q">韵</span>寻思前事<span class="q">句</span>小</span>
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屏风<span class="q">读</span>仍画江南<span class="q">韵</span> 怎空教<span class="q">句</span>草解宜男<span class="q">韵</span>柔桑暗<span class="q">读</span>又过春蚕<span class="q">韵</span>正阴晴天气<span class="q">句</span>更暝色相兼<span class="q">韵</span>幽</span>
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期消息<span class="q">句</span>曲房西<span class="q">读</span>醉月筛帘<span class="q">韵
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此词前后段句法,多与晏词不同,所采毛词,前段即其体也。因毛词句读整齐,又有别首可校,故可平可仄,注毛词下。
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又一体 <span class="q">双调七十六字,前后段各九句,四平韵</span> 毛 滂</span>
水边山<span class="q">句</span>云畔水<span class="q">句</span>新出烟林<span class="q">韵</span>送秋来<span class="q">读</span>双桧寒阴<span class="q">韵</span>桧堂寒<span class="q">句</span>香雾碧<span class="q">句</span>帘箔清深<span class="q">韵</span>放衙隐几<span class="q">句</span>谁</span>
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知共<span class="q">读</span>云水无心<span class="q">韵</span> 望西园<span class="q">句</span>飞盖夜<span class="q">句</span>月到清尊<span class="q">韵</span>为诗翁<span class="q">读</span>露冷风清<span class="q">韵</span>褪红裙<span class="q">句</span>袪碧袖<span class="q">句</span>花</span>
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草争春<span class="q">韵</span>劝翁强饮<span class="q">句</span>莫孤负<span class="q">读</span>风月留人<span class="q">韵
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此词较晏词多一句,前后段第五句以下,与晏词第四句以下同,校张词前段俱同。《金词》高平调者,照此填,有毛词别首可校。 按,毛词别首,前段第五、六、七句“听辘轳,声断也,井底银瓶”,辘字、井字俱仄声;后段第一、二、三句“系画船,杨柳岸,晓月亭亭”,画字仄声,又“黛尖低,桃萼破,微笑轻颦”,微字平声;第四句“早做成、役梦劳魂”,做字仄声;结句“独自个、说与谁应”,自字、说字俱仄声。谱内可平可仄据此,余详晏词句读同者。
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撼庭竹 此调有平韵、仄韵两体。</span>
撼庭竹 <span class="q">双调七十二字,前段六句五平韵,后段六句四平韵、一叶韵</span> 黄庭坚</span>
呜咽南楼吹落梅<span class="q">韵</span>闻鸦树惊飞<span class="q">韵</span>梦中相见不多时<span class="q">韵</span>隔城今夜也应知<span class="q">韵</span>坐久水空碧<span class="q">句</span>山月影沈</span>
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西<span class="q">韵</span> 买个宅儿住著伊<span class="q">韵</span>刚不肯相随<span class="q">韵</span>如今果被天嗔你<span class="q">叶</span>永落鸡群被鸡欺<span class="q">韵</span>空恁恶怜惜<span class="q">句
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风日损花枝<span class="q">韵
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按,此词后段“如今却被天嗔你”句,即前段“梦中相见不多时”句,例应押平韵,此词用“你”字,亦是三声叶韵。 按,词既押平声韵,其句中平仄,即与仄声韵词不同,《词律》强为参校,终属无据,其所注可平可仄,不必从。
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又一体 <span class="q">双调七十二字,前段六句五仄韵,后段六句四仄韵</span> 王 诜</span>
绰略青梅弄春色<span class="q">韵</span>真艳态堪惜<span class="q">韵</span>经年费尽东君力<span class="q">韵</span>有情先到探春客<span class="q">韵</span>无语泣寒香<span class="q">句</span>时暗度瑶</span>
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席<span class="q">韵</span> 月下风前空怅望<span class="q">句</span>思携手同摘<span class="q">韵</span>画阑倚遍无消息<span class="q">韵</span>佳辰乐事再难得<span class="q">韵</span>还是夕阳天<span class="q">句
