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目 录 <span class="q">十九调六十一体,起八十字至八十三字</span>
过涧歇三体</span>
瑶阶草一体
安公子六体
应景乐一体
柳初新二体
斗百花三体<span class="q">又名夏州</span>
皂罗特髻一体</span>
最高楼十一体<span class="q">又名醉高春</span>
倒垂柳二体
彩凤飞一体<span class="q">又名彩凤舞</span>
拂霓裳二体
柳腰轻一体
爪茉莉一体
蓦山溪十三体<span class="q">又名上阳春</span>
千秋岁引四体<span class="q">又名千秋岁令、千秋万岁</span>
早梅芳三体<span class="q">又名早梅芳近
</span>新荷叶四体<span class="q">又名折新荷引、泛兰舟
</span>南州春色一体</span>
</span>
过涧歇 《乐章集》注:中吕调。</span>
过涧歇 <span class="q">双调八十字,前段八句五仄韵,后段八句三仄韵</span> 柳 永</span>
淮楚<span class="q">韵</span>旷望极<span class="q">读</span>千里火云烧空<span class="q">句</span>尽日西郊无雨<span class="q">韵</span>厌行旅<span class="q">韵</span>数幅轻帆旋落<span class="q">句</span>檥棹兼葭浦<span class="q">韵</span>避畏</span>
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景<span class="q">句</span>两两舟人夜深语<span class="q">韵</span> 此际争可<span class="q">句</span>便恁奔名竞利去<span class="q">韵</span>九衢尘里<span class="q">句</span>衣冠冒炎暑<span class="q">韵</span>回首江</span>
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乡<span class="q">句</span>月观风亭<span class="q">句</span>水边石上<span class="q">句</span>幸有散发披襟处<span class="q">韵
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·
此调以此词为正体,若晁词换头之句读小异,柳词别首前段之摊破句法、后段之多押一韵,皆变格也。 此词后段第二句,《啸余谱》刻“便恁奔名利”,脱去二字,今从《乐章集》订定。 此调只有柳词二首及晁词,故此词可平可仄,悉参下词。
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又一体 <span class="q">双调八十字,前段七句四仄韵、一叠韵,后段八句三仄韵</span> 晁补之</span>
归去<span class="q">韵</span>奈故人<span class="q">读</span>尚作青眼相期<span class="q">句</span>未许明时归去<span class="q">叠</span>放怀处<span class="q">韵</span>买得东皋数亩<span class="q">句</span>静爱园林趣<span class="q">韵</span>任过</span>
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客<span class="q">读</span>剥啄相呼昼扃户<span class="q">韵</span> 堪笑儿童事业<span class="q">句</span>华颠向谁语<span class="q">韵</span>草堂人悄<span class="q">句</span>圆荷过微雨<span class="q">韵</span>都付邯</span>
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郸<span class="q">句</span>一枕清风<span class="q">句</span>好梦初觉<span class="q">句</span>砌下槐影方停午<span class="q">韵
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·
此与柳词“淮楚”词同,惟前段第三句,即叠首句韵,后段起句六字,第二句五字异。
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又一体 <span class="q">双调八十字,前段九句六仄韵,后段八句四仄韵</span> 柳 永</span>
酒醒<span class="q">韵</span>梦才觉<span class="q">读</span>小阁香炭成烬<span class="q">韵</span>洞户银蟾移影<span class="q">韵</span>人寂静<span class="q">韵</span>夜永清寒<span class="q">句</span>翠瓦霜凝<span class="q">句</span>疏帘风动<span class="q">句</span>漏</span>
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声隐隐<span class="q">韵</span>飘来转愁听<span class="q">韵</span> 怎向心绪<span class="q">句</span>近日厌厌长似病<span class="q">韵</span>凤楼咫尺<span class="q">句</span>佳期杳难定<span class="q">韵</span>展转无眠<span class="q">句
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粲枕冰冷<span class="q">韵</span>香虬烟断<span class="q">句</span>是谁与把重衾整<span class="q">韵
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此词见《花草粹编》,《乐章集》不载,其体调亦与“淮楚”词同,惟前段第五、六句添一字,摊破六字一句、五字一句,作四字三句,第七、八句减一字,摊破三字一句、七字一句,作四字一句、五字一句,前段第二句及后段第六句多押一韵异。
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瑶阶草 调见《书舟词》。</span>
瑶阶草 <span class="q">双调八十字,前段八句四仄韵,后段九句六仄韵</span> 程 垓</span>
空山子规叫<span class="q">句</span>月破黄昏冷<span class="q">韵</span>帘幕风轻<span class="q">句</span>绿暗红又尽<span class="q">韵</span>自从别后<span class="q">句</span>粉消香减<span class="q">句</span>一春成病<span class="q">韵</span>那堪昼</span>
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闲日永<span class="q">韵</span> 恨难整<span class="q">韵</span>起来无语<span class="q">句</span>绿萍破处池光净<span class="q">韵</span>闷理残妆<span class="q">句</span>照花独自怜瘦影<span class="q">韵</span>睡来又怕<span class="q">句
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饮来越醉<span class="q">韵</span>醒来却闷<span class="q">韵</span>看谁似我孤另<span class="q">韵
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《花草粹编》本,前段第三句,作“又还帘幕风轻”,多二字,后段第八句,作“醒来越闷”,今从本集订正。其字句平仄,无别首宋词可校。
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安公子 唐教坊曲名。《碧鸡漫志》云:据《理道要诀》,唐时《安公子》在太簇角。今已不传,其见于世者,中吕调有《安公子近》,般涉调有《安公子慢》。按,柳永“长川波潋滟”词,自注中吕调,“远岸收残雨”词,自注般涉调,但蒋氏十三调谱,采柳永“长川波潋滟”词,又注正宫。</span>
安公子 <span class="q">双调八十字,前段八句四仄韵,后段七句三仄韵</span> 柳 永</span>
长川波潋滟<span class="q">韵</span>楚乡淮岸迢递<span class="q">句</span>一霎烟汀雨过<span class="q">句</span>芳草青如染<span class="q">韵</span>驱驱携书剑<span class="q">韵</span>当此好天好景<span class="q">句</span>自觉</span>
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多愁多病<span class="q">句</span>行役心情厌<span class="q">韵</span> 望处旷野沈沈<span class="q">句</span>暮云黯黯<span class="q">韵</span>行侵夜色<span class="q">句</span>又是急桨投村店<span class="q">韵</span>认去程</span>
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将近<span class="q">句</span>舟子相呼<span class="q">句</span>遥指渔灯一点<span class="q">韵
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·
此调柳永有两体,八十字者前后段句读参差,无宋人别词可校;一百六字者,宋人添字、减字,颇有异同,故谱内可平可仄,俱详注一百六字词下。
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又一体 <span class="q">双调一百六字,前后段各八句,六仄韵</span> 柳 永</span>
远岸收残雨<span class="q">韵</span>雨残稍觉江天暮<span class="q">韵</span>拾翠汀洲人寂静<span class="q">句</span>立双双鸥鹭<span class="q">韵</span>望几点<span class="q">读</span>渔灯掩映蒹葭浦<span class="q">韵</span>停</span>
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画桡<span class="q">读</span>两两舟人语<span class="q">韵</span>道去程今夜<span class="q">句</span>遥指前村烟树<span class="q">韵</span> 游宦成羇旅<span class="q">韵</span>短樯吟倚闲凝伫<span class="q">韵</span>万水千</span>
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山迷远近<span class="q">句</span>想乡关何处<span class="q">韵</span>自别后<span class="q">读</span>风亭月榭孤欢聚<span class="q">韵</span>刚断肠<span class="q">读</span>惹得离情苦<span class="q">韵</span>听杜宇声声<span class="q">句</span>劝人</span>
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不如归去<span class="q">韵</span>
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此调一百六字者,以此词为正体,柳词别首“梦觉清宵”词,晁补之“少日狂游”词,与此同。若袁词之句读小异,晁词、陆词之减字,杜词之摊破句法,皆变格也。 此词前后段第四句、第七句,俱作上一下四句法,各家皆然。 按,晁词,前段第二句“阆苑花间同低帽”,苑字仄声,花字、间字俱平声;第七句“镇琼楼归卧”,琼字平声;柳词别首,后段第二句“当初不合轻分散”,当字平声,不字仄声;第三、四句“及至厌厌独自个,却眼穿肠断”,独字、眼字俱仄声。谱内可平可仄据此,余参下所采诸词。
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又一体 <span class="q">双调一百六字,前后段各九句,六仄韵</span> 袁去华</span>
弱柳丝千缕<span class="q">韵</span>嫩黄匀遍鸦啼处<span class="q">韵</span>寒入罗衣春尚浅<span class="q">句</span>过一番风雨<span class="q">韵</span>问燕子来时<span class="q">句</span>绿水桥边路<span class="q">韵</span>曾</span>
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画楼<span class="q">读</span>见个人人否<span class="q">韵</span>料静掩云窗<span class="q">句</span>尘满哀弦危柱<span class="q">韵</span> 庾信愁如许<span class="q">韵</span>为谁都著眉端聚<span class="q">韵</span>独立东</span>
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风弹泪眼<span class="q">句</span>寄烟波东去<span class="q">韵</span>念永昼春闲<span class="q">句</span>人倦如何度<span class="q">韵</span>闲傍枕<span class="q">读</span>百啭黄鹂语<span class="q">韵</span>唤觉来厌厌<span class="q">句</span>残照</span>
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依然花坞<span class="q">韵</span>