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空暮云凝碧<span class="q">韵
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此词字句,与平韵词同,惟后段起句不押韵异。
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粉蝶儿 调见毛滂《东堂词》,因词有“粉蝶儿,这回共花同活”句,取以为名。《金词》注:中吕调;《太和正音谱》:中吕宫。</span>
粉蝶儿 <span class="q">双调七十二字,前后段各八句,四仄韵</span> 毛 滂</span>
雪遍梅花<span class="q">句</span>素光都共奇绝<span class="q">韵</span>到窗前<span class="q">读</span>认君时节<span class="q">韵</span>下重帏<span class="q">句</span>香篆冷<span class="q">句</span>兰膏明灭<span class="q">韵</span>梦悠扬<span class="q">句</span>空绕断</span>
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云残月<span class="q">韵</span> 沈郎带宽<span class="q">句</span>同心放开重结<span class="q">韵</span>褪罗衣<span class="q">读</span>楚腰一捻<span class="q">韵</span>正春风<span class="q">句</span>新著摸<span class="q">句</span>花花叶叶<span class="q">韵</span>粉</span>
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蝶儿<span class="q">句</span>这回共花同活<span class="q">韵
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此调以此词为正体,辛弃疾、蒋捷词,俱照此填,若曹词之摊破句法,乃变格也。 蒋词,前段起句“啼鴂声中”,啼字平声;辛词,第二句“十三女儿学绣”,学字仄声;辛词,第五、六句“便下得,雨僝风僽”,便字、雨字俱仄声;蒋词,结句“催他柳绵狂纵”,他字平声;辛词,后段第一、二句“而今春似,轻薄荡子难久”,似字、薄字、子字俱仄声;第五、六句“都酿作,一江醇酒”,一字仄声,醇字平声;结句“杨柳岸边相候”,杨字平声。谱内可平可仄据此,余参曹词。
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又一体 <span class="q">双调七十二字,前后段各七句,四仄韵</span> 曹 冠</span>
绕舍清阴<span class="q">句</span>还是暮春天气<span class="q">韵</span>遍苍苔<span class="q">读</span>乱红堆砌<span class="q">韵</span>问留春不住<span class="q">句</span>春怎知人意<span class="q">韵</span>最关情<span class="q">句</span>云杪杜鹃</span>
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声碎<span class="q">韵</span> 休怨春归<span class="q">句</span>四时有花堪醉<span class="q">韵</span>渐红莲<span class="q">读</span>艳妆依水<span class="q">韵</span>次芙蓉岩桂<span class="q">句</span>与菊英梅蕊<span class="q">韵</span>称开</span>
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尊<span class="q">句</span>日日殢香偎翠<span class="q">韵
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此亦毛词体,惟前后段第四、五、六句,作五字两句异。
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绕池游 调见《乐府雅词》。蒋氏《九宫谱》注:双调。</span>
绕池游 <span class="q">双调七十二字,前后段各八句,五仄韵</span> <span class="q">《乐府雅词》</span>无名氏</span>
渐春工巧<span class="q">句</span>玉漏花深寒浅<span class="q">韵</span>韶景变<span class="q">句</span>融晴蕙风暖<span class="q">韵</span>都门十二<span class="q">句</span>三五银蟾光满<span class="q">韵</span>瑞烟葱蒨<span class="q">韵</span>禁城</span>
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阆苑<span class="q">韵</span> 棚山雉扇<span class="q">韵</span>绛蜡交辉星汉<span class="q">韵</span>神仙籍<span class="q">句</span>梨园奏弦管<span class="q">韵</span>都人游玩<span class="q">韵</span>万井山呼欢忭<span class="q">韵</span>岁岁</span>
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天仗<span class="q">句</span>愿瞻凤辇<span class="q">韵
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此词无别首可校。
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