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此与柳词同,惟前后段第五句,作五字两句异。
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又一体 <span class="q">双调一百四字,前后段各八句,六仄韵</span> 晁补之</span>
柳老荷花尽<span class="q">韵</span>夜来霜落平湖净<span class="q">韵</span>征雁横天鸥舞乱<span class="q">句</span>鱼游清镜<span class="q">韵</span>又还是<span class="q">读</span>当年我向江南兴<span class="q">韵</span>移画</span>
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船<span class="q">读</span>深渚蒹葭映<span class="q">韵</span>对半篙碧水<span class="q">句</span>满眼青山魂凝<span class="q">韵</span> 一番伤华鬓<span class="q">韵</span>放歌狂饮犹堪逞<span class="q">韵</span>水驿孤帆</span>
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明夜事<span class="q">句</span>此欢重省<span class="q">韵</span>梦回处<span class="q">读</span>诗塘春草愁难整<span class="q">韵</span>官情与<span class="q">读</span>归思终朝竞<span class="q">韵</span>记他年相访<span class="q">句</span>认取斜川</span>
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三径<span class="q">韵</span>
○●
·
此亦与柳词同,惟前后段第四句俱减一字,作四字句异。
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又一体 <span class="q">双调一百六字,前后段各十句,七仄韵</span> 杜安世</span>
又是春将半<span class="q">韵</span>杏花零落闲庭院<span class="q">韵</span>天气有时阴淡淡<span class="q">句</span>绿杨轻软<span class="q">韵</span>连画阁<span class="q">读</span>绣帘半卷<span class="q">韵</span>招新燕<span class="q">韵</span>残</span>
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黛敛<span class="q">读</span>独倚阑干遍<span class="q">韵</span>暗思前事<span class="q">句</span>月下风流<span class="q">句</span>狂踪无限<span class="q">韵</span> 惜恐莺花晚<span class="q">韵</span>更堪容易相抛远<span class="q">韵</span>离</span>
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恨结成心上病<span class="q">句</span>几时消散<span class="q">韵</span>空际有<span class="q">读</span>断云片片<span class="q">韵</span>遥峰暖<span class="q">韵</span>闻杜宇<span class="q">读</span>终日哀啼怨<span class="q">韵</span>暮烟芳草<span class="q">句</span>写</span>
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望迢迢<span class="q">句</span>甚时重见<span class="q">韵
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·
此亦与柳词同,惟前后段第四句各减一字、作四字句,第五句作七字一句、三字一句,多押一韵,两结各添一字,作四字三句异。
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又一体 <span class="q">双调一百二字,前后段各九句,六仄韵</span> 陆 游</span>
风雨初经社<span class="q">韵</span>子规声里春光谢<span class="q">韵</span>最是无情<span class="q">句</span>零落尽<span class="q">读</span>蔷薇一架<span class="q">韵</span>况我今年<span class="q">句</span>憔悴幽窗下<span class="q">韵</span>人尽</span>
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怪<span class="q">读</span>诗酒消声价<span class="q">韵</span>向药炉经卷<span class="q">句</span>忘却莺窗柳榭<span class="q">韵</span> 万事收心也<span class="q">韵</span>粉痕犹在香罗帕<span class="q">韵</span>恨月愁</span>
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花<span class="q">句</span>争信道<span class="q">读</span>如今都罢<span class="q">韵</span>空忆前身<span class="q">句</span>便面章台马<span class="q">韵</span>因自来<span class="q">读</span>禁得心肠怕<span class="q">韵</span>纵遇歌逢酒<span class="q">句</span>但说京</span>
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都旧话<span class="q">韵</span>
○●●
·
此亦与柳词同,惟前后段第三、四句减一字,俱作四字一句、七字一句,第五、六句减一字,俱作四字一句、五字一句异。
</span>
</span>
应景乐 词见《花草粹编》。</span>
应景乐 <span class="q">双调八十字,前段八句五仄韵,后段八句四仄韵</span> 萧 回</span>
金陵故国<span class="q">韵</span>极目长江<span class="q">读</span>浩渺千重隔<span class="q">韵</span>山无际<span class="q">句</span>临壖怒涛碛<span class="q">韵</span>俯春城苇寂<span class="q">韵</span>芳昼迤逦<span class="q">句</span>一簇烟村</span>
○○●● ●●○○ ●●○●● ○○● ○○●○● ●○○●● ○●●● ●●○○
将晚<span class="q">句</span>严光旧台侧<span class="q">韵</span> 何处倦游客<span class="q">韵</span>对此景<span class="q">读</span>惹起离怀<span class="q">句</span>顿觉旧日意<span class="q">句</span>魂黯愁积<span class="q">韵</span>幽恨绵</span>
○● ○○●○● ○●●○● ●●● ●●○○ ●●●●● ○●○● ○●○
绵<span class="q">句</span>何计消溺<span class="q">韵</span>回首洛城东<span class="q">句</span>千里暮云碧<span class="q">韵
</span>○ ○●○● ○●●○○ ○●●○●
·
此词《花草粹编》所载,疑有脱误,今从蕉雪堂钞本。
</span>
</span>
柳初新 宋周密“天基圣节乐次”,第十三盏,觱篥起柳初新慢。《乐章集》注:大石调。</span>
柳初新 <span class="q">双调八十一字,前后段各七句,五仄韵</span> 柳 永</span>
东郊向晓星杓亚<span class="q">韵</span>报帝里<span class="q">读</span>春来也<span class="q">韵</span>柳抬烟眼<span class="q">句</span>花匀露脸<span class="q">句</span>渐觉绿娇红姹<span class="q">韵</span>妆点层台芳榭<span class="q">韵</span>运</span>
⊙○◎●○○● ◎●● ○○● ◎○○● ○○●● ●●●○○● ○●○○⊙● ●
神功<span class="q">读</span>丹青无价<span class="q">韵</span> 别有尧阶试罢<span class="q">韵</span>新郎君<span class="q">读</span>成行如画<span class="q">韵</span>杏园风细<span class="q">句</span>桃花浪暖<span class="q">句</span>竞喜羽迁鳞</span>
○○ ○○○● ●●○○●● ⊙○○ ⊙○○● ◎○○● ○○●● ◎●●○○
化<span class="q">韵</span>遍九陌<span class="q">读</span>相将游冶<span class="q">韵</span>骤香尘<span class="q">读</span>宝鞍骄马<span class="q">韵
</span>● ●◎◎ ○○⊙● ●○⊙ ◎○○●
·
此词前段第六句六字,后段第六句七字,沈会宗“楚天来驾”词,正与此同。按,沈词,前段第一句“楚天来驾春相送”,楚字仄声;第六句“谁拂瑶琴巧弄”,巧字仄声;后段第三旬“桃花溪上”,桃字平声;第五句“愁掩五云真洞”,愁字平声;第六句“算曾揖、飞鸾双控”,曾字平声;结句“等闲入、襄王春梦”,入字仄声,襄字平声。谱内可平可仄据此,余参无名氏词。
</span>
又一体 <span class="q">双调八十二字,前后段各七句,五仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
千林凋谢严凝日<span class="q">韵</span>青帝许<span class="q">读</span>梅花坼<span class="q">韵</span>孤根回暖<span class="q">句</span>前村雪里<span class="q">句</span>昨夜一枝凝白<span class="q">韵</span>天匠与<span class="q">读</span>雕琼镂</span>
○○○●○○● ○●● ○○● ○○○● ○○●● ●●●○○● ○●● ○○●
玉<span class="q">韵</span>淡然非<span class="q">读</span>人间标格<span class="q">韵</span> 别有神仙第宅<span class="q">韵</span>绣帘垂<span class="q">读</span>碧纱窗隔<span class="q">韵</span>月明风送<span class="q">句</span>清香苒苒<span class="q">句</span>著</span>
● ●○○ ○○○● ●●○○●● ●○○ ●○○● ●○○● ○○●● ●
摸美人词客<span class="q">韵</span>向晓来<span class="q">读</span>芳苞乍摘<span class="q">韵</span>对菱花<span class="q">读</span>倍添姿色<span class="q">韵
</span>●●○○● ●●○ ○○●● ●○○ ●○○●
·
此词前后段第六句俱七字,与柳词小异。
</span>
</span>
斗百花 《乐章集》注:正宫。晁补之词,一名《夏州》。</span>
斗百花 <span class="q">双调八十一字,前段八句五仄韵,后段七句三仄韵</span> 柳 永</span>
煦色韶光明媚<span class="q">韵</span>轻霭低笼芳树<span class="q">韵</span>池塘浅蘸烟芜<span class="q">句</span>帘幕闲垂风絮<span class="q">韵</span>春困厌厌<span class="q">句</span>抛掷斗草工夫<span class="q">句</span>冷</span>
◎●○○○● ⊙●○○⊙● ○⊙◎◎⊙⊙ ⊙◎○⊙○● ⊙◎⊙⊙ ○◎●●○○ ◎</span>
落踏春心绪<span class="q">韵</span>终日扃朱户<span class="q">韵</span> 远恨绵绵<span class="q">句</span>淑景迟迟难度<span class="q">韵</span>年少傅粉<span class="q">句</span>依前醉眠何处<span class="q">韵</span>深院无</span>
●◎○⊙● ⊙●○○● ◎●⊙⊙ ●◎○⊙⊙● ○●●◎ ⊙⊙●⊙○● ⊙●○
人<span class="q">句</span>黄昏乍拆秋千<span class="q">句</span>空锁满庭花雨<span class="q">韵
</span>○ ○○●●○○ ⊙●◎⊙○●
·
此调以此词为正体,柳永“满搦宫腰”词,晁补之“小小盈盈”词,又“脸色朝霞”词,正与此同。若柳词别首之少押两韵,晁词别首之多押一韵,皆变格也。 按,“满搦宫腰”词,后段第四句“不肯便入鸳被”,不肯二字俱仄声;结句“却道你但先睡”,但字仄声。又,“小小盈盈”词,前段第二句“忆得眉长眼细”,眼字仄声;结句“转更添姿媚”,转字仄声。又,“脸色朝霞”词,后段起二句“低问石上,凿井何由及底”,石字仄声。谱内可平可仄据此,余参下二词。 《词律》论后段第三句第三字,必要仄声,观宋词或作平仄仄平,或作平仄仄仄可见,填者审之。
</span>
又一体 <span class="q">双调八十一字,前段八句三仄韵,后段七句三仄韵</span> 柳 永</span>
飒飒霜飘鸳瓦<span class="q">句</span>翠幕轻寒微透<span class="q">句</span>长门深锁悄悄<span class="q">句</span>满庭秋色将晚<span class="q">韵</span>眼看菊蕊<span class="q">句</span>重阳泪落如珠<span class="q">句</span>长</span>
●●○○○● ●●○○○● ○○○●●● ●○○●○● ●○●● ○○●●○○ ○
是淹残粉面<span class="q">韵</span>鸾辂音尘远<span class="q">韵</span> 无限幽恨<span class="q">句</span>寄情空殢纨扇<span class="q">韵</span>应是帝王<span class="q">句</span>当初怪妾辞辇<span class="q">韵</span>陡顿今</span>
●○○●● ○●○○● ○●○● ●○○●○● ○●●○ ○○●●○● ●●○
来<span class="q">句</span>宫中第一妖娆<span class="q">句</span>却道昭阳飞燕<span class="q">韵
</span>○ ○○●●○○ ●●○○○●
·
此与“煦色韶光”词同,惟前段第一、二、三句,俱不押韵异。
</span>
又一体 <span class="q">双调八十一字,前段八句六仄韵,后段七句三仄韵</span> 晁补之</span>
斜日东风深院<span class="q">韵</span>绣幕低迷归燕<span class="q">韵</span>潇洒小屏娇面<span class="q">韵</span>彷佛灯前初见<span class="q">韵</span>与选筵中<span class="q">句</span>银盆半坼姚黄<span class="q">句</span>插</span>
○●○○○● ●●○○○● ○●●○○● ●●○○○● ●●○○ ○○●●○○ ●
向凤凰钗畔<span class="q">韵</span>微笑遮纨扇<span class="q">韵</span> 教展香茵<span class="q">句</span>看舞霓裳促遍<span class="q">韵</span>红飐翠翻<span class="q">句</span>惊鸿乍拂秋岸<span class="q">韵</span>柳困花</span>
●●○○● ○●○○● ○●○○ ●●○○●● ○●●○ ○○●●○● ●●○
慵<span class="q">句</span>盈盈自整罗巾<span class="q">句</span>须劝倒垂金盏<span class="q">韵
</span>○ ○○●●○○ ○●●○○●
·
此亦与柳永“煦色韶光”词同,惟前段第三句,多押一韵异。
</span>
</span>
皂罗特髻 调见宋苏轼词,词中有“髻鬟初合”句,亦赋题也。</span>
皂罗特髻 <span class="q">双调八十一字,前段九句四仄韵,后段六句三仄韵</span> 苏 轼</span>
采菱拾翠<span class="q">句</span>算似此佳名<span class="q">句</span>阿谁消得<span class="q">韵</span>采菱拾翠<span class="q">句</span>称使君知客<span class="q">韵</span>千金买<span class="q">读</span>采菱拾翠<span class="q">句</span>更罗裙<span class="q">读</span>满</span>
●○●● ●●●○○ ●○○● ●○●● ●●○○● ○○● ●○●● ●○○ ●
把珍珠结<span class="q">韵</span>采菱拾翠<span class="q">句</span>正髻鬟初合<span class="q">韵</span> 真个采菱拾翠<span class="q">句</span>但深怜轻拍<span class="q">韵</span>一双手<span class="q">读</span>采菱拾翠<span class="q">句</span>绣</span>
●○○● ●○●● ●●○○● ○●●○●● ●○○○● ●○● ●○●● ●
衾下<span class="q">读</span>抱著俱香滑<span class="q">韵</span>采菱拾翠<span class="q">句</span>待到京寻觅<span class="q">韵
</span>○● ●●○○● ●○●● ●●○○●
·
此调无别词可校。按,词中凡七用“采菱拾翠”句,想其体例应然,填者依之。
</span>
</span>
最高楼 此调押平声韵,或押仄声韵,但宋、金、元词,押平韵者居多,其中有前段起句三字、第三句五字者,有前段起句三字、第三句六字者,有前段起句四字、第三句六字者,例于后段第一、二句,俱间押仄韵,此为定格。或后段第一、二句三声叶韵,或第一句押平韵、第二句不押韵,或第一句不押韵、第二句仍押平韵,或第一、二句俱不押韵,均属变格。若全押仄韵,则惟无名氏一词,见之《梅苑》,宋、金、元无填此体者。</span>
最高楼 <span class="q">双调八十一字,前段八句四平韵,后段八句两仄韵、三平韵</span> 辛弃疾</span>
花知否<span class="q">句</span>花一似何郎<span class="q">平韵</span>又似沈东阳<span class="q">韵</span>瘦棱棱地天然白<span class="q">句</span>冷清清地许多香<span class="q">韵</span>笑东君<span class="q">句</span>还又向<span class="q">句
</span>○⊙● ⊙●●○○<span class="q"> </span>◎●●○○ ◎○○●●○● ◎○○●●○○ ●○○ ○●◎</span>
北枝忙<span class="q">韵</span> 著一阵<span class="q">读</span>霎时间底雪<span class="q">仄韵</span>更一个<span class="q">读</span>缺些儿底月<span class="q">韵</span>山下路<span class="q">读</span>水边墙<span class="q">平韵</span>风流怕有人</span>
●○○ ◎◎● ◎○○●●<span class="q"> </span>●◎● ◎○○●● ⊙◎● ●○○<span class="q"> </span>○○●●○
知处<span class="q">句</span>影儿守定竹旁厢<span class="q">韵</span>且饶他<span class="q">句</span>桃李趁<span class="q">句</span>少年场<span class="q">韵
</span>○● ◎○◎●●○○ ●○○ ○●● ●○○
·
此调前段起句三字,第三句五字者,以此词为正体,辛词五首并同,宋、金、元词俱照此填,若方词、司马词之添字,元词之减字,皆变格也。 按,司马别首“花信紧”词,后段第一、二句“按秦筝、学弄相思调,写幽情、恨杀知音少”,与各家平仄全异,注明以备参考,不可校勘平仄,惟前段第一、二句“花信紧,二十四番风”,信字、二字俱仄声;又后段第三句“向何处、说风流”,向字仄声,何字平声。谱内可平可仄据此,其余参下类列三词。
</span>
又一体 <span class="q">双调八十五字,前段八句四平韵,后段八句两仄韵、三平韵</span> 方 岳</span>
秋崖底<span class="q">句</span>云卧欲生苔<span class="q">平韵</span>无梦到公台<span class="q">韵</span>有月锄晓带乌犍去<span class="q">句</span>与烟蓑夜钓白鱼来<span class="q">韵</span>问谁能<span class="q">句</span>供酒</span>
○○● ○●●○○<span class="q"> </span>○●●○○ ●●○●●○○● ●○○●●●○○ ●○○ ○●
料<span class="q">句</span>办诗材<span class="q">韵</span> 君莫笑<span class="q">读</span>闲忙綦得势<span class="q">仄韵</span>也莫笑<span class="q">读</span>浮沈鱼得计<span class="q">韵</span>胸次老<span class="q">读</span>雪崔嵬<span class="q">平韵</span>付老夫</span>
● ●○○ ○●● ○○○●●<span class="q"> </span>●●● ○○○●● ○●● ●○○<span class="q"> </span>●●○
小小鸬鹚杓<span class="q">句</span>尽诸公衮衮凤凰台<span class="q">韵</span>且容将<span class="q">句</span>多种竹<span class="q">句</span>胜栽梅<span class="q">韵
</span>●●○○● ●○○●●●○○ ●○○ ○●● ●○○
·
此与辛词同,惟前后段第四、五句,各添一衬字异。
</span>
又一体 <span class="q">双调八十字,前段八句四平韵,后段八句两仄韵、三平韵</span> 元好问</span>
商於路<span class="q">句</span>山远客来稀<span class="q">平韵</span>鸡犬静柴扉<span class="q">韵</span>东家欢饮姜芽脆<span class="q">句</span>西家留宿芋魁肥<span class="q">韵</span>觉重来<span class="q">句</span>猿与鹤<span class="q">句
</span>○○● ○●●○○<span class="q"> </span>○●●○○ ○○○●○○● ○○○●●○○ ●○○ ○●●
总忘机<span class="q">韵</span> 问华屋高赀<span class="q">读</span>谁不恋<span class="q">仄韵</span>美食大官<span class="q">读</span>谁不羡<span class="q">韵</span>风浪里<span class="q">读</span>竟忘归<span class="q">平韵</span>云山既不求吾</span>
●○○ ●○●○○ ○●●<span class="q"> </span>●●●○ ○●● ○●● ●○○<span class="q"> </span>○○●●○○
是<span class="q">句</span>林泉又不责吾非<span class="q">韵</span>任年年<span class="q">句</span>藜藿饭<span class="q">句</span>芰荷衣<span class="q">韵
</span>● ○○●●●○○ ●○○ ○●● ●○○
·
此亦与辛词同,惟后段第二句减一字异。
</span>
又一体 <span class="q">双调八十三字,前段八句四平韵,后段八句两仄韵、三平韵</span> 司马昂父</span>
登高懒<span class="q">句</span>且平地过重阳<span class="q">平韵</span>风雨又何妨<span class="q">韵</span>问牛山悲泪又何苦<span class="q">句</span>龙山佳会又何狂<span class="q">韵</span>笑渊明<span class="q">句</span>便去</span>
○○● ●○●●○○<span class="q"> </span>○●●○○ ●○○○●●○● ○○○●●○○ ●○○ ○●
来<span class="q">句</span>又何忙<span class="q">韵</span> 也休说<span class="q">读</span>玉堂金马乐<span class="q">仄韵</span>也休说<span class="q">读</span>竹篱茅舍恶<span class="q">韵</span>花与酒<span class="q">读</span>一般香<span class="q">平韵</span>西风莫</span>
○ ●○○ ●○● ●○○●●<span class="q"> </span>●○● ●○○●● ○●● ●○○<span class="q"> </span>○○●
放秋容老<span class="q">句</span>时时留待客徜徉<span class="q">韵</span>便百年<span class="q">句</span>浑是醉<span class="q">句</span>几千场<span class="q">韵
</span>●○○● ○○○●●○○ ●●○ ○●● ●○○
·
此亦辛词体,惟前后段第二句、第四句各添一衬字异。
以上四词,俱前段起句三字,第三句五字者,特为类聚,以备勘谱。
</span>
又一体 <span class="q">双调八十二字,前段九句四平韵,后段九句两仄韵、三平韵</span> 毛 滂</span>
微雨过<span class="q">句</span>深院芰荷中<span class="q">韵</span>香冉冉<span class="q">句</span>绣重重<span class="q">韵</span>玉人共倚阑干角<span class="q">句</span>月华犹在小池东<span class="q">韵</span>入人怀<span class="q">句</span>吹鬓</span>
○●● ○●●○○ ○●● ●○○ ●○●●○○● ●○○●●○○ ●○○ ○●
影<span class="q">句</span>可怜风<span class="q">韵</span> 分散去<span class="q">读</span>轻如云与雪<span class="q">仄韵</span>剩下了<span class="q">读</span>许多风与月<span class="q">韵</span>侵枕簟<span class="q">句</span>冷帘栊<span class="q">平韵</span>刚能</span>
● ●○○ ○●● ○○○●●<span class="q"> </span>●●● ●○○●● ○●● ●○○<span class="q"> </span>○○
小睡还惊觉<span class="q">句</span>略成轻醉早惺忪<span class="q">韵</span>仗行云<span class="q">句</span>将此恨<span class="q">句</span>到眉峰<span class="q">韵
</span>●●○○● ●○○●●○○ ●○○ ○●● ●○○
·
此调前段起句三字,第三句六字者,以此词为正体,若陈词之换头三声叶韵,及毛词别首之换头不叶韵,皆变格也。
</span>
又一体 <span class="q">双调八十二字,前段八句四平韵,后段八句两叶韵、三平韵</span> 陈 亮</span>
春乍透<span class="q">句</span>香早暗偷传<span class="q">平韵</span>深院落<span class="q">读</span>斗清妍<span class="q">韵</span>紫檀枝似流苏带<span class="q">句</span>黄金须胜辟寒钿<span class="q">韵</span>更朝朝<span class="q">句</span>琼树</span>
○●● ○●●○○<span class="q"> </span>○●● ●○○ ●○○●○○● ○○○●●○○ ●○○ ○●
好<span class="q">句</span>笑当年<span class="q">韵</span> 花不向<span class="q">读</span>沈香亭上看<span class="q">叶</span>树不著<span class="q">读</span>连昌宫里玩<span class="q">叶</span>衣带水<span class="q">读</span>隔风烟<span class="q">平韵</span>铅华不御</span>
● ●○○ ○●● ○○○●● ●●● ○○○●● ○●● ●○○<span class="q"> </span>○○●●
凌波处<span class="q">句</span>蛾眉澹扫至尊前<span class="q">韵</span>管如今<span class="q">句</span>浑似了<span class="q">句</span>更堪怜<span class="q">韵
</span>○○● ○○●●●○○ ●○○ ○●● ●○○
·
此与毛词同,惟换头处用三声叶韵异。 按,寒、先本系通韵,词中所叶“看”字、“玩”字,俱在十五翰部内,即十四寒之去声也。
</span>
又一体 <span class="q">双调八十二字,前段九句四平韵,后段八句三平韵</span> 毛 滂</span>
新睡起<span class="q">句</span>熏过绣罗衣<span class="q">韵</span>梳洗了<span class="q">句</span>百般宜<span class="q">韵</span>东风淡荡垂杨院<span class="q">句</span>一春心事有谁知<span class="q">韵</span>苦留人<span class="q">句</span>娇不</span>
○●● ○●●○○ ○●● ●○○ ○○●●○○● ●○○●●○○ ●○○ ○●
尽<span class="q">句</span>曲眉低<span class="q">韵</span> 漫良夜月圆<span class="q">读</span>空好意<span class="q">句</span>恐落花流水<span class="q">读</span>终寄恨<span class="q">句</span>悲欢往往相随<span class="q">韵</span>凤台痴望双</span>
● ●○○ ●○●●○ ○●● ●●○○● ○●● ○○●●○○ ●○○●○
双羽<span class="q">句</span>高唐愁著梦回时<span class="q">韵</span>又争如<span class="q">句</span>遵大路<span class="q">句</span>合逢伊<span class="q">韵
</span>○● ○○○●●○○ ●○○ ○●● ●○○
·
此即前一首毛词体,惟换头处不押韵,诸家从无此体,恐有错误,姑录以备参考。
以上三词,俱前段起句三字,第二句六字者。
</span>
又一体 <span class="q">双调八十三字,前段八句四平韵,后段八句两仄韵、三平韵</span> 程 垓</span>
旧时心事<span class="q">句</span>说著两眉羞<span class="q">平韵</span>长记得<span class="q">读</span>凭肩游<span class="q">韵</span>缃裙罗袜桃花岸<span class="q">句</span>薄衫轻扇杏花楼<span class="q">韵</span>几番行<span class="q">句</span>几</span>
●○○● ●●●○○<span class="q"> </span>○●● ●○○ ○○○●○○● ●○○●●○○ ●○○ ●
番醉<span class="q">句</span>几番留<span class="q">韵</span> 也谁料<span class="q">读</span>春风吹已断<span class="q">仄韵</span>又谁料<span class="q">读</span>朝云飞亦散<span class="q">韵</span>天易老<span class="q">读</span>恨难酬<span class="q">平韵</span>蜂儿</span>
○● ●○○ ●○● ○○○●●<span class="q"> </span>●○● ○○○●● ○●● ●○○<span class="q"> </span>○○
不解知人苦<span class="q">句</span>燕儿不解说人愁<span class="q">韵</span>旧情怀<span class="q">句</span>销不尽<span class="q">句</span>几时休<span class="q">韵
</span>●●○○● ●○●●●○○ ●○○ ○●● ●○○
·
此调前段起句四字、第三句六字者,以此词为正体,若柳词之句读参差,无名氏词之不押仄韵,皆变格也。
</span>
又一体 <span class="q">双调八十三字,前后段各八句,四平韵</span> <span class="q">《全芳备祖》</span>无名氏</span>
司春有序<span class="q">句</span>排次到荼醿<span class="q">韵</span>还预报<span class="q">读</span>在庭知<span class="q">韵</span>蕊珠宫里晨妆罢<span class="q">句</span>披香殿下晓班齐<span class="q">韵</span>探花人<span class="q">句</span>驱使</span>
○○●● ○●●○○ ○●● ●○○ ●○○●○○● ○○●●●○○ ●○○ ○●
问<span class="q">句</span>采花期<span class="q">韵</span> 元不逊<span class="q">读</span>梅花浮月影<span class="q">句</span>也知妒<span class="q">读</span>梨花带雨枝<span class="q">韵</span>偏恨柳<span class="q">读</span>绿条垂<span class="q">韵</span>与其向晚包</span>
● ●○○ ○●● ○○○●● ●○● ○○●●○ ○●● ●○○ ●○●●○
团絮<span class="q">句</span>不如对酒坼芳蕤<span class="q">韵</span>谢东君<span class="q">句</span>收拾在<span class="q">句</span>牡丹时<span class="q">韵
</span>○● ●○●●●○○ ●○○ ○●● ●○○
·
此与程词同,惟后段起句不押仄韵,第二句仍押平韵异。
</span>
又一体 <span class="q">双调七十八字,前后段各八句,四平韵</span> 柳 富</span>
人间最苦<span class="q">句</span>最苦是分离<span class="q">韵</span>伊爱我<span class="q">读</span>我怜伊<span class="q">韵</span>青草岸头人独立<span class="q">句</span>画船东去橹声迟<span class="q">韵</span>楚天低<span class="q">句</span>回望</span>
○○●● ●●●○○ ○●● ●○○ ○●●○○●● ●○○●●○○ ●○○ ○●
处<span class="q">句</span>两依依<span class="q">韵</span> 后会也难期<span class="q">韵</span>未知何日重欢会<span class="q">句</span>心下事<span class="q">读</span>乱如丝<span class="q">韵</span>好天良夜还虚过<span class="q">句</span>辜负</span>
● ●○○ ●●●○○ ●○○●○○● ○●● ●○○ ●○○●○○● ○●
我<span class="q">读</span>两心知<span class="q">韵</span>愿伊家<span class="q">句</span>衷肠在<span class="q">句</span>一双飞<span class="q">韵
</span>● ●○○ ●○○ ○○● ●○○
·
此词见《青琐高议》,前段字句与程词同,惟后段起句减三字、押平韵,第五句减一字、作六字折腰句法异。《情史》云:东都柳富,别王幼玉作,名《醉高春》。
以上三词,俱前段起句四字,第三句六字者。
</span>
又一体 <span class="q">双调八十二字,前段八句四仄韵,后段八句五仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
梅花好<span class="q">句</span>千万君须爱<span class="q">韵</span>比杏兼桃犹百倍<span class="q">韵</span>分明学得嫦娥样<span class="q">句</span>不施朱粉天然态<span class="q">韵</span>蟾宫里<span class="q">句</span>银河</span>
○○● ○●○○● ●●○○○●● ○○●●○○● ●○○●○○● ○○● ○○
畔<span class="q">句</span>风霜耐<span class="q">韵</span> 岭上故人千里外<span class="q">韵</span>寄去一枝君要会<span class="q">韵</span>表江南信相思晒<span class="q">韵</span>清香素艳应难对<span class="q">句
</span>● ○○● ●●●○○●● ●●●○○●● ●○○●○○● ○○●●○○●
满头宜向尊前戴<span class="q">韵</span>岁寒心<span class="q">句</span>春消息<span class="q">句</span>年年在<span class="q">韵
</span>●○○●○○● ●○○ ○○● ○○●
·
此调全押仄声韵者,只此一词,句读与程垓词同,惟前后段第三句,各添一字,后段第一、二句,各减一字,无别首宋词可校。
</span>
</span>
倒垂柳 唐教坊曲名。</span>
倒垂柳 <span class="q">双调八十一字,前段八句四仄韵,后段八句五仄韵</span> 杨无咎</span>
晓来烟露重<span class="q">句</span>为重阳<span class="q">读</span>增胜致<span class="q">韵</span>记一年好处<span class="q">句</span>无似此天气<span class="q">韵</span>东篱白衣至<span class="q">句</span>南陌芳筵启<span class="q">韵</span>风流曾</span>
◎○○●● ●○○ ⊙●● ◎◎○◎● ○●●○● ⊙○◎⊙● ⊙●○○● ○○○
未远<span class="q">句</span>登临都在眼底<span class="q">韵</span> 人生如寄<span class="q">韵</span>漫把茱萸看子细<span class="q">韵</span>击节听高歌<span class="q">句</span>痛饮莫辞醉<span class="q">韵</span>乌帽任</span>
●● ○○○●◎● ○○⊙● ●●○○○●● ●●●○○ ●●●○● ○◎●
教<span class="q">句</span>颠倒风里坠<span class="q">韵</span>黄花明日<span class="q">句</span>纵好无情味<span class="q">韵
</span>⊙ ○●○◎● ○○○● ●●○○●
·
此调惟《逃禅集》有词二首,无别首宋词可校,平仄参下“南州初会”词。
</span>
又一体 <span class="q">双调八十一字,前后段各八句,五仄韵</span> 杨无咎</span>
南州初会遇<span class="q">韵</span>记惺惺<span class="q">读</span>说底语<span class="q">韵</span>而今精神爽<span class="q">句</span>倾下越风措<span class="q">韵</span>雍门人独夜<span class="q">句</span>客舍停杯处<span class="q">韵</span>余香应</span>
○○○●● ●○○ ●●● ○○○○● ○●●○● ●○○●● ●●○○● ○○○
未泯<span class="q">句</span>凭君重唱金缕<span class="q">韵</span> 移宫易羽<span class="q">韵</span>纵有离愁休怨诉<span class="q">韵</span>客里忒凄凉<span class="q">句</span>怕听断肠句<span class="q">韵</span>情山曲</span>
●● ○○○●○● ○○●● ●●○○○●● ●●●○○ ●●●○● ○○●
海<span class="q">句</span>君已心相许<span class="q">韵</span>骖鸾乘月<span class="q">句</span>正好同归去<span class="q">韵
</span>● ○●○○● ○○○● ●●○○●
·
此与“晓来烟露”词同,惟前段起句用韵异。
</span>
</span>
彩凤飞 一作《彩凤舞》。</span>
彩凤飞 <span class="q">双调八十一字,前段七句三仄韵,后段七句五仄韵</span> 陈 亮</span>
人立玉<span class="q">句</span>天如水<span class="q">句</span>特地如何撰<span class="q">韵</span>海南沈<span class="q">读</span>烧著欲寒犹暖<span class="q">韵</span>算从头<span class="q">句</span>有多少<span class="q">读</span>厚德阴功<span class="q">句</span>人家</span>
○●● ○○● ●●○○● ●○○ ○●●○○● ●○○ ●○● ●●○○ ○○
上<span class="q">读</span>一一旧时香案<span class="q">韵</span> 煞经惯<span class="q">韵</span>小住吾州才尔<span class="q">句</span>依然欢声满<span class="q">韵</span>莫也教<span class="q">读</span>公子王孙眼见<span class="q">韵</span>这</span>
● ●●●○○● ●○● ●●○○○● ○○○○● ●●○ ○●○○●● ●
些儿<span class="q">读</span>颖脱处<span class="q">句</span>高出书卷<span class="q">韵</span>经纶自入手<span class="q">句</span>不了判断<span class="q">韵
</span>○○ ●●● ○●○● ○○●●● ●●●●
·
此见《龙川词》,无别首宋词可校。
</span>
</span>
<h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm"> </h5>
有有令 调见《惜香乐府》。</span>
有有令 <span class="q">双调八十一字,前段八句四仄韵,后段八句七仄韵</span> 赵长卿</span>
前山减翠<span class="q">韵</span>疏竹度轻风<span class="q">句</span>日移金影碎<span class="q">韵</span>还又年华暮<span class="q">句</span>看看是<span class="q">读</span>新春至<span class="q">韵</span>那更堪<span class="q">读</span>有个人人<span class="q">句</span>似</span>
○○●● ○●●○○ ●○○●● ○●○○● ○○● ○○● ●●○ ●●○○ ●
花似玉<span class="q">句</span>温柔伶俐<span class="q">韵</span> 准拟<span class="q">韵</span>恩情海似<span class="q">韵</span>拈弄上<span class="q">读</span>则人难比<span class="q">韵</span>我也诚心一片<span class="q">句</span>你也争些气<span class="q">韵
</span>○●● ○○○● ●● ○○●● ○●● ●○○● ●●○○●● ●●○○●
大家到底如此<span class="q">韵</span>美中更美<span class="q">韵</span>厮守定<span class="q">读</span>共伊百岁<span class="q">韵
</span>●○●●○● ●○●● ●●● ●○●●
·
此本谑词,因此调无别词可录,故采以备体。
</span>
</span>
拂霓裳 唐教坊曲名。《碧鸡漫志》:拂霓裳,般涉调。《宋史·乐志》,女弟子舞队第五,有拂霓裳队。</span>
拂霓裳 <span class="q">双调八十二字,前段八句六平韵,后段八句五平韵</span> 晏 殊</span>
乐秋天<span class="q">韵</span>晚荷花缀露珠圆<span class="q">韵</span>风日好<span class="q">句</span>数行新雁贴寒烟<span class="q">韵</span>银簧调脆管<span class="q">句</span>琼柱拨清弦<span class="q">韵</span>捧觥船<span class="q">韵</span>一</span>
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声声<span class="q">读</span>齐唱太平年<span class="q">韵</span> 人生百岁<span class="q">句</span>离别易<span class="q">读</span>会逢难<span class="q">韵</span>无事日<span class="q">句</span>剩呼宾友启芳筵<span class="q">韵</span>星霜催绿</span>
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鬓<span class="q">句</span>风露损朱颜<span class="q">韵</span>惜清欢<span class="q">韵</span>又何妨<span class="q">读</span>沈醉玉尊前<span class="q">韵
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·
此调以此词为正体,晏词别首“庆生辰”词,正与此同。若“喜秋成”词之添一字衬字、押韵异同,亦变格也。 此调前后段第五、六句,例作五言对句,《珠玉集》三首皆然。 按,晏词别首“庆生辰”词,前段第六句“玉色受丝纶”,玉字仄声;结句“望九重、天上拜尧云”,九字仄声;后段第五、六句“一声檀板动,一炷蕙香焚”,两一字俱仄声。谱内可平可仄据此,余参下词。
</span>
又一体 <span class="q">双调八十三字,前段八句五平韵,后段八句六平韵</span> 晏 殊</span>
喜秋成<span class="q">韵</span>见千门万户乐升平<span class="q">韵</span>金风细<span class="q">句</span>玉池波浪縠文生<span class="q">韵</span>宿露沾罗幕<span class="q">句</span>微凉入画屏<span class="q">韵</span>张绮宴<span class="q">句
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傍熏炉蕙炷<span class="q">读</span>和新声<span class="q">韵</span> 神仙雅会<span class="q">句</span>会此日<span class="q">读</span>象蓬瀛<span class="q">韵</span>管弦清<span class="q">韵</span>旋翻红袖学飞琼<span class="q">韵</span>光阴无暂</span>
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住<span class="q">句</span>欢醉有闲情<span class="q">韵</span>祝辰星<span class="q">韵</span>愿百千万寿<span class="q">读</span>献瑶觥<span class="q">韵
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·
此与“乐秋天”词同,惟前段第二句添一衬字,第七句少押一韵,后段第三句多押一韵异。
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</span>
柳腰轻 调见《乐章集》,注中吕宫,因词有“英英妙舞腰肢软,章台柳,昭阳燕”句,取以为名。</span>
柳腰轻 <span class="q">双调八十二字,前段八句四仄韵,后段七句四仄韵</span> 柳 永</span>
英英妙舞腰肢软<span class="q">韵</span>章台柳<span class="q">句</span>昭阳燕<span class="q">韵</span>锦衣冠盖<span class="q">句</span>绮堂筵会<span class="q">句</span>是处千金争选<span class="q">韵</span>顾香砌<span class="q">读</span>丝管初</span>
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调<span class="q">句</span>倚轻风<span class="q">读</span>佩环微颤<span class="q">韵</span> 乍入霓裳促遍<span class="q">韵</span>逞盈盈<span class="q">读</span>渐催檀板<span class="q">韵</span>慢垂霞袖<span class="q">句</span>急趋莲步<span class="q">句</span>进</span>
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退奇容千变<span class="q">韵</span>笑何止<span class="q">读</span>倾国倾城<span class="q">句</span>暂回眸<span class="q">读</span>万人肠断<span class="q">韵
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·
调近《柳初新》,但《柳初新》调,前后段第六句押韵,此不押韵。又,柳词所注宫调不同,自应各为一体,无宋词别首可校。
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爪茉莉 调见《花草粹编》,《乐章集》不载。</span>
爪茉莉 <span class="q">双调八十二字,前段八句四仄韵,后段八句五仄韵</span> 柳 永</span>
每到秋来<span class="q">句</span>转添甚况味<span class="q">韵</span>金风动<span class="q">读</span>冷清清地<span class="q">韵</span>残蝉噪晚<span class="q">句</span>甚聒得<span class="q">读</span>人心欲碎<span class="q">韵</span>更休道<span class="q">读</span>宋玉多</span>
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悲<span class="q">句</span>石人也<span class="q">读</span>须下泪<span class="q">韵</span> 衾寒枕冷<span class="q">句</span>夜迢迢<span class="q">读</span>更无寐<span class="q">韵</span>深院静<span class="q">读</span>月明风细<span class="q">韵</span>巴巴望晓<span class="q">句</span>怎生</span>
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捱<span class="q">读</span>更迢递<span class="q">韵</span>料可儿<span class="q">读</span>只在枕头根底<span class="q">韵</span>等人睡<span class="q">句</span>来梦里<span class="q">韵
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·
此调无别词可校,其平仄宜依之。
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</span>
蓦山溪 《翰墨全书》,名《上阳春》;《金词》注:大石调。</span>
蓦山溪 <span class="q">双调八十二字,前后段各九句,三仄韵</span> 程 垓</span>
老来风味<span class="q">句</span>是事都无可<span class="q">韵</span>只爱小书舟<span class="q">句</span>剩围著<span class="q">读</span>琅玕几个<span class="q">韵</span>呼风约月<span class="q">句</span>随分乐生涯<span class="q">句</span>不羡富<span class="q">句
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不忧贫<span class="q">句</span>不怕乌蟾堕<span class="q">韵</span> 三杯径醉<span class="q">句</span>转觉乾坤大<span class="q">韵</span>醉后百篇诗<span class="q">句</span>尽从他<span class="q">读</span>龙吟鹤和<span class="q">韵</span>升沈万</span>
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事<span class="q">句</span>还与本来天<span class="q">句</span>青云上<span class="q">句</span>白云间<span class="q">句</span>一任安排我<span class="q">韵
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·
宋词填此调者,其字句并同,惟押韵各异。此词前后段起句及第七、八句,俱不押韵,宋人如此者甚多,自应编为正体,以下悉为类列,以备参考,其可平可仄,即参所采各词,故不复注。
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又一体 <span class="q">双调八十二字,前段九句四仄韵,后段九句三仄韵</span> 姜 夔</span>
与鸥为客<span class="q">韵</span>绿野留吟屐<span class="q">韵</span>两行柳垂阴<span class="q">句</span>是当年<span class="q">读</span>仙翁手植<span class="q">韵</span>一亭寂寞<span class="q">句</span>烟外带愁横<span class="q">句</span>荷冉冉<span class="q">句
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展凉云<span class="q">句</span>横卧虹千尺<span class="q">韵</span> 才因老尽<span class="q">句</span>秀句君休觅<span class="q">韵</span>万绿正迷人<span class="q">句</span>更愁入<span class="q">读</span>山阳夜笛<span class="q">韵</span>百年心</span>
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事<span class="q">句</span>惟有玉阑知<span class="q">句</span>吟未了<span class="q">句</span>放船回<span class="q">句</span>月下空相忆<span class="q">韵
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·
此词前段起句押韵,后段起句不押韵,按,葛胜仲“出门西笑”词,张表臣“楼横北固”词,沈会宗“想伊不住”词,杨无咎“天姿雅素”词,吴儆清“清晨早起”词,张埜“洞庭珍味”词,皆与此同。
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又一体 <span class="q">双调八十二字,前段九句三仄韵,后段九句四仄韵</span> 张 震</span>
青梅如豆<span class="q">句</span>断送春归去<span class="q">韵</span>小绿间长红<span class="q">句</span>看几处<span class="q">读</span>云歌柳舞<span class="q">韵</span>偎花识面<span class="q">句</span>对月共论心<span class="q">句</span>携素手<span class="q">句
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采香游<span class="q">句</span>踏遍西池路<span class="q">韵</span> 水边朱户<span class="q">韵</span>曾记销魂处<span class="q">韵</span>小立背秋千<span class="q">句</span>空怅望<span class="q">读</span>娉婷韵度<span class="q">韵</span>杨花扑</span>
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面<span class="q">句</span>香糁一帘风<span class="q">句</span>情脉脉<span class="q">句</span>酒厌厌<span class="q">句</span>回首斜阳暮<span class="q">韵
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·
此词前段起句不押韵,后段起句押韵。按,晁补之“金尊玉酒”词,刘子翚“浮烟冷雨”词,袁去华“蕊珠宫阙”词,谢懋“厌厌睡起”词,皆与此同。
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又一体 <span class="q">双调八十二字,前后段各九句,四仄韵</span> 张 震</span>
春光如许<span class="q">韵</span>春到江南路<span class="q">韵</span>柳眼弄晴晖<span class="q">句</span>笑梅花<span class="q">读</span>落英无数<span class="q">韵</span>峭寒庭院<span class="q">句</span>罗幕护窗纱<span class="q">句</span>金鸭暖<span class="q">句
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锦屏深<span class="q">句</span>曾记看承处<span class="q">韵</span> 云边尺素<span class="q">韵</span>何计传心缕<span class="q">韵</span>无处说相思<span class="q">句</span>空惆怅<span class="q">读</span>朝云暮雨<span class="q">韵</span>曲阑干</span>
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外<span class="q">句</span>小立近黄昏<span class="q">句</span>心下事<span class="q">句</span>眼边愁<span class="q">句</span>借问春知否<span class="q">韵
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·
此调前后段起句皆押韵。按,黄庭坚“山围江暮”词,王千秋“清明池馆”词,皆与此同。
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又一体 <span class="q">双调八十二字,前后段各九句,四仄韵</span> 易 祓</span>
海棠枝上<span class="q">句</span>留得娇莺语<span class="q">韵</span>双燕几时来<span class="q">句</span>并飞入<span class="q">读</span>东风院宇<span class="q">韵</span>梦回芳草<span class="q">句</span>绿遍旧池塘<span class="q">句</span>梨花雪<span class="q">句
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桃花雨<span class="q">韵</span>毕竟春谁主<span class="q">韵</span> 东郊拾翠<span class="q">句</span>襟袖霑飞絮<span class="q">韵</span>宝马趁雕轮<span class="q">句</span>乱红中<span class="q">读</span>香尘满路<span class="q">韵</span>十千斗</span>
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酒<span class="q">句</span>相与买春闲<span class="q">句</span>吴姬唱<span class="q">句</span>秦娥舞<span class="q">韵</span>拌醉青楼暮<span class="q">韵
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·
此词前后段第八句押韵,其两起句不押韵,宋词惟此一首。
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又一体 <span class="q">双调八十二字,前后段各九句,五仄韵</span> 周邦彦</span>
楼前疏柳<span class="q">句</span>柳外无穷路<span class="q">韵</span>翠色四天垂<span class="q">句</span>数峰青<span class="q">读</span>高城阔处<span class="q">韵</span>江湖病眼<span class="q">句</span>偏向此山明<span class="q">句</span>愁无语<span class="q">韵
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空凝伫<span class="q">韵</span>两两昏鸦去<span class="q">韵</span> 平康巷陌<span class="q">句</span>往事如花雨<span class="q">韵</span>十载却归来<span class="q">句</span>倦追寻<span class="q">读</span>酒旗戏鼓<span class="q">韵</span>今宵幸</span>
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有<span class="q">句</span>人似月婵娟<span class="q">句</span>霞袖举<span class="q">韵</span>杯深注<span class="q">韵</span>一曲黄金缕<span class="q">韵
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·
此词前后段第七、八句俱押韵,其两起句不押韵。按,李之仪“青楼薄幸”词,晁补之“扬州全盛”词,周紫芝“月眉星眼”词,皆与此同。
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又一体 <span class="q">双调八十二字,前段九句五仄韵,后段九句四仄韵</span> 贺 铸</span>
楚乡新岁<span class="q">韵</span>不放残寒退<span class="q">韵</span>月晓桂娥闲<span class="q">句</span>弄珠英<span class="q">读</span>因风委坠<span class="q">韵</span>清淮铺练<span class="q">句</span>十二玉峰前<span class="q">句</span>上帘栊<span class="q">句
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招佳丽<span class="q">韵</span>置酒成高会<span class="q">韵</span> 江南芳信<span class="q">句</span>目断何人寄<span class="q">韵</span>应占镜边春<span class="q">句</span>想晨妆<span class="q">读</span>膏浓压翠<span class="q">韵</span>此时乘</span>
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兴<span class="q">句</span>半道忍回桡<span class="q">句</span>五云溪<span class="q">句</span>门深闭<span class="q">韵</span>璧月长相对<span class="q">韵
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·
此词前段起句及前后段第八句,皆押韵。
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又一体 <span class="q">双调八十二字,前后段各九句,五仄韵</span> 万俟咏</span>
芳菲叶底<span class="q">韵</span>谁会秋工意<span class="q">韵</span>深绿护轻黄<span class="q">句</span>怕青女<span class="q">读</span>霜侵憔悴<span class="q">韵</span>开分早晚<span class="q">句</span>都占九秋天<span class="q">句</span>花四出<span class="q">句
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香十里<span class="q">韵</span>独步珠宫里<span class="q">韵</span> 佳名岩桂<span class="q">韵</span>却是因遗子<span class="q">韵</span>不自月中来<span class="q">句</span>又那得<span class="q">读</span>萧萧风味<span class="q">韵</span>霓裳旧</span>
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曲<span class="q">句</span>休问广寒人<span class="q">句</span>飞大白<span class="q">句</span>酬仙蕊<span class="q">韵</span>香外无香比<span class="q">韵
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此词前后段起句及前后段第八句,皆押韵。
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又一体 <span class="q">双调八十二字,前段九句五仄韵,后段九句六仄韵</span> 黄庭坚</span>
鸳鸯翡翠<span class="q">句</span>小小思珍偶<span class="q">韵</span>眉黛敛秋波<span class="q">句</span>尽湖南<span class="q">读</span>山明水秀<span class="q">韵</span>婷婷袅袅<span class="q">句</span>恰近十三余<span class="q">句</span>春未透<span class="q">韵
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花枝瘦<span class="q">韵</span>正是愁时候<span class="q">韵</span> 寻花载酒<span class="q">韵</span>肯落谁人后<span class="q">韵</span>只恐远归来<span class="q">句</span>绿成阴<span class="q">读</span>青梅如豆<span class="q">韵</span>心期得</span>
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处<span class="q">句</span>每自不由人<span class="q">句</span>长亭柳<span class="q">韵</span>君知否<span class="q">韵</span>千里犹回首<span class="q">韵
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此词前后段第七、八句及换头句,皆押韵。
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又一体 <span class="q">双调八十二字,前段九句六仄韵,后段九句五仄韵</span> 晁端礼</span>
轻衫短帽<span class="q">韵</span>重入长安道<span class="q">韵</span>屈指十年中<span class="q">句</span>一回来<span class="q">读</span>一回渐老<span class="q">韵</span>朋游在否<span class="q">句</span>落托更能无<span class="q">句</span>朱弦悄<span class="q">韵
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知音少<span class="q">韵</span>拨断相思调<span class="q">韵</span> 花边柳外<span class="q">句</span>潇洒愁重到<span class="q">韵</span>深院锁春风<span class="q">句</span>悄无人<span class="q">读</span>桃花自笑<span class="q">韵</span>金钗一</span>
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股<span class="q">句</span>拟欲问音尘<span class="q">句</span>天杳杳<span class="q">韵</span>波渺渺<span class="q">韵</span>何处寻蓬岛<span class="q">韵
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此词前段起句及前后段第七、八句,皆押韵。
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又一体 <span class="q">双调八十二字,前后段各九句,六仄韵</span> 石孝友</span>
莺莺燕燕<span class="q">韵</span>摇荡春光懒<span class="q">韵</span>时节近清明<span class="q">句</span>雨初晴<span class="q">读</span>娇云弄暖<span class="q">韵</span>醉红湿翠<span class="q">句</span>春意酿成愁<span class="q">句</span>花似染<span class="q">韵
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草如剪<span class="q">韵</span>已是春强半<span class="q">韵</span> 小鬟微盼<span class="q">韵</span>分付多情管<span class="q">韵</span>痴騃不知愁<span class="q">句</span>想怕晚<span class="q">读</span>贪春未惯<span class="q">韵</span>主人好</span>
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事<span class="q">句</span>应许玳筵开<span class="q">句</span>歌眉敛<span class="q">韵</span>舞腰软<span class="q">韵</span>怎便轻分散<span class="q">韵
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此词前后段起句及第七、八句,皆押韵,石词别首“醉魂初醒”词,正与此同。
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又一体 <span class="q">双调八十二字,前段九句三仄韵,后段九句五仄韵</span> 欧阳修</span>
新正初破<span class="q">句</span>三五银蟾满<span class="q">韵</span>纤手染香罗<span class="q">句</span>剪红莲<span class="q">读</span>满城开遍<span class="q">韵</span>楼台上下<span class="q">句</span>歌管咽春风<span class="q">句</span>驾香轮<span class="q">句
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停宝马<span class="q">句</span>只待金乌晚<span class="q">韵</span> 帝城今夜<span class="q">句</span>罗绮谁为伴<span class="q">韵</span>应下紫姑神<span class="q">句</span>问归期<span class="q">读</span>相思望断<span class="q">韵</span>天涯情</span>
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绪<span class="q">句</span>对酒且开颜<span class="q">句</span>春宵短<span class="q">韵</span>春寒浅<span class="q">韵</span>莫待金杯暖<span class="q">韵
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此词前段第七、八句不用韵,后段第七、八句用韵。按,毛滂“东堂先晓”词,朱敦儒“东风不住”词,吴儆“园林何有”词,皆与此同。 按,此调宋人押韵,颇有异同,如黄庭坚词,两结“斜枝倚,风尘里,不带风尘气”、“书漫写,梦空来,只有相思是”,前段第七、八句俱押韵,后段第七、八句却不用韵。张孝祥词,两结“绣工慵,围棋倦,香篆频销印”、“禽声喜,流云尽,明日春游俊”,前段第七、八句,后段第七句,俱不押韵,惟第八句押韵。周邦彦词,两结“山四倚,云渐起,鸟度屏风里”、“因甚个,烟霞底,偏爱尊羹美”,前段第七、八句,后段第八句押韵,惟第七句不押韵,皆韵脚参差,不可为法,故不编入。
</span>
又一体 <span class="q">双调八十三字,前后段各九句,三仄韵</span> 陆 游</span>
穷山孤垒<span class="q">句</span>腊尽春初破<span class="q">韵</span>寂寞掩空斋<span class="q">句</span>好一个<span class="q">读</span>无聊赖底我<span class="q">韵</span>啸台龙岫<span class="q">句</span>随分有云山<span class="q">句</span>临浅</span>
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濑<span class="q">句</span>荫长松<span class="q">句</span>闲据交床坐<span class="q">韵</span> 三杯径醉<span class="q">句</span>不觉纱巾堕<span class="q">韵</span>画角唤人归<span class="q">句</span>落梅村<span class="q">读</span>篮舆夜过<span class="q">韵
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城门渐近<span class="q">句</span>几点妓衣红<span class="q">句</span>官驿外<span class="q">句</span>酒垆前<span class="q">句</span>也有闲灯火<span class="q">韵
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此词前段第四句五字,较各家多一字,盖衬字也,减去赖字,即是程垓词体。
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千秋岁引 《高丽史·乐志》,名《千秋岁令》;李冠词,名《千秋万岁》。</span>
千秋岁引 <span class="q">双调八十二字,前段八句四仄韵,后段八句五仄韵</span> 王安石</span>
别馆寒砧<span class="q">句</span>孤城画角<span class="q">韵</span>一派秋声入寥廓<span class="q">韵</span>东归燕从海上去<span class="q">句</span>南来雁向沙头落<span class="q">韵</span>楚台风<span class="q">句</span>庾楼</span>
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月<span class="q">句</span>宛如昨<span class="q">韵</span> 无奈被些名利缚<span class="q">韵</span>无奈被他情担阁<span class="q">韵</span>可惜风流总闲却<span class="q">韵</span>当初漫留华表语<span class="q">句
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而今误我秦楼约<span class="q">韵</span>梦阑时<span class="q">句</span>酒醒后<span class="q">句</span>思量著<span class="q">韵
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此即《千秋岁》调,添字减字、摊破句法,自成一体,与《千秋岁》较,惟前段第二句减一字,后段第一句、第二句各添二字,第三句添一字,前后段第四、五句各添两字,结句各减一字、摊破作三字两句,其源实出于《千秋岁》。《词律》疏于考据,类列于《千秋岁》后,又云两调迥别。故为两列而论之如此。 此调始于此词,自应以此词为定格,若李冠一词,无名氏二词,则又从此词添字耳,可平可仄,即参下三词句法同者。
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又一体 <span class="q">双调八十四字,前段八句四仄韵,后段八句五仄韵</span> 李 冠</span>
杏花好<span class="q">句</span>子细君须辨<span class="q">韵</span>比早梅深<span class="q">读</span>夭桃浅<span class="q">韵</span>把鲛绡<span class="q">读</span>淡拂鲜红色<span class="q">句</span>蜡融紫萼重重现<span class="q">韵</span>烟外悄<span class="q">句
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风中笑<span class="q">句</span>香满院<span class="q">韵</span> 欲绽全开俱可羡<span class="q">韵</span>粹美妖娇无处选<span class="q">韵</span>除卿卿是寻常见<span class="q">韵</span>倚天真<span class="q">读</span>艳冶轻</span>
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朱粉<span class="q">句</span>分明洗出胭脂面<span class="q">韵</span>追往事<span class="q">句</span>绕芳榭<span class="q">句</span>千千遍<span class="q">韵
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此即王词体,惟前段起句三字,第二句五字,第三句上四下三、作折腰句法,前后段第四句各添一衬字异。
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又一体 <span class="q">双调八十五字,前段八句五仄韵,后段八句七仄韵、一叠韵</span> <span class="q">《高丽史·乐志》</span>无名氏</span>
想风流态<span class="q">句</span>种种般般媚<span class="q">韵</span>恨别离时太容易<span class="q">韵</span>香笺欲写相思意<span class="q">韵</span>相思泪滴香笺字<span class="q">韵</span>画堂深<span class="q">句</span>银烛</span>
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暗<span class="q">句</span>重门闭<span class="q">韵</span> 似当日欢娱何日遂<span class="q">韵</span>愿早早相逢重设誓<span class="q">韵</span>美景良辰莫轻弃<span class="q">韵</span>鸳鸯帐里鸳鸯</span>
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被<span class="q">韵</span>鸳鸯枕上鸳鸯睡<span class="q">韵</span>似恁地<span class="q">韵</span>长恁地<span class="q">叠</span>千秋岁<span class="q">韵
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此亦王词体,惟前段第二句添一字,后段第一、二句各添一衬字,前后段第四句各多押一韵,后段第六、七句多一押韵、叠韵异。
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又一体 <span class="q">双调八十七字,前段八句四仄韵,后段八句五仄韵</span> <span class="q">《翰墨全书》</span>无名氏</span>
词赋伟人<span class="q">句</span>当代一英杰<span class="q">韵</span>信独步儒林<span class="q">读</span>蟾宫客<span class="q">韵</span>名登雁塔正青春<span class="q">句</span>更不历<span class="q">读</span>郡县徒劳力<span class="q">韵</span>即趋</span>
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朝<span class="q">句</span>典文衡<span class="q">句</span>居花掖<span class="q">韵</span> 得雋词科推第一<span class="q">韵</span>便掌丝纶天上尺<span class="q">韵</span>见说庆生辰<span class="q">读</span>当此日<span class="q">韵</span>翠蓂三</span>
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四叶方新<span class="q">句</span>况朱明<span class="q">读</span>正属清和节<span class="q">韵</span>行作个<span class="q">句</span>黑头公<span class="q">句</span>专调燮<span class="q">韵
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此亦王词体,惟前段第二句添一字,前后段第三句、第五句各多一衬字异。
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早梅芳 一名《早梅芳近》。</span>
早梅芳 <span class="q">双调八十二字,前后段各九句,五仄韵</span> 周邦彦 </span>
缭墙深<span class="q">句</span>丛竹绕<span class="q">韵</span>宴席临清沼<span class="q">韵</span>微呈纤履<span class="q">句</span>故隐烘帘自嬉笑<span class="q">韵</span>粉香妆晕薄<span class="q">句</span>带紧腰围小<span class="q">韵</span>看鸿</span>
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惊凤翥<span class="q">句</span>满座叹轻妙<span class="q">韵</span> 酒醒时<span class="q">句</span>会散了<span class="q">韵</span>回首城南道<span class="q">韵</span>河阴高转<span class="q">句</span>露脚斜飞夜将晓<span class="q">韵</span>异乡</span>
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淹岁月<span class="q">句</span>醉眼迷登眺<span class="q">韵</span>路迢迢<span class="q">句</span>恨满千里草<span class="q">韵
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此调以此词为正体,周词别首“花竹深”词,陈允平和词二首,正与此同,若李词、无名氏词之句读异同,皆变格也。 吕渭老词,后段结句“佳期定,约期了”,疑有脱字,故不编入。 此词前后段第五句,例作拗句,第六、七句,例作五言对偶,填者仍之。 按,周词别首,前段起句“花竹深”,花字平声,竹字仄声;吕词。第四句“风声约雨”,约字仄声;陈词,第六句“风帘银烛暗”,风字平声;吕词,第七句“匀脸霞相照”,匀字平声;吕词,后段第六句“犀心通密语”,犀字平声;陈词,结句“琼箫声满杳”,琼字、箫字俱平声。谱内可平可仄据此,余参所采二词。 李词,前段结句第三字平声,后段结句第四字平声,查诸和周词,此两字无不用仄者,故此词不与参校。
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又一体 <span class="q">双调八十二字,前后段各九句,五仄韵</span> 李之仪</span>
雪初晴<span class="q">句</span>陡觉寒将变<span class="q">韵</span>已报梅梢暖<span class="q">韵</span>日边霜外<span class="q">句</span>迤逦枝条自柔软<span class="q">韵</span>嫩苞匀点缀<span class="q">句</span>绿萼轻裁剪<span class="q">韵
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隐深心<span class="q">句</span>未许清香散<span class="q">韵</span> 渐融和<span class="q">句</span>开欲遍<span class="q">韵</span>密处疑无间<span class="q">韵</span>天然标韵<span class="q">句</span>不与群花斗深浅<span class="q">韵</span>夕阳</span>
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波似动<span class="q">句</span>曲水风犹懒<span class="q">韵</span>最销魂<span class="q">句</span>弄影无人见<span class="q">韵
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·
此与周词同,惟前段第二句添二字,第八句减二字异。 前后段两结句,俱作仄仄平平仄,与诸家不同。 按,汲古阁本《姑溪词》,此词前段第二句,仍作三字,第八句空白二字,今从《花草粹编》订正。
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又一体 <span class="q">双调八十二字,前后段各九句,五仄韵</span> <span class="q">《梅苑》</span>无名氏</span>
冰唯清<span class="q">句</span>玉唯润<span class="q">韵</span>清润无风韵<span class="q">韵</span>此花风韵<span class="q">句</span>清润自然傅香粉<span class="q">韵</span>故应春意别<span class="q">句</span>不使凡英混<span class="q">韵</span>到春</span>
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前腊后<span class="q">句</span>长是寄芳信<span class="q">韵</span> 此情闲<span class="q">句</span>此意远<span class="q">韵</span>一点萦方寸<span class="q">韵</span>风亭水馆<span class="q">句</span>解与行人破离恨<span class="q">韵</span>广寒</span>
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宫未有<span class="q">句</span>姑射山曾认<span class="q">韵</span>向雪中月下<span class="q">句</span>吟未尽<span class="q">韵
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此亦周词体,惟后结作五字一句、三字一句异。
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新荷叶 蒋氏《九宫谱》,作正宫引子;赵抃词,名《折新荷引》,又因词中有“画桡稳,泛兰舟”句,或名《泛兰舟》,然与仄韵《泛兰舟》调迥别。</span>
新荷叶 <span class="q">双调八十二字,前后段各八句,四平韵</span> 黄 裳</span>
落日衔山<span class="q">句</span>行云载雨俄鸣<span class="q">韵</span>一顷新荷<span class="q">句</span>坐间总是秋声<span class="q">韵</span>烟波醉客<span class="q">句</span>见快哉<span class="q">读</span>风恼娉婷<span class="q">韵</span>香和清</span>
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点<span class="q">句</span>为人吹在衣襟<span class="q">韵</span> 珠佩欢言<span class="q">句</span>放船且向前汀<span class="q">韵</span>绿伞红幢<span class="q">句</span>自从天汉相迎<span class="q">韵</span>飞鸿独落<span class="q">句</span>芦</span>
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边对<span class="q">读</span>几朵繁英<span class="q">韵</span>侑觞人唱<span class="q">句</span>乍闻应似湘灵<span class="q">韵
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此调以此词及赵彦端词为正体,宋人皆如此填,若赵抃词之句读不同,赵长卿词之句读参差,皆变格也。 此词换头句不押韵,侯寘“柳幄飞绵”词,郑斗焕“乳鸭池塘”词,正与此同。 按,侯词,前段第二句“风池烟泛新萍”,烟字平声;郑词,后段结句“鸳鸯催起歌声”,鸳字平声;辛弃疾词,前段起句“人已归来”,人字平声;第四句“游丝尽日低飞”,游字平声;第五句“兔葵燕麦”,兔字仄声;第七、八句“小窗人静,棋声似解重围”,小字仄声,棋字平声,似字仄声;后段第四句“朝来翠扑人衣”,朝字平声;第六句“问骋怀游日谁知”,骋字仄声,怀字平声。谱内可平可仄据此,余参所采诸词。至前段第二句“零落一顷为萁”,落字入声,此以入代平,查宋词此字,俱用平声,故不校注。
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又一体 <span class="q">双调八十二字,前段八句四平韵,后段八句五平韵</span> 赵彦端</span>
欲暑还凉<span class="q">句</span>如春有意重归<span class="q">韵</span>春若归来<span class="q">句</span>任他莺老花飞<span class="q">韵</span>轻雷澹雨<span class="q">句</span>似晚风<span class="q">读</span>欺得单衣<span class="q">韵</span>檐声惊</span>
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醉<span class="q">句</span>起来新绿成围<span class="q">韵</span> 回首分携<span class="q">韵</span>光风冉冉菲菲<span class="q">韵</span>曾几何时<span class="q">句</span>故山疑梦还非<span class="q">韵</span>鸣琴再抚<span class="q">句</span>将</span>
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清恨<span class="q">读</span>都入金徽<span class="q">韵</span>永怀桥下<span class="q">句</span>系船溪柳依依<span class="q">韵
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此与黄词同,惟换头句押韵异。按,辛弃疾词四首,赵词二首,皆如此填。
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又一体 <span class="q">双调八十二字,前后段各八句,四平韵</span> 赵 抃</span>
日晚芳塘<span class="q">句</span>圆荷嫩绿新抽<span class="q">韵</span>越女轻盈<span class="q">句</span>画桡稳泛兰舟<span class="q">韵</span>波光艳粉<span class="q">句</span>红相间<span class="q">读</span>脉脉娇羞<span class="q">韵</span>菱歌隐</span>
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隐渐遥<span class="q">句</span>依约回眸<span class="q">韵</span> 堤上郎心<span class="q">句</span>波间妆影迟留<span class="q">韵</span>不觉归时<span class="q">句</span>暮天碧衬蟾钩<span class="q">韵</span>残蝉噪晚<span class="q">句</span>余</span>
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霞映<span class="q">读</span>几点沙鸥<span class="q">韵</span>渔笛不道有人<span class="q">句</span>独倚危楼<span class="q">韵
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此与黄词同,惟前后段两结,俱作六字一句、四字一句异。
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又一体 <span class="q">双调八十二字,前后段各八句,四平韵</span> 赵长卿</span>
冷彻蓬壶<span class="q">句</span>翠幢鼎鼎生香<span class="q">韵</span>十顷琉璃<span class="q">句</span>望中无限清凉<span class="q">韵</span>遮风掩日<span class="q">句</span>高低衬<span class="q">读</span>密护红妆<span class="q">韵</span>阴阴湖</span>
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里<span class="q">句</span>羡他双浴鸳鸯<span class="q">韵</span> 猛忆西湖<span class="q">句</span>当年一梦难忘<span class="q">韵</span>折得曾将盖雨<span class="q">句</span>归思如狂<span class="q">韵</span>水云千里<span class="q">句</span>不</span>
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堪更<span class="q">读</span>回首思量<span class="q">韵</span>而今把酒<span class="q">句</span>为伊沈醉何妨<span class="q">韵
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此亦黄词体,惟后段第三句六字,第四句四字异。按,赵彦端“玉井冰壶”词,后段第三、四句“况有双轓旧谱,黄阁清油”,正与此同。
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</span>
南州春色 调见元陶豰《辍耕录》,因词中有“管取南州春色”句,取以为名。</span>
南州春色 <span class="q">双调八十二字,前段九句四平韵,后段八句三平韵</span> 汪梅溪</span>
清溪曲<span class="q">句</span>一株梅<span class="q">韵</span>无人偢采<span class="q">句</span>独立古墙隈<span class="q">韵</span>莫恨东风吹不到<span class="q">句</span>著意挽春回<span class="q">韵</span>一任天寒地冻<span class="q">句</span>南</span>
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枝香动<span class="q">句</span>花傍一阳开<span class="q">韵</span> 更待明年首夏<span class="q">句</span>酸心结子<span class="q">句</span>天自栽培<span class="q">韵</span>金鼎调羹<span class="q">句</span>仁心犹在<span class="q">句</span>还种</span>
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取<span class="q">读</span>无限根荄<span class="q">韵</span>管取南州春色<span class="q">句</span>都自此中来<span class="q">韵
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《花草粹编》有此词,采之《辍耕录》,为汪梅溪作,元人也,其名无考,其平仄亦无别词可校。
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